I think the frustration of the protagonist should be handled very carefully. In traditional novels, it is normal for the protagonist to encounter various setbacks and have various ups and downs in the plot, but for online novels, especially YY novels, setting this kind of setback is a very dangerous behavior, and this kind of plot turn is likely to be a turning point in the popularity of the work, which is likely to make the popularity fall to the lowest point all at once.

Therefore, it is safest not to let the protagonist encounter too many setbacks when possible. But if the author insists on doing this, or if the plot development requires the protagonist to encounter a major setback, what should be done?

First, give a more obvious hint to tell the reader that the setbacks are only temporary, and the protagonist will definitely be stronger and develop better in the future. With such a hint, the reader will feel much more at ease and the rebound will be much smaller.

Second, control the scope of setbacks and don't let the protagonist lose too badly. For example, when the protagonist's girlfriend is snatched away, don't write that the girlfriend slept with someone else, so as to keep a little room for the protagonist to take it back later.

Third, let the protagonist get adventures in frustration and turn bad things into good things. For example, if you write about the main corner cliff, you can arrange a treasure cave at the bottom of the mountain, and if you write that the protagonist has been abolished by others, you can make the protagonist's meridians thicker......

Fourth, speed up the development of the plot, so that the protagonist can break and stand up faster, reduce the suffering of readers, and reduce the possibility of losing readers.

Fifth, make up for the setbacks in one aspect with other aspects of yy. For example, when the protagonist loses nothing in the mall, he can let the protagonist get the woman he was looking for, or arrange for the heroine who has never had a relationship with the protagonist to sleep with him.

The above five methods can be used in combination, and if used well, it can minimize the adverse effects of setbacks, retain existing readers, and lay a good foundation for future YY.

The author has something to say

The handling of the abuse of the master can be further excavated in breadth and depth.

A good novel must be three-dimensional and rich, and there is rarely a single development from the clues.

Therefore, it is possible to abuse the protagonist emotionally, but to achieve success in the career, or vice versa, this is the most common treatment of modern American blockbusters, and every time the protagonist encounters a setback, he will always gain love or friendship that can be reinvigorated again.

Vice versa.

Therefore, an author should not mind the proposition of whether he abuses the master, but whether he is abused enough to look good.

For example, the clue of pure tragedy is that every time the protagonist struggles to fight, he falls deeper into the abyss, and before the end, he gives a bright color for the protagonist to start the next struggle.

This bright color makes the reader excitedly follow until the finale completely smashes all the good things to the reader.

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