Regarding the emotional changes in the character of Yang Zhenzhen, I also wrote it little by little.

At the beginning of the setting, Yang Zhenzhen is a tool man who sets off the protagonist, a third- or fourth-tier starlet, not good at acting and singing, except for being good-looking, there is no advantage.

He also likes to play big names, and the characters are not likable.

At first, I just wanted to treat her as a tool, and then create a contradiction, let her get out of the protagonist's camp, and another wave of slaps in the face.

But as it was written, I found that I had grown up with this unflattering character.

Or more interesting.

I don't know if readers can appreciate the growth of this character.

This is evidenced by her changing emotions and constant changes in her thoughts.

At the beginning, she didn't like the main character's agent.

As the protagonist reveals extraordinary abilities, her behavior is more snobbish to please the protagonist and make up for the gap between the two.

It's her snobbish side.

Because the protagonist can bring her success and bring fame and fortune, she wants to please the protagonist.

This is the first stage, she is confused about her future, she only knows that she wants to be famous and wants to make a lot of money.

Then, the protagonist's contact with her increases.

In the process, she constantly manipulated her emotions, which is what book friends call PUA.

This mental torture is that she inadvertently produces Stockdelmore syndrome.

In her subconscious, she will care about the protagonist's opinion of her, and at the same time, she will rely on the protagonist, and even feel in love.

According to Yang Zhenzhen's age setting, a twenty-two-year-old girl is actually still about the age of a junior in college.

Girls of this age are still full of expectations and fantasies about love.

Yang Zhenzhen couldn't tell whether she liked it or not, she only knew that she cared about the protagonist's feelings.

This is her second stage, and she is starting to have a bit of a love brain.

If it is another harem, at this stage, it is estimated that the protagonist will start to have a little relationship with Yang Zhenzhen.

But I think that human feelings are quite complex, and it can't be so simple.

Combined with the personalities of the two, the protagonist sees her more as a partner at work, at least now the protagonist has no other thoughts and feelings for her.

If two people develop a relationship, it will be very abrupt, and it is not suitable.

Therefore, when I think it is more appropriate to deal with it, let Yang Zhenzhen begin to wake up, understand his position, and the road to go in the future.

On the premiere day of the movie, she saw how brilliant she was in the movie, and at the same time, she heard others in the cinema praise her performance in the movie.

She began to understand that she could also do well, and that she had come to this point unconsciously.

This is an opportunity.

From fame and fortune at the beginning, to for a certain man, and finally to discover your heart.

At this point, Yang Zhenzhen's heart is really mature.

I don't know if there will be readers who don't like this way of writing.

But I think that's what a living person is.

That's how she should be, so she wrote.

The protagonist is the same, in his previous life, he was a tyrant in the entertainment industry, impersonal and ruthless.

But in this life, he will begin to reflect on his past self and feel that his former self was too much.

So after being reborn, he has a little more human touch in his work.

Many readers read the first few chapters and began to scold the protagonist for being ruthless, and I was speechless.

There is no problem with the protagonist's ability, it is already a full-level tuba, and there is no place for leveling.

But his character is flawed and needs to be changed.

That's why there is a wonderful story behind.

I don't know what they are in the eyes of the reader, but in my mind, all the characters are real people, but they exist in another virtual world.

They have their own ideas, their own positions, their own joys and sorrows.

They are either imperfect or they make mistakes.

Because of this, they are more like living people.