In the middle of the night, I curiously glanced at the phone comments and couldn't sleep.

Unified responses to many of the questions in this volume.

Q1.Why do you feel that your style has changed?

A1. First, the scheming heroines in the first three worlds, many, many readers, have been aesthetically fatigued.

At the end of the last volume, or even from the end of the second volume, there are a considerable number of old brothers, asking me to write a better heroine.

They've read three volumes and they're still chasing the book, and I'm sure they like the style before

And I wrote those three volumes, and I must have liked that, no need to doubt it.

But if you write it down again, everyone will read it again, and you will really vomit.

At that time, someone will inevitably come out and say that the previous part is the same or something.

It is even possible to predict that there are likely to be people who persuade everyone to abandon books.

But is it wrong to dissuade books? That's right! It's the same, a glimpse of the whole leopard, what do you do when you see it, that's right!

But I can tell you responsibly that the style of the future volume will not change, and the overall style of this volume will be the same as before.

More on that later.

Second, as an old brother said, female frequencies are also diverse.

From the very beginning of this volume, the heroine is set to be beautiful and strong, strong and strong.

Could it be that the appearance of the protagonist is to make her even more miserable?

So what's the difference between a male protagonist and a female male protagonist?

The basis of our collapse is the female frequency.,Don't just look at the text.,Look at the original book setting.,Look at the character of the character?

But after this volume, I probably won't write about this kind of beautiful heroine anymore.

But there will definitely be other styles of heroines, what silly and sweet or something, but the kind that is not miserable in itself will most likely be abused.

To sum up, this volume does not abuse the heroine, except for aesthetic fatigue, just because it is miserable enough, homeless, unaccompanied, and surrounded by malice...... If the male protagonist persecutes again, simply forget about Purple Shark.

—————— dividing lines———————

Q2.Following on from the first question, has the style really changed in this volume or later?

A2.Again, no!

In addition to the heroine and her maids, from good to bad, let's analyze the rest of the female characters who have appeared so far.

Lin Shiyue: The eldest princess who has been spoiled since she was a child, her nature is okay

Tsing Yi: The princess's maid, with martial arts, impure purpose, secretly in love with the emperor, and the camp is hostile to the male protagonist

Jian Yisheng: The heroine's half-sister, green tea and white lotus, jealous, and the dove occupies the magpie's nest.

Concubine Gu: has not officially appeared yet, current information: The female villain of the original book, ruthless, killed the heroine and the little prince in her previous life, and longs for the white lotus. It's more in line with the heroine settings of the previous worlds, and it's especially exceeding.

Back to the original topic, if I wanted to change my style, would I write such a few female supporting roles?

is nothing more than transferring the abuse of the heroine to the female supporting role.

It can be regarded as the exchange of identities between the heroine and the heroine in the previous volumes, and there is no difference in essence.

And the rest of the volumes more or less have one or two good female partners, and more or less will be separated from the two chapters of water to favor the daily life, and the male protagonist will be extraordinarily merciful, and he has not even been abused.

For details, see Volume 1: Yao Tiange and Li Junya, the two of them have not been abused at all

Volume 2: Frontal ...... It seems to be abused, but there is not much abuse except for the heroine

Volume 3: Dongfang Yan and Qingtong, the two of them have not been abused at all

In the last volume, Qingtong and Dongfang Yan's character design, I could have written a lot, especially Dongfang Yan's identity setting.

But because she is not the heroine, and everyone is not aesthetically fatigued, she gives very little space, almost a brushstroke.

And this volume just sets the good girl and changes it to the heroine, and increases the character length a little bit.

After all, she was given the setting of the heroine of the original book, and she can't finish it in two chapters, and some of the later plots will revolve around her

But now that the female protagonist has arrived at the male protagonist, the main scene is about to end, and the back is to be the tool man who unfolds the plot.

Moreover, this volume is only 16 chapters, and according to the shortest volume in the previous volume, it is less than a third.

Why do some people think that this volume is all about showing affection and love with the heroine?

is good to her only because her identity is miserable enough, and she is not sorry for the male protagonist, and she has lifted the stereotypes of her previous life and trusted the male protagonist.

Do you have to make her tremble and live next to the male protagonist anymore?

Looking at the character of the male protagonist, it is also good for you if you are obedient, even for the male supporting male role.

Good for obedient men, see:

The first volume kills the little ghost and the soldier

Volume 2 Chutian

The third volume of the opening shop is a small two

The protagonist has three wrong views, but most of the time, he is still clear about grievances.

—————— Dividing Line——————

Q3.Is it a substitution?

A3.Very interesting question, I have to complain.

I've been working on this book for about three months and ten days, working on it every day, spending an average of 4 to 5 hours, and I've spent quite a bit of time working on it in my spare time.

At present, a total of 410 pieces have been obtained.

This month, plus the starting point of 1500 full attendance, next month you can probably get more than 2000, after all, the reading after reading the new chapter is visible to the naked eye.

The question is, where do I get the money to find a writer? Do I need to pay for a writer?

Or find a friend to write for you? Let's not talk about whether I can find it or not, I can't write it.,I don't want to die in society at the moment.。

In addition, it can be said very sadly that compared with the number of words in this book and the number of words in the water, there is really not much difference in income from serious writing.

And then I can write 4,000 words in two or three hours a day, and the rest of the time I can do something else, isn't it fragrant? Isn't it nice to go to bed two hours early? Didn't get atomized female? The risk of sealing the book is stable, isn't it fragrant to drink 1500?

But I really took it seriously, because my original intention was to write a story that at least I wanted to see.

I also liked the first three volumes, and more than 80 percent of the pages before and after this book will be in that style

—————— Dividing Line——————

Finally, I will talk about the conflicts or differences between this volume and the previous volumes.

In the past, the female abuse was because the female was too, or the male protagonist was domineering, and it was simply a narrative between the two.

And the two sisters in this volume recently abused the other daughter for the sake of one daughter.

Lin Shiyue and Jian Yisheng in front also had conflicting calculations.

Why do it? Has the style changed again?

A: This volume is the subject of ancient sayings.

And ninety-five percent of the female frequency of the ancient saying can't escape two words: Gong Dou.

From this aspect alone, Jian Yisheng is very jealous and has a strong desire for exclusivity, not to mention the palace.

It's just that the heroine has no quarrel with the world and is at peace with what she encounters.

Gong Dou trampled on the pressure is inevitable.

What's more, look at what Jian Yisheng did, as well as her white lotus behavior and nothing to do, is there a problem with protecting Jian Yirou and adjusting Jian Yisheng?

Some people may say, isn't it okay not to write palace fights? Can't the heroines coexist peacefully like the previous volumes?

Answer: If you don't write like this, there is no point in writing ancient sayings, just write about individual backgrounds.

And the truth is fine, probably someone will say that it is not logical!

After all, the character and identity of the supporting actress are set there.

You let a princess and a maid come up and coexist peacefully, is the princess psychologically balanced? Isn't the maid afraid?

At the end of this volume, I didn't plan for all heroines to live in peace equally, because the background of the story is unrealistic.

However, there will be a balance between them, but it will only be a small branch.

Our essence is still abusing women and yellow hair, but this volume is not bullying the heroine.

Tired, this number of words is enough for a chapter, and I slept nearly two hours less, this wave of blood loss.