On the handbook of Inari Shrine, although the shrine is not big, but once it is recorded, it still gives the hairball a lot of power, so that it changes.

This also confirms Tsukasa Kurihara's conjecture that scary is just a façade for the sake of spreading.

The hairball seems to understand something, but he doesn't know the point, only that it is because it is on the manual of Inari Shrine and this change occurs. It has not yet gotten used to its own abilities, and often stands by the window with a stool to watch the pedestrians on the road.

On the third day after the conversation, Hiroshi Hayakawa returned to Tokyo with Hayakawa Daichi's hat and came to the Kirigoya.

On the coffee table, the coat and hat look a little old, and the raw edges and falling off the mutilations show this.

Hiroshi Hayakawa said: "This thing has been kept at home, and they say that grandpa has not worn it. ”

This is even more bizarre.

Tsukasa Kurihara nodded, took it in front of his eyes and looked at it carefully, and when he put his palm up, he sensed something, and twisted a hair from the brown silk on his shoulder.

It is yellow in color with a little black on the tail.

It's like fox fur.

Tsukasa Kurihara poured some of the tea brewed by Akane on the table, and put the hair into it, only to see the hair magically move on the table under the impetus of the water, and finally stopped, and the traces of the water stains turned into a mountain.

Hiroshi Hayakawa looked at Tsukasa Kurihara.

Tsukasa Kurihara said, "Mt. Inari. ”

Hiroshi Hayakawa showed such an expression: "Kurihara-san, then what are we going to do next?" ”

"I'll go to Kyoto with you." Tsukasa Kurihara said.

"That's really nice." Hearing Tsukasa Kurihara's words, Hiroshi Hayakawa's solemn face relaxed, "Then when are we leaving?" ”

"Tomorrow. I need to prepare something. ”

"Okay."

The conversation ended, and Hiroshi Hayakawa left.

In fact, Tsukasa Kurihara did not say all the things that came out of the divination, and there was a little more next to the water stain, which shows that Mt. Inari is not the end.

There's something else in it.

The next day, Tsukasa Kurihara brought Moto and a hairball and asked Akane to help take care of the Kiritoroya and take the Shinkansen to Kyoto.

Before you know it, it's March.

When the winter is over, the temperature rises, everything recovers, the trees sprout, and the cherry blossoms bloom.

As the neon national flower, cherry blossoms are found in every region – although it is also a cause of pollen allergies.

From February onwards, Okinawa begins as a journey north, passing through Kyushu, Shikoku, Chugoku, Chugoku,, Chubu, Kanto, Tohoku and other regions before ending in Hokkaido. At the beginning of May, the cherry blossom season in Hakodate and Sapporo is over.

At the end of March, half of the neon is dyed pink, and the cherry blossoms are in full bloom in Kyoto, just south of Tokyo.

Tsukasa Kurihara and Hiroshi Hayakawa take the Shinkansen that ends in Osaka and crosses the island. On the way, we pass through Mount Kiso. Even if you look at it from a distance at the foot of the mountain, you can still see a pleasant pink color.

From Tokyo onwards, only the green eye gradually turns pink, and it seems like you have plunged into a sea of pink.

Tsukasa Kurihara sat by the window, his eyes intently looking out of the window from the moment the train entered and he could see the cherry blossoms, and there was a rare undisguised admiration in his inky black pupils—pure appreciation and admiration for beautiful things.

Hiroshi Hayakawa sat next to Tsukasa Kurihara, saw Tsukasa Kurihara's appearance, and said, "Kurihara-san, haven't you seen cherry blossoms in other places before?" ”

Tsukasa Kurihara retracted his gaze at this time, and there was still exclamation in his eyes: "It's really beautiful." ”

"I've been seeing it for more than 20 years, but every year the cherry blossom season still makes you feel the beauty of nature." Hiroshi Hayakawa said, "When Tokyo also blooms, the whole route will be like this, starting with the cherry blossoms and ending with the cherry blossoms." It's the best time to see it. ”

This was the first time Kurihara had seen such a large area of cherry blossoms, and he continued to look out the window, admiring the Kiso Mountains before they disappeared.

The hairball that was placed in the backpack showed its head, and like Tsukasa Kurihara, he looked out the window at the large area of pink, and said in a voice that only the two of them could hear: "The development of human technology is really fast now, and it used to take at least a week to get to Kiso, and the post stations and small hotels on the road are gone, and the rest are concrete buildings." It's so convenient. ”

Tsukasa Kurihara remembered the strange stories he had seen in the Inari manual, and a few of them had Kiso as their hometown, imagining how many strange stories there would be in the inaccessible Kiso Mountains at that time when the cherry blossoms were in bloom.

At that time, people went up the mountain to rush and survive, and there was no leisure and elegance to climb the mountain and enjoy the flowers. As a result, there have been a lot of strange talks.

For example, the story of the woodcutter, as well as the hair cut, as well as looking for the back lang and the big-headed monk. It's all all strange tales born out of the awe of the mountains and the unknown.

But none of these things exist now. Only the developed scenic spots and fireworks hotels remain.

The torrent of history is pushing forward regardless of everything, pushing everything forward, maybe there is no need to create a prison of strange stories, and many strange stories will disappear quietly in this living space alone.

Those who survived must have been more in tune with the times, just like animals.

Like animals?

Suddenly, Tsukasa Kurihara noticed a different figure from the cherry blossom tree in the mountains in the distance.

The Shinkansen is not very close to the mountain, and it is impossible for ordinary people to see the things on the mountain clearly.

But Tsukasa Kurihara saw it.

There is a fox in a men's kimono on the mountain.

It stood under a cherry blossom tree, and everything slowed down as the train approached - the fluttering of the cherry blossoms, the swaying of the branches, and the blinking of Hiroshi Hayakawa in front of him also turned into slow motion.

Tsukasa Kurihara confirmed this and turned back to look at the fox on the mountain.

The fox stands on its hind legs with its hands folded in front of it. He smiled, the beard next to his mouth trembling slightly, and the exposed hair was yellow and black.

It bowed humanly to Tsukasa Kurihara, and when the action was complete, the train recovered from the restraints of slow motion and returned to its original speed.

The fox outside the window is gone, and the cherry blossoms have changed to another batch.

Tsukasa Kurihara retracted his gaze and looked at Hiroshi Hayakawa, who looked back at Tsukasa Kurihara strangely and asked him if there was anything with his eyes.

Tsukasa Kurihara didn't say anything, and his mind replayed the fox's movements.

After Tsukasa Kurihara left, Akane was a little flustered. At this time, she realized that she would never have such a situation next to Tsukasa Kurihara - she would have the panic when she was at the shrine.

Akane didn't want to stay here anymore without Tsukasa Kurihara, and she returned to her fox posture and flipped between the roofs.

Bowing in front of the torii gate, she returned to the teahouse, and when she bent in, she saw that there was another person in the tearoom besides Miyaji-sama.

No, it's another fox.

It maintains the image of a fox, smiling, and wearing a men's kimono.

When it saw Akane, it got up and bowed to her, "Miss Akane, it's time to go back." ”

Tsukasa Kurihara, who was sitting on the Shinkansen, was moved, and he looked out the window to see the spring sun on the left side of the train. Under the sun, thin rain lines appeared, and soon, a rainbow crossed the head of the train.

When I encountered a rainbow on the train, most people whispered and took out their mobile phones to take pictures, and Hiroshi Hayakawa, who was next to him, said with great interest: "I can actually meet a rainbow." ”

Only Tsukasa Kurihara looked at the falling rain lines with deep eyes.

Sun rain.

Like I am a living Tokyo Strange Talk, please collect: () I am a living Tokyo Strange Talk Quadrangle reading update is the fastest.