The audience was very excited, but Wang Xie continued.

After the end of "Hair Like Snow", the band only stopped for a second or two before starting to play again.

Wang Xie lowered his head and raised his head again, which was the beginning of another song.

The audience, especially those who sat far away, actually did not see Wang Xie's small movements, but were attracted by an ethereal and long bell.

Their first reaction was what kind of instrument it was, and their second reaction was surprise.

, it's a new song again.

The melodious bells seem to ring throughout the night, and there seems to be a romantic feeling of the wind blowing the brass bells.

Then, the sounds of the guzheng, erhu, pipa and chime came together.

Comfortable, elegant and nice.

The musicians looked at Wang Xie for the first time, good guy, just now it was a combination of Chinese and Western, and now it is completely Chinese classical.

But the style completely conforms to the definition of Chinese style, and Wang Xie is really here to teach them to write Chinese style.

On stage, after the prelude, Wang Xie finally spoke softly, his clear voice with a hint of memory.

"The eaves are like cliffs, and the wind chimes are like the sea

I'll wait for Yan to return..."

The audience had never heard Wang Xie sing so gently and smoothly.

Although Wang Xie has not released many songs, each song has its own unique personal style.

But with such a gentle and smooth voice as this song "A Thousand Miles Away", they really felt it for the first time.

In particular, this kind of voice and singing bring a subtle, unspeakable sense of regret and memory, and it casts a filter of time on the song.

It's like an old man groping through the yellowed old photos in the album, reminiscing about the hurried past.

Wang Xie's singing continued, and the yellowed photos were still flipping through.

"The story can't be broken in the fog outside the city

I can't see the dialogue clearly..."

The story goes from figurative to imagery, and the lyrics range from concrete to vague, but the bleak meaning in the song slowly thickens.

In particular, the combination of lyrics and accompaniment is slowly spoken by Wang Xie, and the artistic conception of meeting in a hurry and leaving in a hurry is portrayed very vividly, which makes people still unfinished and constantly associated, and carries the sadness of the lyrics with a light and simple melody.

It's a song that's hard to describe, but it's like a vivid picture appears in front of the audience.

"Dream wakes up who is on the windowsill

Turn the ending on

The future is as thin as a cicada's wings

I can't stand who will demolish it~"

Wang Xie's voice finally rose a little higher, and the song seemed to be about to enter the chorus.

The audience was already anticipating the next climax, but the musicians were a little quicker.

Inuyoichiro said with some surprise: "I suddenly found that this song is all rhyming, under such a deliberate rhyme, the lyrics can be written so elegantly and simply, it's really amazing!"

Charles Carmen also spoke up, but he said something else: "The use of 'thin as cicada wings' to describe the 'future' is really amazing, vivid and concrete."

The other musicians also nodded their heads in favor of the two lyricists, and indeed, every time Wang Xie released a new song, they could learn something.

It's just a pity that they learn but don't need it.

On the contrary, the original five word fathers of Earth Star didn't seem to react too violently at the moment, and they were no longer surprised.

"Sea of Flowers" doesn't also rhyme wildly with "AI", and they haven't seen it before.

But then, the musicians subconsciously looked at the stage.

The song has entered the chorus, and a fragrant but somewhat unfamiliar elegant voice sounded from the other side of the stage.

"I'll send you a thousand miles away

You are silent black and white

The Silent Age may not be

Too far away to love..."

Wang Xie on the stage has put down the microphone, a Naraku is slowly rising, and a singer in his 50s is intoxicated.

So not only the lyricists, but all the musicians present also clapped their thighs.

In this song, the chorus is sung by the other singers, and the arrangement is simply amazing.

Unlike other duos, there is obviously a distinction between primary and secondary in this song, Wang Xie's voice is mainly clear, supplemented by this mellow voice.

But when this mellow male voice sang the chorus, not only did it not feel dominant, but it sublimated the song.

It seems that prosperity and loneliness are intertwined, which makes the layers of regret and memory particularly distinct.

The audience at the on-site and virtual venues was already shocked.

"This sound is too good, isn't it?"

"Who is this singer?"

"I don't know."

"This is Wan Fei, although the name is a little feminine, but she is indeed a male singer."

"Wan Fei, he disappeared after he was promoted to the Heavenly King, and one more thing, he is Wan Feng's younger brother, the kind of dear."

"Wan family is so bullish?!"

"To add, Wan Fei didn't disappear, he actually went to the Sakura District, it seems that he got married in the Sakura District."

"Well, he doesn't sing much anymore, but he has a TV show in the cherry blossom area, and the scale, the dirt, it's amazing!"

"Are you still talking about this elegant middle-aged man on stage?"

"Believe me, it really is!"

"But don't say it, Wan Fei and Wang Xie's voices are quite compatible, it's really good!"

「……」

Just when everyone at the scene looked at the new "unknown" singer and sighed, Wang Xie spoke again.

"Hearing the sound of tears into the forest, looking for pear blossoms and white, only a line of moss"

"The sky is outside the mountain, the rain falls on the flower platform, and my temples are white."

Listening to the moment Wang Xie spoke again, the audience finally couldn't help it, they were afraid that the shouting would disturb Wang Xie who was singing, so they used applause to express their love and excitement.

And the five major fathers who were originally indifferent finally broke their defenses.

He Chen slammed the chair hard: "! R&B can still be used like that?!"

Wang Ziwei couldn't help but speak: "Although I have praised Wang Xie many times, I still want to praise again, 'Smell the tears into the forest, look for the pear blossoms white, only a line of moss' These lyrics can surpass the ancients, and they are all excellent works in the Song Dynasty, and they can be regarded as the best three-line line poetry in contemporary times."

Ikebe Shinichiro also nodded solemnly: "I think this song is not only an upgraded continuation of traditional pop music, but also a work shaped by the new music scene, and another top Chinese style song was born."

After everyone spoke, they quickly looked at Han Boqi in the middle, he didn't open his mouth until now, but looked at something carefully.

Ikebe Shinichiro couldn't help but ask, "Old Monster Han, don't you say a few words?" It's not like you!"

After hearing Ikebe's question, Han Boqi finally turned around slowly and said, "I'm watching the audience's reaction."

The crowd was a little puzzled and asked in unison, "The audience's reaction?"

"Yes!"

Han Boqi nodded slowly: "The previous songs all have fans of different ages, genders, and regions, but this song covers almost all groups."

"Do you know what that means?"

Again, the crowd said in unison, "What?"

Han Boqi's expression is as usual: "Chinese style was originally only popular among young people, but this song "A Thousand Miles Away" breaks this barrier, which means that even ordinary people in the forties and fifties of the last century can understand what Chinese style is."

The musicians were stunned

, and then they all looked at the audience, wanting to see if Han Boqi's words were true.

On stage, Wang Xie's singing voice is still leisurely.

"Hibiscus is on the water, the shadow of the boat is still there, but you don't come back..."