On August 1, at 0:00 a.m., the book will be on the shelves.

As of the time I write this preview, the score of this book is 8800 collections, 40 people in two hours of follow-up, and 24 hours of follow-up, I think there are 200.

The tragic results of this book can be seen from the data, but it is actually difficult to rectify such a thing as selling badly.

Because of good-looking books, there will definitely be people who subscribe, and readers who usually have the habit of subscribing are reluctant to subscribe, and they must feel that the book is not worth it.

So I think it's better to ask for a subscription than to sell badly.

Let's just talk about the highlights that may make readers find interesting after they are put on the shelves. (It's a bit subjective, please understand)

The first interesting part: to experience something from the perspective of a madman, to make normal decisions in the world.

This idea comes from "The Strange Fairy" (an extra sigh, the fox tail is really a genius...... ）

However, what I wrote is a little different, and the difference lies in the beginning of a script killing, "Arkham Syndrome".

Let's start with a little story, when you go on a date with your girlfriend, you go early, and while you wait, you are bored and squatting under a tree, watching a group of ants work together to kill a big mantina, you think it's funny, and you stretch out a finger to help them.

But then the date arrives and you immediately get up and accidentally stomp on them as you leave.

Do you have kindness towards them? Or is there malice towards them?

I thought it was interesting to see this contrast between the perspective of the gods and the perspective of the ants, and then I saw "The Strange Immortals", as well as "The Abyss Syndrome", and "The Original Hunter".

So there was an idea.

In many mysterious streams, the supporting characters often fall into madness, but the protagonist can always maintain his sanity at critical moments, even if he goes violent, it is just a change of form of explosion, and the strange fairy subverts this, so it shocked me.

From the situation in the fantasy of the protagonist's Peach Blossom Land before it was put on the shelves, you can see my thoughts about setting up the protagonist's dilemma, that is, the protagonist is facing a dilemma that is really indistinguishable and will really be in a state of madness.

Of course, I don't plan to write a plot where the protagonist really becomes a madman, he really becomes a madman, and he treats human life like a mustard, which really violates the three views, but I still want to write that the protagonist is in an extremely difficult choice, and there are reasonable and special methods to achieve the purpose I wanted to do before I was not crazy.

……

Second highlight:

Tianzun, that is, the gods.

In fact, many of the gods are a little aesthetically tired, octopus tentacles, all kinds of curious descriptions, side descriptions of people who see them falling into madness, and that kind of unpredictable power.

It's not that it's bad, it's just that I think a powerful god doesn't have to be like this, maybe I can bring some new experiences to everyone.

Just like the current Tianzun, an existence that is a god, but can talk to you like a human, and this kind of respect and understanding for you is not God pity, but this kind of behavior has no cost to it.

So there is no difference between harnessing you with fear or madness, and persuading you with temptation and respect.

In the follow-up, after the protagonist is crazy, Tianzun will always stand in the protagonist's perspective and give the protagonist an understandable answer, rather than simply helping the protagonist stop the madness.

As Tianzun said, "Madness is not a defect".

I think it's quite interesting to put yourself in the shoes of a madman and give an answer that a madman can accept.

Of course, because readers have a good impression of Tianzun, they will definitely not write the kind of plot where Tianzun finally plays with the protagonist or something similar, mainly to reflect the cost-free love.

……

The third highlight:

The cage is happiness, and the unknown is the concrete manifestation of happiness.

Now that the clues have emerged, I will give examples of how various historical figures have understood this sentence, and whether they agree with or disagree with it.

The specific performance lies in the current Tiantiao, as well as some very hidden plots.

Above all, there is the embodiment of the human spirit, and even in the wider world, there are infinite possibilities.

No, the three things that may be interesting in the current conception, and the others are things that can't be spoiled.

Although the results of this book are unbelievably poor, I still hope to bring readers who can read it, some experience that is as novel as possible, even if it is only a loss.

The most critical and critical is coming.

I hope you will support and subscribe more!

Please!

Please!

I'm really eating dirt now. (It's already close)