Looking back on this volume, I only feel like a bit of a waste, alas.

Traditionally, writing fiction is an art of dancing in shackles.

Just writing and writing, I found that it was probably because of the subject matter, and the shackles were really heavy.

In this volume, "Man-made Disaster", the original intention was to write about the feeling that although the order has not collapsed, it has begun to be alienated, and the human heart is sinister. On the one hand, he writes about the internal fighting within the Health Department, and on the other hand, he writes about the contradictions between the protagonist group and other civilian survivor teams.

As a result, the plot in the Health Department did not dare to go deeper, even if it was a change in the social form, thinking about it, it could only be brushed aside by the production team system.

And the plot of the folk survivors, which was entangled for a long time, was also cut by me.

Because I found that the main character is a bit of a supermodel.

Similar to the collapse of combat power often said in other books, in the folk, unless you give other people hot weapons and open a reverse gold finger, you can quickly promote the innate protagonist step by step, and when the per capita LV1, you can basically play a crushing game in the folk.

In this case, even if the other survivor teams appear, it is meaningless, and they don't even have the value of running tricks, so they simply cut it and don't write it.

After serious reflection, I found that this kind of problem is due to my personal lack of ability and experience.

Just thinking about suppressing the power system, so that the power system is within the scope of biological knowledge that can probably be explained, that is, the combat power performance is similar to the low level of Jin Yong's martial arts level.

But I ignored that without aura revival and ability awakening, ordinary people normally can't compete with the protagonist at all.

So when it came time to write, I was stupid, and I couldn't think of a suitable plot to unfold the contradictions between the protagonist group and other folk teams - unless I deliberately wrote the kind of stupid villain who should die suddenly before he met the protagonist.

Fortunately, it's just that the protagonist upgrades too quickly, and it seems that his combat power has collapsed in a short period of time. With the passage of time, ordinary people's regular combat power can also reach LV2 reasonably, and I don't need to open a reverse golden finger.

So I simply cut the plot line of the folk team and jumped the plot backwards.

Pull out the only Qingcheng Taoist priest who can benchmark the protagonist's combat power at this stage, and support the protagonist's combat power performance with plays, so that everyone can have an intuitive impression of the protagonist's combat power, and then proceed to the plot of the next volume.

But anyway, after the original two plot lines were cut by me, it did make the plot of this volume a little scattered.

In the first volume [Corpse Disaster], there are two lines: "Wang Ye escaped and established a refuge base", and "The world situation continues to collapse due to mutual suspicion".

The second volume [Nuclear Disaster] writes about "Xu Yan's Southward Migration and Escape Road" and "The Collapse of the Old Order, Restructuring and Turning to the Evolutionary Era".

In the third volume [Man-made Disaster], I originally wanted to write about the two lines of "Contradictions and Conflicts of Civil Survivors" and "Internal Conflict of the Health Department and Alienation of Order" - but both lines were cut by me, and I could only reluctantly write the two lines of "Wang Ye and the Health Department's cooperation and exchanges" and "Wang Ye Yeling's combat power performance".

Frankly speaking, the first time I wrote a long story, or serialized it every day, I did feel that my pen power was insufficient, and I felt that my writing was a bit poor, and I had no time to consider the rhythm of the plot.

Moreover, as a frequent reader myself, I know that many book lovers like to fatten up the most, and I am worried that subscribing to seedlings in advance will easily cause blood loss due to the author's eunuchs.

Therefore, I am very grateful that my clumsy book, which has obvious shortcomings, can still be supported by about 30 equal subscriptions.

Although compared to those bigwigs who make thousands of orders at every turn, this book can be called a street in the street.

But again, since I opened the book to generate electricity for love, as long as there is no force majeure, the book will definitely end normally, and there will be no sudden eunuchs.

Finally, thank you to all the book friends who subscribed to this book for their support.

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