Jin Ziming drilled into the body of the black snake again, and after continuous exploration, he really made the speed of this big snake move a lot higher.

He reviewed the troll's spatial theory again before he took out the "Troll Space Knife Technique". After so many years of foreshadowing and preparation, I am finally about to get what I wanted.

This is the troll Da Chu's experience or essay on his previous cultivation when he reached the high-level bottleneck, and he didn't leave much ink in the details of the knife, and he needed to figure it out by himself.

Monks of different realms have different difficulties in cultivating this sword technique, and true monarchs and demi-immortals can use powerful divine souls to locate two spaces in an instant.

For Yuanying real people, in order to complete the entry requirement of spatial positioning, the soul needs to be positioned for the first time.

Then use the remote out-of-body Yuan Ying to do secondary positioning, and the combination of the two, just like humans use two eyes, to determine the exact location of the object.

Yuan Ying's out-of-body appearance in the vicinity of the opponent is extremely dangerous, and the monk is generally reluctant to use it unless it is a last resort, so the troll does not recommend Yuan Ying to practice this knife technique.

But Jin Ziming can let the Yuanying villain hide in the small space of gravel, and then hand over the Divine Soul Pagoda, the Silver Short Spear and the Black Sand Divine Net to him, which should be enough to protect his own safety, no matter how bad it is, he can still hold on until the deity comes to the rescue.

There are a total of eight sword techniques, and due to the cultivation realm, Jin Ziming can only try to cultivate the first four moves of the "Troll Space Knife Technique".

The fifth and sixth moves must be combined to be powerful in order to cultivate; And the last two moves require the Mahayana True Monarch to do it.

In the first move "Space Jump", the reckless man first asked the Yuanying villain to rely on the way of the wind, manipulate the gravel to float into the distance, and then connect with his own spirit, and quickly locate the two different spaces where the flesh body and the villain are located.

Then use the Jiaolong's space movement method to implement the "space jump", if he uses the body of the black snake, he can quickly achieve it, but if it is the body, he can't do it.

After countless attempts, he was finally able to jump within ten miles of space empty-handed.

But the problem is obvious, you can't hold the knife, the distance is too close, and each jump consumes nearly one percent of the true yuan.

The reckless man understood that this was caused by his lack of comprehension of the way of space, and after two months of penance, he could barely carry the cold moon and stumble to make a space jump.

Just as he was full of love, a little muddy scorn sneered in his head:

"Jin Ziming, what are you doing? The other people's spatial knife method is to let you use a knife to crack open the space so that you can enter and exit freely.

It's good for you to rely on your body to crash into the space, does it hurt? Hahaha, I'm laughing to death! ”

Jin Ziming suddenly felt in his heart, yes, this is a knife technique, not a body technique, he completely misunderstood the direction, and hurriedly asked:

"Little mud, you're right. You're a space machine spirit, give me a tip. ”

"The Cold Moon Knife is a space magic weapon, it is naturally suitable for this kind of knife technique, you don't make good use of it, but instead carry the knife and use the flesh to open the way, don't you treat the knife as a burden, aren't you stupid?

Cold Moon is much more powerful than you when jumping, you should think carefully about how to use it to carve out space and run with you, instead of you going around the world with a knife on your back.

Of course, it is not useless for you to study the method of physical body crossing space, and you should be able to use it when practicing this set of sword techniques.

But you have completely deviated from the idea of this trick. "The little mud counts down.

Little Mud's words woke up the person in the dream, this knife method is to open the way with a knife, not a person! Man only cooperates with the knife, and even many times, just follows the trend.

Jin Ziming had an understanding, he adjusted his method, first felt in the Void Beast's body empty-handed for two hours, and then held the cold moon for three hours, and then compared the difference between the two, and so on.

Gradually, he sensed the meaning of the Cold Moon Knife with a wisp of space, which was a kind of Dao rhyme.

The space laws that the Void Beast is born with are more natural and pure.

What Leng Yue shows is not only the natural Taoism of space materials, but also the perception of space by the people who cast the knife and the masters of the past generations.

The reckless man opened suddenly, he had touched the key, but because of the last layer of window paper, he could not get a glimpse of the true meaning.

Jin Ziming suspended his sword practice for a few days, and instead got together with good customers or subordinates, had a drink, or participated in the analysis of major projects.

Half a month later, he felt completely calm in his heart, resumed his retreat, and in just three days, he broke through the barrier and saw the avenue:

At the edge of two different spaces, draw multiple circular planes.

Through the connection between the spirit and the primordial infant villain, while locating the two spaces, these planes are also located.

All the circular planes are superimposed with the mind to construct a spatial passage, which connects the two spaces.

In the first space, Leng Yue cut through those pre-set circular planes according to the guidance of her divine thoughts, so as to break through the spatial barrier and enter the spatial passage.

Next, use the dragon's method to teleport to the end of the passage, cut out those circles again, break through the barrier, and enter the second space.

The bridge is connected, and the portal is opened, so as to achieve "space jump".

The reckless man humbly asked: "Little mud, how about this method of jumping?" ”

This guy grinded for a long time, and finally coped: "It's okay".

Jin Ziming didn't mind his arrogance, and continued to practice hard, and even added some elements of "breaking in" with a knife.

He began to be able to jump two spaces twenty miles apart, and each time his vitality consumption was reduced from one to five points.

After jumping into the new space, Da Chu did not give a way to swing the knife, because the speed of entering the second space is extremely fast, which is similar to the knife intent of "culling", and it can be used after jumping.

The "Space Jump" was a small success, and in addition to being excited, he thought of his friendship with Emperor Chen, and promised Master Huaizhi that he would no longer kill wantonly, so he was embarrassed to run into the forest and test the knife with the demon beast as before.

After cultivating "Space Jump", the second trick "Space Splicing" is no longer difficult.

He only needs to define where he is as the first space, and the grit as the second space, and use a knife to open the connecting portals of the two spaces, and then he can stitch them together.

Since the enemy is always on the move, the difficulty of this move is that the location of the portal needs to be defined dynamically.

The best way to force an opponent into an unfamiliar space when he is unprepared is to define his dynamic position as the spliced edge of two spaces.

This way, as long as there is a certain amount of impact, it can be easily forced into the gravel.

Jin Ziming's design is very simple, let the Yuan Ying villain drill into a piece of gravel, and arrange multiple phantom arrays and killing arrays at the entrance, once the enemy enters, trap it first, and then find a way to attack.

If it is a mortal enemy, you can consider directly detonating the small space of gravel after Yuan Ying escapes, testing the opponent's body and whether it can withstand the violent space explosion.

The reckless man even imagined that if Wang Hai, the Lord of the One Realm, performed this move, he might be able to cross the infinite space and teleport the opponent to the combined skeleton of the small world, wouldn't it be happy?

It was originally difficult to dynamically determine the splicing line of the two spaces according to the opponent's position, but Leng Yue was originally a space magic weapon, and with Xiao Mu's guidance, it took him nearly three years to refine this trick to Xiao Cheng.

In the third move, "Space Compression", Dachu's ultimate goal is to compress the three-dimensional space into a plane, in which all the original creatures, except for air and dust, must be destroyed.

The reckless man didn't know if the trolls had reached that height, but at least not at the time of writing the book.

He can only compress the space significantly, but this is enough to establish his superiority in battle.

Da Chu's method is to use the "way of space" to compress, but the reckless man can't understand it at all, so he can only use his brain to find an alternative method.

Soon he had the idea to set up a black hole at the core of the small piece of space where his opponent was located, where the weight was infinite, and suck all matter inward.

As a result, the core is squeezed, resulting in a sharp increase in density and temperature, resulting in the continuous compression of the outer space.

In this way, there is no need to even dispatch the Yuan Infant Villain, he can hold the soul knife in his hand, while blocking the opponent's attack, while portraying the space core as a black hole, causing both the space and the opponent to shrink inward.

The body and soul of the reckless man are actually the "projections" of the black hole on the periphery, and can even be regarded as part of the black hole.

Therefore, as the initiator, you can transcend the contraction force of space and hit the opponent hard when he panics.

He experimented many times, and the portrayal of a black hole required his full attention, and he simply couldn't be distracted from the enemy.

There was no choice but to play tricks and ask a "third party" to quietly join the war.

The docile Xiaofei was forced out of the mountain, and it was already able to turn into "ink", flying away, instantly turning into a "black hole", and this trick quickly took shape.

The last move that can be practiced in the Yuan Infant Stage is "Spatial Expansion", which is the power that is completely opposite to the previous move.

The easiest way to make an object expand is of course to heat it, but it is difficult to make a small piece of space expand by heat.

To put it another way, the volume increases, and the density of matter in space decreases.

Then a black hole can be carved out in another space, and it will swallow up the matter in the current space, and the density will naturally decrease, and the space will expand.

But across space to attract and devour, the power is much weaker, and ideas must be improved.

Jin Ziming carefully read the experiences of the troll and Yin Huan Zhenjun, and found that they both mentioned a celestial phenomenon:

Compared to smaller stars, there is an extra stage in the process of large stars dying to form black holes.

When the inner core of a large star collapses inward due to gravity, extreme pressure and temperature are formed, and this high temperature causes the gas in the outer layer of the star to fuse, causing the outer layer to expand, thereby emitting a huge amount of heat.

As outer space grows, it emits extremely bright light, which is what they call the "red giant" phase.

The reckless man reverie from this, if the soldiers are divided into three ways, the flesh will fight in real space; The Yuanying villain dived into the small space of gravel and used his soul to perform the "Troll Splashing Ink Knife Method" to depict the black hole;

Then let Xiao Fei go out, either in the body of the machine spirit, or in the form of "ink", to go straight to somewhere in the center of the earth in real space, to engrave the star of the red giant.