Alas, it was still cut.

The original intention of this book was to write a story about tower defense in the early stage, exploration in the middle stage, and the development of the territory, but it turned out to be written and written, and the more I wrote, the more I felt that the sense of separation was very serious, and the new book also made the same mistake.

The outline has been revised several times beyond recognition, and even if you can write the paragraph of the old city, it will be difficult to come back later.

You shouldn't have added a spooky element in the first place...

The outline of the follow-up is as follows:

The plot here in the Old City mainly involves a very special setting in this book:

Three in one.

This setting has never been mentioned, but in fact, in the early days, when the missionary protagonist learned that the founder of the Anomalous Creatures Research Society was Jesus, it had already begun to be foreshadowed.

In the mythological background of Christianity, God has three persons, namely the Son, the Father, and the Holy Spirit.

This setting also reminds me of Taoism's concept of the past, present, and future of Buddhism.

That's why my design in the book is: in order to become a true God, you must incarnate into three bodies, merge into one, and achieve divine status.

The various gods and chaos gods and lonely kings mentioned in the book are not really gods.

And the Crimson King, who has not completely disappeared, wants to achieve the true god personality through the layout.

She puts the divine side of the ontology in the lost place to suppress the weird.

And the demonic side is divided into the blood god.

It was also after the death of the blood god that he turned into a source of pollution and dragged the old city into darkness.

The crimson inheritance inherited by the protagonist is the human side of the Crimson King.

(This is a revised outline intended to end in the Old City)

The system guides the protagonist to the city of the old days, just to let him integrate into the demonic side of Crimson, and the token of the Crimson King he obtained in the early stage can allow him to open the door to the Lost Land at this time, find the divine side, and create a true god in this way to solve the strange pollution of the main world.

Of course.

In the calculation of the system, in the end, it makes no difference whether the protagonist suppresses Crimson's consciousness to keep himself, or sends the protagonist away and awakens Crimson.

This should be considered a bad ending.

Because I can't think of the slightest chance that the protagonist will have the slightest chance of winning when Crimson's consciousness awakens...

Although the protagonist of this book hangs all the way and crushes his opponents, it still maintains a desperate tone in essence, and I think it would be more appropriate to end it with a bad ending at the end...

If it is the original outline:

That is, according to the normal route of development, build their own territory, constantly improve their strength and power, fight against the lords of the chaotic camp, and finally the protagonist through his own ability, and the power of the life source stone obtained in the early stage, to create a pure land in the chaotic world.

Of course, in this ending, the weird pollution still can't be solved in the end.

Because I originally designed the weird energy from the erosion of the higher planes, after coming from the "door", the ending will be stuck after the protagonist breaks everything, the moment after entering the door (yes, I actually have the ambition to write a sequel... ）

But now I can't even stick to the first work, alas.

I'm sorry, but after a month or two of adjustments, I still have bad news for everyone!

I'm also very sorry for all the book friends who have always supported me!