718 The Great Law of Stereotyping Planting
Soon, the time came on Thursday, and this issue of "Weekly Wenchun" was launched on time.
Due to early preparation, less than an hour after the magazine was put on sale, the spokesperson of Aiyin Office issued a public statement directly through the radio, saying that a press conference would be held at the Imperial Hotel at two o'clock in the afternoon to clarify the scandal between its artists "Morinaka Qingquan" and "Nakamori Akina".
The reason why it is two o'clock in the afternoon, not a little faster, is that it is more reasonable, second, it is to give the media a time to prepare, and third, it is to let the relevant news of "Weekly Wenchun" have a fermented time.
In other words, the purpose of this press conference announcement is nominally to clarify, but in fact it is to boost the scandal between Cao Zhiqiang and Akina Nakamori in "Weekly Wenchun".
Only by making this scandal known to everyone and then clarifying it can we achieve sufficient publicity purposes.
When the time comes, the movie will be promoted at the press conference, and the effect will be the best.
Because some media reporters were given money in advance, many reporters were willing to cooperate.
Moreover, this scandal is indeed worth everyone's excitement.
Because although the content of Cao Zhiqiang's scandal with Akina Nakamori, although it is not on the front page of the weekly Wenchun, it doesn't seem to be so important.
But in fact, it was just a deliberate act by Weekly Wenchun, who didn't want to offend people.
In fact, because "Forest Aka Green Spring" has been in the limelight recently, there are many fans, and the popularity of passers-by is also very good, so as soon as this issue of the magazine is listed, there is no need to interfere much, and the entertainment news is immediately lively.
In addition, the money was given in advance, and it was just for everyone to report truthfully, without special requirements, which is of course what reporters like to see.
In this way, by one o'clock in the afternoon, the press conference venue specially opened up by the Imperial Hotel was already full.
All kinds of well-known and unknown, all kinds of invited and uninvited, and even many of them who are not journalists themselves, but only some so-called commentators, have all arrived.
Although nominally, this press conference is only for journalists, but if they are not journalists, as long as there are seats, they will generally not forcibly block them.
Of course, minors are definitely not allowed to enter.
As for adults, if they are not journalists, only people over the age of thirty are allowed to enter.
And this kind of overcrowded scene is obviously quite a rare situation.
Among them, only half of them are reporters, and the other half are basically all kinds of so-called commentators and writers.
Yes, there were already a large number of freelance writers and freelance commentators in Japan at this time.
They are generally similar to freelancers, making money by writing various press releases and opinion pieces.
I can't help it, who made Japan a developed country with a large population?
In such a country, the unemployment rate is actually quite high, which creates a large number of freelancers.
Among them, freelance writers are the most famous group of freelancers, or the most capable and undiscriminated against.
As for those idle gnawing old people and unemployed vagrants, of course, they are a group of people who are despised.
Of course, this is the 80s, and if you enter the 21st century, there are more such people in Japan, and they are common, so naturally no one will discriminate against them.
Because if you don't get it right, you'll be the next jobless homeless to lose your job.
In short, the number of people who came to the press conference this time was a bit large, but fortunately, because of the security of many hotels in advance to maintain order, coupled with the obedience of the neon people, there was no trouble.
If you change the country of rice, it will be difficult to say.
The time soon came to two o'clock in the afternoon, and with the host's prompt, the reporters and commentators below all fell silent.
Immediately afterwards, I saw Cao Zhiqiang and Akina Nakamori, who were the protagonists of the scandal, all wearing dark suits and masks, walking to the middle of the rostrum with serious expressions.
After coming to the middle of the rostrum, Cao Zhiqiang and Akina Nakamori first bowed solemnly to the reporters and commentators below, and then sat down in their seats together.
In front of their seats, there was a long table with their names written on it, and there was no mistake about it.
After Cao Zhiqiang sat down with Akina Nakamori, Sachiko Fujita, who acted as the host and commentator, began to pick up the microphone and talk to the teleprompter card, and began to explain the so-called love of Mori in "Weekly Wenchun".
That's right, because it was a scandal between Senzhong Qingquan and Nakamori Akina, both of them had a forest character, so the weekly Wenchun specially wrote a forest love.
It's no surprise that this kind of gameplay has been popular for a long time.
Sachiko Fujita's explanation is also very clear, that is, the so-called "Morimori Love", which is completely nonsense, and it is also a framing and slander with ulterior motives.
The truth is that Akina Nakamori and Aicum Morinaka are the heroes and heroines in a new movie "Love Letter", and their roles in the film are exactly the relationship between the couple.
The photos taken in "Weekly Wenchun" are just the situation where the two of them are auditioning and running in with each other's acting skills, and they are not secretly in love at all.
In order to prove her statement, Sachiko Fujita also deliberately released a slideshow.
In the slides, there are not only the script of "Love Letter", but also some scenes of Cao Zhiqiang and Akina Nakamori, who were specially re-shot later, including the scenes where the two of them held the script in private and discussed seriously with each other.
Next, Sachiko Fujita began to elaborate on the movie "Love Letter" at great length.
According to Sachiko Fujita, in fact, the screenwriter Yusaku Kudo in "Love Letter" is Morinaka Aoizumi himself.
These names are just a vest of Mr. Cao Zhiqiang.
In other words, Cao Zhiqiang is the real name of Morinaka Qingquan, and he is not only an excellent singer, composer, lyricist and pianist, but also an excellent singer and screenwriter, as well as an excellent entrepreneur.
It's just that Mr. Cao Zhiqiang has a special identity and is a Chinese entrepreneur, and he is usually low-key and doesn't like to be in the limelight, so he uses various pen names and stage names when he publishes his works.
For example, when Mr. Cao Zhiqiang was in his home country, he had two stage names, Qiangzi and Ah Qiang.
Among them, the stage name of Qiangzi is a cutting-edge young poet in Chinese mainland, whose works are quite famous, and the circulation of his poetry collections, its cumulative circulation, has now exceeded five million copies, which can be called terrifying.
The stage name Ah Qiang is a popular singer in Chinese mainland, and the circulation of each of his records will not be less than four million.
In other words, before coming to Japan, Mr. Cao Zhiqiang had already caused a sensation in China, and his poet's pen name and singer's name were already household names.
It's just that because Japan doesn't know much about the mainland, and Cao Zhiqiang's rise is too fast and low-key, so it's not known to everyone.
Later, because Mr. Masaki Sada happened to be in Beijing at that time, he happened to know Mr. Cao Zhiqiang, and was amazed by Mr. Cao Zhiqiang's talent and fluent Japanese, so he solemnly invited Mr. Cao Zhiqiang to come to Japan to discuss cooperation matters.
At that time, Mr. Cao Zhiqiang was about to come to Japan for a project inspection on behalf of the company he worked for, so the two sides hit it off.
During his stay in Japan, Cao Zhiqiang not only completed his own work and contributed to the smooth cooperation between Chinese and Japanese companies, but also composed a lot of Japanese songs in his spare time because of his love for Japanese culture and the encouragement of his close friend Mr. Masashi Sada.
After composing the Japanese song, it was also at the suggestion and help of Mr. Masaki Sada that they went to the Composers Association to register the copyright of the song, and accidentally met the famous composer Minoru Endo.
Mr. Endo admired Mr. Cao Zhiqiang's talent very much, so he recommended him to go to Warner Pioneer and try to make a record.
So, with the encouragement of Mr. Minoru Endo, Cao Zhiqiang went to Warner with Mr. Masashi Sada.
After that, President Yamamoto of Warner also appreciated Cao Zhiqiang's talent, so he decisively signed a contract with Cao Zhiqiang and officially debuted under the stage name of "Forest Aka Aoizumi".
And Morinaka Aoizumi's first debut song is the song "Jun がいるだけで", which broke the sales record in the first week of the public trust chart.
After the song became an instant hit, Warners continued its efforts and successively released hit songs such as "Tsunami", and each song achieved excellent results.
However, under this amazing achievement, Mr. Cao Zhiqiang was not complacent, nor did he take advantage of the situation to hold concerts and shoot advertisements, taking the opportunity to make money and gain popularity.
On the contrary, he continued to bow his head to create, and used the pen name "Yusaku Kudo" to publish four books: "Norwegian Forest", "Snow Country", "Thousand Cranes", and "Girl's Harbor".
Among them, "Norwegian Wood" is the most famous, which has been printed in three editions in just a few months after its launch, and has actually sold more than two million copies.
It's amazing to do this, but Mr. Cao Zhiqiang also wrote TV scripts in his busy schedule, that is, the previously popular "101 Marriage Proposals", and the filming of "Tokyo Love Story".
At the same time, Mr. Cao Zhiqiang also introduced his first film shot in China during this period, that is, the "Love in the Rain" that had just been released, and it also caused a sensation.
If nothing happens, the movie "Love in the Rain" will become the box office champion among Japanese foreign films this year.
This is a work that beats the Hollywood movie "ET the Extra-Terrestrial"!
Just imagine, Mr. Cao Zhiqiang has only been in Japan for a long time, and he has made so many brilliant names, which is not only his talent, but also inseparable from his diligence, hard work and dedication.
In particular, it is even more rare to focus on this.
It is said that Mr. Cao Zhiqiang rarely participates in social activities and does not have many friends except for creation.
The reason why he got closer to Miss Akina Nakamori was completely due to the environment.
Because Miss Akina Nakamori is an employee of Warner, she was asked by Warner to cooperate with Mr. Cao Zhiqiang.
And Mr. Cao Zhiqiang is a nostalgic person, since he has cooperated before, and later has a new work, he usually cooperates with acquaintances first.
In addition, Warner admired Mr. Cao Zhiqiang's talent very much, but found that he knew nothing about Japanese mundane affairs, and even knew about tax returns, so he suggested that he open his own office, which would be more convenient for his work.
Mr. Cao Zhiqiang didn't quite understand these things, so he asked Miss Akina Nakamori, who was an acquaintance, and then with the support and help of Ms. Akina Nakamori, he established an Aiyin office.
Later, Ms. Sayuri Yoshinaga was very optimistic about this firm, especially Mr. Cao Zhiqiang's talent and dedicated work attitude, and believed that his future was limitless, so she also personally invested in Aiyin and became the president of Aiyin Office.
In this way, Mr. Cao Zhiqiang can focus more on his career and no longer have to be disturbed by mundane affairs.
During this period, at the suggestion of Sayuri Yoshinaga, Mr. Cao Zhiqiang created the movie "Love Letter".
In fact, the movie "Love Letter", strictly speaking, was born out of "Norwegian Wood".
I think that at the beginning, it was Miss Akina Nakamori, who liked the book "Norwegian Wood" very much, and after knowing that Mr. Cao Zhiqiang was the original author of this book, I hoped that he could change this book into a script, and then put it on the screen and make it into a movie.
But the original creator of this film, that is, Mr. Cao Zhiqiang, disagrees with this, thinking that doing so will destroy the artistic conception.
But under the repeated persuasion of Miss Akina Nakamori, Mr. Cao Zhiqiang retreated and rewrote a script, that is, "Love Letter".
Although the content of "Love Letter" is completely different from "Norwegian Wood", there are many similarities in the core part, but it has been simplified and made more easy to understand.
In other words, "Love Letters" is more pure, highlighting the theme of crush without too many other elements.
Such an adaptation made the filming of the film possible.
It can be said that "Love Letter" can be regarded as a sister chapter of "Norwegian Wood", only more pure, more simple, but equally deep.
Because the main scenes of the movie "Love Letter" are all in the ice and snow, and the main background is snow, so we have to speed up the run-in, and then strive to shoot in the best places in the north in winter.
Originally, this matter should have been announced in advance.
But Mr. Cao Zhiqiang doesn't like to be disturbed when he is creating, so he doesn't like to publicize it with great fanfare before shooting.
Just like when Mr. Cao Zhiqiang filmed his first personal film "Love in the Rain" before, he did not promote this movie in advance, and even the film was not released in China, but was released in Japan first.
At the insistence of Mr. Cao Zhiqiang, everyone carried out secret shooting.
And in order to let Mr. Cao Zhiqiang and Miss Akina Nakamori enter the play as soon as possible.
Mr. Cao Zhiqiang went down in person and pretended to be lovers with Miss Akina Nakamori to cultivate a tacit understanding between lovers.
But this is all in the presence of outsiders, in order to play a good role, and it is definitely not a private relationship.
Once the performance is over, Mr. Cao Zhiqiang usually leaves in a hurry and continues to work on his own creations.
After all, Mr. Cao Zhiqiang is usually very busy, whether it is researching materials or writing, he has to race against time, and he does not have much time to waste.
Therefore, the report of the weekly Wenchun is completely rumor-mongering and slander, which has a significant impact on the reputation of Cao Zhiqiang and Miss Akina Nakamori.
Here, Mr. Cao Zhiqiang and Miss Akina Nakamori hope that Weekly Wenchun can solemnly apologize, otherwise, legal procedures are not ruled out.
After saying this in one breath, lawyer Sachiko Fujita sat down again, then picked up the glass and drank the water.
After all, she just said so much, and her mouth was a little dry.
But it's okay, after all, she is a lawyer, and what she does is just lip service.
So a scene like this is just a small thing for her.
In fact, Sachiko Fujita's elaboration clarified that the scandal was secondary, and the promotion of the movie was not the primary purpose.
What she really did was actually to use this press conference to establish Cao Zhiqiang's personality.
In the mouth of Sachiko Fujita, Cao Zhiqiang is a genius creator who is serious, talented, focused on work, and doesn't care about small sections.
As long as everyone believes in this character, the so-called scandal will be self-defeating.
After all, a person like this who will only immerse himself in his own world will not be able to fall in love.
In the same way, people like this are the same people that everyone trusts and likes.
The works created by such people must be good, and it is not wrong to close your eyes and chase them.
Not to mention that Sachiko Fujita is a barrister.
Just changed the angle slightly, and when he plumped up a character, he could win the trust of others, make everyone recognize and sympathize with Cao Zhiqiang, and then felt extremely disgusted with Wenchun, a weekly magazine that spread rumors and broke the peaceful creative environment of a genius creator.
The entertainment industry does not talk about evidence, only about likes and dislikes.
If everyone likes Cao Zhiqiang because of this, then everything he does is right, and whatever he does, someone will make up for him.
On the contrary, those who oppose such good people are naturally bad people.
Therefore, Sachiko Fujita does not need to get too much evidence to prove that Cao Zhiqiang and Akina Nakamori are not in private love.
She just needs to establish Cao Zhiqiang's genius character of focusing on her own world, and let everyone believe that Cao Zhiqiang is usually busy to death, except for eating, drinking, and working, he has no time to fall in love, and he is not interested in falling in love, which is enough.
As long as everyone believes in this character, as long as there is no rape in bed, all other evidence, whether it is holding hands and shopping, or feeding each other, is not enough evidence, and it can be regarded as acting.
This is the prejudice planting law of lawyer Sachiko Fujita.
That is, it is enough not to let everyone pay attention to the evidence itself, but only to make everyone believe in someone's personality, plant a certain stereotype, and let everyone have a deep-rooted and fixed prejudice about a certain person. (End of chapter)