Although he was very reluctant, for the sake of Ma Kui being so active, Gu Miao still asked him to join the production team of "Super Cool Cat" as the assistant director with real power.

He and Director Wang cooperated, and the two of them got the rest of the part, so it shouldn't be a big problem.

And if something really went wrong?

There's no need to rush, Gu Miao just took the time to work on something else, and he didn't completely leave the project behind, with him staring at him, I believe there would be no chaos.

Not to mention......

With Gu Miao's efforts, the main frame and core storyboard of the animation "Super Cool Cat" have been almost completed.

In the rest of the work, there is nothing particularly noteworthy, Ma Kui and Director Wang are old fritters and will not easily make any low-level mistakes.

So, Gu Miao was relieved to entrust Cool Cat to the two of them, and he pulled up another team and began to work on "Hell Girl".

"Is it too late?"

Lao Zhang was puzzled by Mr. Gu's double-minded approach, because in his opinion, there are only more than three months left, what kind of animation can be produced in three months?

"It's too late, don't worry!"

Gu Miao explained with a smile: ""Hell Girl" is the kind of animation in the nature of a unit drama, and each episode is a separate story. ”

"And I didn't say I was going to finish this animation in three months! Wouldn't it be okay if I only did the first season? ”

The first season is only 26 episodes.

According to the standards of neon animation, this is a standard "half a year", just a half a year, three months is completely enough.

"That's good!"

After learning that the first season of this animation was only 26 episodes, Lao Zhang was also relieved.

The number of episodes is okay.

Taking the 100-day production cycle as an example, the average is a total of 26 episodes, which means that it takes no more than four days to produce an episode.

Although there are still some embarrassments, but if you think about it, it's okay, and this production cycle is just a little faster than those weekly animations that "broadcast while doing".

"Hell Girl" is special in nature.

Because it is a unit drama animation similar to Pleasant Goat and Bear Infested, there is no possibility of the plot being connected before and after, so Gu Miao needs to spend a lot of energy on writing the script.

It's been too long since the original.

There are some more details, Gu Miao has long forgotten about them.

So at this time, he needs to call the other screenwriters to discuss how to tell the story well.

By the way.

Although the original story is set in neon, many of the events that take place in this anime are stories that know no borders.

So Gu Miao doesn't need to do any localization transformation of the main plot, just change some minor background character names and locations.

Of course!

Gu Miao's so-called no need to change refers to those events that are more common in daily life, whether they are in neon or in China, and the key is not to touch the red line.

For example, school bullying, workplace bullying, friendship breakdown, etc......

If it was the kind of event in the second episode of the original work, which might touch the red line, then Gu Miao would have to modify and adjust it, so as not to be invited to tea.

In the episode of voyeurism, Gu Miao didn't think it was appropriate, so he changed it.

Localization transformation, then there must be events with local characteristics, events that can resonate with people.

"How about touching porcelain?"

A screenwriter suddenly thought: "A kind and lovely girl was framed as a murderer because she helped an old man who fell down on the road, and fell into a predicament where she couldn't argue." ”

"Forehead ......"

As soon as he said this, the temperature of the entire conference room dropped by several degrees, and everyone seemed to think of the famous eucalyptus incident in the past.

"This is good, very distinctive!"

Unlike others, Gu Miao admired the idea put forward by this screenwriter and felt that this was the event he wanted, with local characteristics.

"Perfect, I think it's a little inappropriate to hit people while walking."

"That's it, change it to a girl riding a bicycle to school, and found an old man who was hit by a car, and kindly went to help and help call an ambulance, but was framed."

Gu Miao became more and more energetic, and continued to narrate: "The classmates, teachers, and parents around her all didn't believe her, and they all thought that she was the murderer who hit people on a bicycle, which made the girl resentful......"

Helping the elderly, this is too classic.

Taking this as the plot of the second episode of the animation, Gu Miao feels that it is very suitable, and at the same time, it is also very in line with the national conditions, which can arouse the emotional resonance of countless audiences.

In addition to touching porcelain, what are the more local events?

Gu Miao thought about it seriously.

There are many vicious incidents related to minors in China, which are probably school violence that parents and teachers ignore.

"Children are making trouble!"

"And there are no wounds......"

Many people think that only the kind of violence that hurts the body and causes physical harm can be called school violence.

Not really.

Psychological damage is also harm!

Often, some insignificant fights that leave no wounds and are insignificant in the eyes of teachers and parents can cause psychological damage to children that are difficult to heal for a lifetime.

This is also what Gu Miao thinks needs to be reflected in the animation, and tells everyone a truth with a real plot:

Don't think that school violence must cause physical damage, and psychological damage is also worth paying attention to!

"Mr. Gu, is it a repetition?"

A screenwriter questioned: "Isn't the plot of the first episode of the animation also a story in this regard?" Let's do another episode, wouldn't it be similar to the story of the first episode? ”

"No, it's different!"

Gu Miao thought about it seriously, and then replied: "The first episode is about campus bullying, and I am talking about school violence, which are two fundamentally different things. ”

School violence, often accompanied by vicious violence, mainly refers to school bullying related to physical bullying.

The means are also more straightforward.

If it comes to school bullying, the bully will also put on a coat of "hypocrisy" for himself, and make up or fabricate a reason to bully the victim.

The campus violence is completely different, if you are not happy, then just roll up your sleeves and give you a violent beating, a proper vicious violent incident.

"But ......"

After explaining the general difference between the two, Gu Miao explained: "Actually, there is no need to do two episodes alone, what I said is just a rough idea, and I don't necessarily have to do what I say." ”

There are so many things that can be done, and you don't necessarily have to scratch the difference between the two.

In addition to touching porcelain, Gu Miao also thought of an event with local characteristics, which can also be said to be a special group - left-behind children.

This group, if you want to do it, you can actually do an episode alone, and it is estimated that the effect is also very explosive and tear-jerking.

But ideas are ideas.

Time is limited, the number of episodes is also limited, and it is impossible to include all the events in the first season, otherwise the second and third seasons will not be able to do it?