Following the tone of Akina Nakamori, after blowing a wave of Cao Zhiqiang together, Nagayama Kozo returned to the topic.

"In short, the drama "101 Marriage Proposals" is off to a good start, and the ratings of the first episode are more than forty, which is already a very unexpected achievement."

Indeed, if Cao Zhiqiang was here, he would also be surprised.

After all, the ratings of 41% have far exceeded Cao Zhiqiang's achievements in his previous life.

You must know that in Cao Zhiqiang's previous life, although "101 Marriage Proposals" was also a big hit, the ratings were only 36.7 percent, which was close to the 40 percent mark, but it was still a little far away.

Because the ratings have passed 35 percent, every time it increases in the future, it must be supported by a large number of viewers, which is very difficult.

But on second thought, this achievement can be justified.

Cao Zhiqiang's "101 Marriage Proposals" in his previous life was a drama of the Heisei era, and the broadcast time was 1991.

In the Heisei era, that is, after 1989, with the increasingly fierce competition among Japan's major TV stations, coupled with the rise of various entertainment modes such as DVDs, videotapes, and video games, Japanese people's enthusiasm for watching TV dramas has decreased a lot, and the ratings can no longer be compared with those in the 80s.

In other words, in Asian countries in the 80s, the ratings were generally high, which was mainly due to the lack of entertainment.

Just like the current domestic country, there are very few TVs, and there are few TV stations, and if there is a TV series, no matter how garbage there is, a bunch of people will rush to watch it.

So at this time, the domestic ratings are often fifty or sixty, and slightly better dramas, such as "Desire", have rushed to 96% of the ratings alone, becoming the ratings ceiling of domestic TV dramas.

It is said that when "Desire" was broadcast in China, there was no one on the interface in many cities, and everyone was chasing dramas at home.

In the same way, like the 83 version of "The Legend of the Condor Heroes" and so on, which were broadcast later, they also caused a situation where thousands of people were empty, and everyone was busy chasing dramas at home.

Although the situation in Japan is a little better, after all, the TV industry developed earlier and the penetration rate of TV sets is higher.

But the problem is that in 1983, the production level and quality of Japanese TV dramas were also very average, and the content was either old-fashioned criminal investigation dramas, historical dramas, or ordinary family dramas, which could not be compared with the blooming flowers of the Heisei era.

For example, Japan has been broadcasting since 1969, and the historical drama "Mito Yellow Gate" is currently on the air.

As for this historical drama, strictly speaking, the plot is old-fashioned, and it is a typical Japanese historical drama.

If you put this drama after the 90s, you can only rely on feelings to eat.

But in the eighties, the ratings of the long-lived drama "Mito Yellow Gate" were surprisingly high.

As long as this drama is broadcast, it can rush to more than 30% casually.

And as early as 1979, this drama hit a rating of 43.7%, which is the proper ratings champion of Japanese dramas so far.

and "Roaring to the Sun", which has been broadcast since 1972, if Cao Zhiqiang is allowed to watch this criminal investigation drama, he will only pick his toes in embarrassment.

Later, the so-called "running towards the sunset" stalk actually originated from this drama.

This drama has 718 episodes in the first season alone, and it is simply an old lady's footwrap, smelly and long.

is such a serious water-injected TV series, and the ratings are also terrifying, after 61 episodes, the ratings have stabilized at more than 20%.

So far, the show's highest ratings have exceeded 30%.

In addition, the first season of "Three Years Group B Mr. Jinba" starring Tetsuya Takeda, in March 1980, the ratings of the last episode were as high as 39.9%, and the difference was 0.1 points to enter the 40 mark.

Takeda Tetsuya is also known for this drama.

After this drama, Takeda Tetsuya starred in the second season of "Three Years Group B Mr. Jinba", and the ratings of the last episode also rushed to 34.8%, although it was not as good as the last episode of the first season, but it was also high and terrifying.

and the movie "Criminal Story" written and acted by him, which is still very popular.

Especially in China, this series of movies is more widely known.

For example, the Katayama criminal police in the film, many Chinese people know it.

In other words, in 1983, Takeda Tetsuya was not inconspicuous, but he was a proper first-line TV drama actor, and it was also a guarantee of ratings, which was originally difficult to invite.

Cao Zhiqiang didn't know Takeda Tieya's current status in Japanese dramas, so he rashly said that he invited Takeda Tieya.

If it weren't for the fact that Cao Zhiqiang was facing the son of a wealthy family such as Nagayama Kozo, he would definitely be embarrassed if he changed to a choreographer.

After all, you are a new drama written by a newcomer, how can you ask for the guarantee of the current Japanese drama ratings, Takeda Tetsuya?

But Yongshan Geng is out of the horse for three times, and Takeda Tetsuya must sell this face.

This is also the reason why everyone was so tolerant of him after Takeda Tetsuya was late, and his status was really there.

But Kyoko Koizumi, who was also late, even if she was a little late, her attitude was more sincere, and she knelt down.

However, everyone was very unfriendly to Koizumi Kyoko at that time, if it weren't for Akina Nakamori coming out in time and Cao Zhiqiang being present, I'm afraid that Koizumi Kyoko's drama would be yellow.

To put it bluntly, this is caused by the difference in coffee positions.

From this point of view, the first episode of "101 Marriage Proposals" can have a rating of 41% at this time, in addition to Cao Zhiqiang's publicity in place, Takeda Tetsuya's appeal is also crucial.

Of course, the biggest reason is the cleverness of the commercial.

After all, at present, the whole of Japan is showing "Love in the Rain", especially among young people, who have a rain stroke and begin to like to go to the gazebo on a rainy day to drink and eat peanuts.

I think about how Korean dramas poisoned young people in China when they first came to China, and how "Love in the Rain" at this time poisoned young people in Japan.

This is not surprising, after all, the core of "Love in the Rain" is "The Garden of Words", this animated film is originally won by artistic conception, and the artistic conception in it is basically liked by the Japanese.

Interestingly, in Cao Zhiqiang's previous life, the Japanese audience who liked "The Garden of Words and Leaves" the most were not young people such as the post-90s and post-00s at that time, but those middle-aged and elderly people.

In other words, the group of people who like "The Garden of Words and Leaves" are actually mainly the post-60s and post-70s, and this generation likes this kind of artistic conception movie the most.

In the 80s, the post-60s generation had a very strong ability to watch movies, far exceeding the post-40s and post-50s.

And the post-50s generation also likes the content and artistic conception in "The Garden of Words".

And "Love in the Rain" is an enhanced live-action version of "The Garden of Words", not only the picture is better, the music is more beautiful, the story is fuller, and the characters are more three-dimensional, so it is used to play in 1983, which is simply a dimensionality reduction blow.

Frankly speaking, whether it is a movie or a TV series, the better it will be in the future.

Because the further back, the more the audience watches, the more they know, the higher the requirements, and the more delicate the taste.

It's like cooking, when there are no seasonings at the beginning, boiled cabbage with a little salt is delicious.

But with monosodium glutamate, that is, monosodium glutamate, boiled cabbage in brine is not fragrant, you not only have to add monosodium glutamate, but also have to find a way to add pork, chili peppers, vermicelli and so on.

After monosodium glutamate, there is disodium nucleotide, that is, chicken essence, and then the second generation of seasonings, what inosinate, guanylate, cytidylate, flavours, and then the third generation, the fourth generation, the fifth generation, and various freshness enhancers emerge in endlessly.

Under this generational change, the taste buds of human beings have also changed, and if you eat something from the 80s, you will feel tasteless.

Of course, some people may say that the things of the 80s are natural and really delicious, but these people are just the people who lived in the 80s when they were children, such as the post-60s, post-70s, and post-80s.

If you change the 90s to the early 80s, it is really hard to swallow.

Cao Zhiqiang still remembers that when he first crossed over, he really couldn't get used to eating domestic food here.

If it weren't for Cao Zhiqiang's system, the system also gave him all kinds of high-end ingredients and high-end seasonings, and he secretly put MSG at home and ate high-end ingredients, I'm afraid he would be really hungry before he was willing to eat.

Why did Cao Zhiqiang like to stew meat and chicken at home and eat canned food at every turn when he first crossed over, instead of stir-frying? It's not that Cao Zhiqiang's stir-fry level is not good, or that the firepower of the gas tank is insufficient, but that the seasoning is not good.

At this time, the domestic seasonings are basically salt and monosodium glutamate, and then soy sauce and vinegar, but the taste of these seasonings is almost a problem.

People who are accustomed to eating technology and hard work, and then go to eat pure natural, naturally a little uncomfortable.

Cao Zhiqiang is because there are a lot of high-end ingredients as a base, so there is no problem.

After all, the real high-end ingredients do not need to be complicated to cook, they are synonymous with deliciousness, and the simpler the cooking method, the better.

In the same way, the movies of the early 80s, compared with the same country vertically, are definitely not as good as the movies of 2,000 years later.

If you compare it side-by-side, it is definitely that the movies of developed countries are better than those of developing countries.

For example, American Hollywood movies are definitely better than Japanese movies, and Japanese movies are better than domestic mainland movies, and the reason is the same.

There are also Xiangjiang movies, which are famous because they rely on the development and prosperity of Xiangjiang.

If Xiangjiang is poor and jingle, it will not be able to create so many good movies at the same income level as in China.

Cao Zhiqiang's "Love in the Ancient Pavilion", called "Love in the Rain" in Japanese, although it is a domestic movie, but the foundation is the animated film "The Garden of Words" released in Japan in 2013.

Based on Japanese films in the early 21st century, coupled with the music of the later period, combined with the characteristics of the times in their own country, and then using Cao Zhiqiang's systematic ability to add some special effects to beautify, the final film created is particularly in line with the aesthetics of the Japanese and the taste of the Japanese, as if it tickled their flesh.

Therefore, it is difficult to say in other regions, but at least here in Japan, the popularity of "Love in the Rain" is getting higher and higher, and it is continuous, and it has the potential to catch up with and surpass "ET Alien".

You must know that "ET Alien", which was released in Japan in early 1983, was a milestone, and its total box office of 9.62 billion yen was unprecedented, and in the next fifteen years, there has never been such a high box office, and there is no close.

According to the history of Cao Zhiqiang's previous life, the box office of Japanese movies began in 1984 and lasted until 1992, during this period, whether it was a local film or an imported film, one was counted as one, and none of them exceeded 6 billion yen.

Therefore, this period is also called the downturn of Japanese films.

It wasn't until 1993 that an imported blockbuster "Jurassic Park" came out, which rushed to 8.3 billion yen at the box office, and then it began to slump again.

This slump lasted until 1997, when "Princess Mononoke" began to be released, and the box office suddenly made a big breakthrough, hitting the 11.3 billion yen mark in one fell swoop.

What does this like this illustrate?

It shows that it is not that Japan lacks the ability to watch movies, but that there are not enough good movies.

If there is a good movie, such as "E.T. the Extra-Terrestrial", even if it was released in 1983, it can still achieve a good result of 9.62 billion yen.

The main reason for this is that most Japanese filmmakers are dying of old age, shooting around on those themes, and lacking in innovation ability, and they are not even as good as Xiangjiang films of the same period, let alone Hollywood movies.

The same goes for Japanese TV dramas.

The highlight moment of Japanese dramas is still the Heisei period.

Now at the end of the Showa period, Japanese dramas generally pull their hips and eat their old books, that is, they don't have much knowledge in China during the same period, so they don't want to be moved by Japanese dramas, and watching "Blood Suspicion" can be empty.

If you let the people of Xiangjiang in the same period watch "Blood Suspicion", I promise to roll your eyes first, and then have a he, tui!

There is no way, the Xiangjiang movies and TV series in the same period, in terms of theme and rhythm, are violent Japanese dramas, and the only thing that is not as good as Japanese dramas is the funding.

Therefore, throughout the seventies and eighties, Japanese dramas were played by themselves in Japan, and when they came out of Japan, that is, the mainland that did not have much knowledge could still accept them, but the well-informed Xiangjiang and Southeast Asian regions had long since stopped watching Japanese dramas, and they were all in the world of Xiangjiang TV dramas.

Japanese dramas are re-emerging, and it was really the nineties.

Therefore, Cao Zhiqiang's "101 Marriage Proposals", regardless of content or publicity, is simply an all-round dimensionality reduction attack.

Coupled with the filming of easter eggs, and the hidden bonus of the hit movie "Love in the Rain", the expectations were very high.

What's more, the name of the screenwriter of this drama is the recently popular home "Kudo Yusaku", and the name of the arranger is even more impressively written with the name of "Forest Green Spring", which adds fuel to the fire and fills the sense of expectation.

In short, after a week of various promotions, many people's expectations for "101 Marriage Proposals" are already very high, so the first episode can rush to a record 41%, although it is a bit surprising, but it is also reasonable.

Of course, the ratings are based on time, that is, the dwell time.

If you can't finish it, it doesn't count.

But Cao Zhiqiang is a person from later generations, and even a good beginning is the most important.

Therefore, in the first episode of "101 Proposals", in the form of flashbacks, a big beauty in a wedding dress came first, Akina Nakamori, who chased the ugly man Takeda Tetsuya on the street, and Takeda Tetsuya was scared of all kinds of escapes.

The beautiful and intellectual Akina Nakamori, who chases the funny and surprised Tetsuya Takeda on the street, and the fast-paced "YAH YAH YAH" as the background sound, immediately caught the audience's attention.

Especially Akina Nakamori shouted in public while chasing: "Stop, coward!" ”

And Takeda Tetsuya ran away with a bitter face and shouted, "Don't come here!" ”

This scene made everyone even more amused and angry, and then they continued to chase it.

After a scene of a beautiful woman chasing an ugly man, I began to recall the past, which makes people look forward to what the following situation is, and I want to see the content of the second episode.

To put it bluntly, it was Cao Zhiqiang who moved all the routines that came later to 1983, which is of course invincible.

It's normal to have such unnatural ratings.

If Cao Zhiqiang spent so much effort and routines, and the ratings still couldn't go up, it would be hell.

(End of chapter)