This kind of joke of fate made Gu Chongyan, who had walked far in the authority of fate, have a deeper understanding of the impermanence of fate.

Although it is not enough to talk about the level of tearing the jade lock with the golden rope, the spiritual perception has also obviously gone up to a higher level.

However, this perception did not greatly improve his overall strength, but it somewhat made him have a stronger resistance in the face of a higher level of spiritual power.

At this time, Gu Chongyan, who left the Buster Building, had already entered the New York Museum of Natural History.

The Natural History Museum in New York claims to be the largest natural history museum in the world.

Founded in 1869, it is located in Manhattan, New York, USA, covering a total area of more than 7 hectares, and the buildings are in classical form.

Its paleontological and anthropological collections are among the largest in the world's museums, and in addition to specimens from the United States, representative specimens from South America, Africa, Europe, Asia, and Australia are also in the collection.

The exhibition inside is extremely rich, including astronomy, minerals, humans, paleontology and modern biology 5 aspects, there are a large number of fossils, dinosaurs, birds, Indians and Eskimo replica models. The collection of gemstones, molluscs and specimens of marine life is particularly valuable.

For the eighties and nineties, it was a world-class centre for natural history research and education, welcoming tens of thousands of visitors each year, and it was the peak of the world's museums.

However, with the advent of the Internet information age, the rapid decline of museum education, coupled with the emergence of superheroes in the 21st century, aliens and gods, the value of this museum based on human civilization began to decline.

Now, whether it is a New Yorker or an out-of-tplacer, even if you travel to New York, you either go to the Captain America Memorial or go to the Avengers Tower and Buster Building, which are superheroes.

The museum is already yesterday's yellow flower, no one comes, there is a lack of ticket income, the huge museum is very dilapidated, all aspects of the expenditure are being cut, today the exhibition hall is closed a few, tomorrow the security guard dismisses a few, the huge museum is about to come to the end of bankruptcy.

In the barren hall, except for Gu Chongyan, only those cold exhibits stood in the glass display case.

Gu Chongyan came here, naturally, not to study natural history, after all, with his current realm, any past matter, unless there is a higher level of force influence, even if it is to create history, it is just a gesture for him.

He came here mainly to hide an exhibit here.

A gold engraving tablet from the Fourth Dynasty of Ancient Egypt.

This engraving tablet made of gold is not an ordinary exhibit, but from an old friend of Gu Chongyan, the moon god Kong Su.

More than 2,600 years B.C., a pharaoh of the Fourth Dynasty of Ancient Egypt, hoping that he would still be able to stay with his family after his death, ordered the priests to use the divine power of the moon god Khonsu to create a 'Akamanla' gold tablet that could bring all living things back to life.

At that time, it was still the era when the gods ruled the world, and the power of Kong Su did give this tablet the power of resurrection. But with the advent of the ancients a thousand years ago, the gods retreated, the miracles of the earth were erased, and the power of the tablet was weakened, and it was not until modern times that it began to recover.

Later, the gold tablet, called Alamanra, was lost to the Natural History Museum, causing the divine power on the plaque to awaken all the creatures in the museum whenever the sun disappeared from the horizon.

Awakening here is not just about resurrecting the dead, it's about bringing living things back to life.

For example, primitive people made of wax figures, statues made of metal, and even stone statues of Easter Island with only one big head, as long as they are radiated by the energy of the 'Akamanla' plaque, no matter what species and what kind of creatures can be 'resurrected'.

Not only that, but its power can also rejuvenate the elderly, and they will have the same vitality as when they were younger.

However, the radiation range of this stone tablet is too small, and it can only revive creations, but cannot change their essence, so for those powerful beings, this stone tablet is also a toy-level existence.

Coupled with the fact that its area of influence is mainly within the museum, and the effects will revert to its original state the next day, like a wonderful dream, not many people notice this.

Under normal circumstances, Gu Chongyan doesn't look down on this carving board, if he wants, he can create a real world in minutes.

But this time it was different, the ancient Egypt of the 14th century BC he was going to was not an ordinary world, but a magical version of Egypt.

However, because of the limitations of Ao Shutu and Gaia, coupled with the role of the Heart of the Universe, he could not project too strong a force to the fourteenth century BC, and it was estimated that the Heavenly Father level would reach the sky, and even the planet level was possible.

In this case, he will need to find some useful items to fill the lack of strength, after all, Ahnatten is not a helpless pharaoh.

To be able to set off a religious reformation in the era of theocracy, to unify the Egyptian gods on the altar, to merge them into a complete sun god, and to see himself as a practitioner of the sun, was not something that an ordinary pharaoh could do.

Although the Egyptian gods are not ranked among the many gods, in the end, they are a complete god system, and there are still Father-level powerhouses, and Akhnaton can suppress them, not to mention that they are comparable to Odin Ancient One, but they are not worse than Zeus.

Inevitably capsized in the gutter, Gu Chongyan certainly had to make a few preparations.

Although Akamanla's golden tablet is not a powerful artifact, it is the artifact that is most closely related to the moon god Kongsu and contains the original power of the other party.

Brought to the 14th century B.C., using this tablet, it may be possible to communicate the power of Khonsu and even the Egyptian gods, and deal with possible troubles.

So, Gu Chongyan didn't stop, and after entering the museum, he walked directly to the Egyptian exhibition area.

At this time, a middle-aged man with a long black police flashlight, a black work uniform, and a large set of keys on his waist walked over and smiled at Gu Chongyan.

"I'm sorry sir, it's getting dark soon, and the museum is closing, can you please come back tomorrow during the day?"

Hearing this, Gu Chongyan said with a smile: "Why doesn't the museum open at night?" Now that the economy is depressed and the museum is not doing well, if it opens at night, it should attract a large number of tourists. ”

As he spoke, he took a deep look at Larry Daley in front of him, and said meaningfully: "After all, not every museum can come back to life when it is perfected. ”

。.

Arakawa outside the threshold reminds you: remember to collect after reading