I thank all the readers.

The first volume is over, and overall according to my plan and expectations, although I have made a lot of compromises and made a lot of mistakes, I think I can still give a passing score of 60.

First of all, I apologize to the readers, the author does not know how to write online articles, and it is really not good in the early stage.

The author wants to take the protagonist as a clue character, contact the plot characters, show these from the perspective of the protagonist, see the big from the small, show the contradictions hidden behind, people and people, people and immortals, immortals and immortals, dragons and dragons, and borrow the world of the gods to reinterpret that magnificent legend.

Although the author worked hard to write, he really didn't grasp the rhythm of the online article, and it took some time to adjust.

My definition of this book is the fandom of the gods, and it is a reinterpretation of "The Romance of the Gods", partially revised and supplemented.

is to look at some familiar plots from another angle, I want to make the characters in Fengshen more three-dimensional, reinterpret the original characters on the basis of conforming to the original work, so that the original characters are no longer flat, and make their motivation more sufficient.

It is to expand the original world view (such as the Nine Sons of the Dragon and the Dragon Clan), and to fix bugs such as the age of the Thousand Thousand Spirits and the Bo Yi Examination.

The setting of humane luck and martial arts is also to make it more reasonable for mortal generals and immortals to fight equally.

I know it's not trendy and the pace isn't fast enough, but I have my own insistence, so please forgive me.

You can also use it as an excuse to scold me if you really can't forgive me.

Because it's true that I can't stand you, I thought about it a lot, the setting, the reasonableness, etc., and even the finale, but I didn't take into account the reader's feelings.

It wasn't until a reader commented that I was aggrieved that I realized that I really wouldn't write online articles.

I'm right to insist on myself, but there's no need to make the reader feel uncomfortable. After all, readers read books just to relax.

But at that time, more than 30 chapters had been updated, and even if I quickly adjusted the plot in the future, adjusted the focus, and didn't write the plot that might be aggrieved, it was still a little late.

So I've always felt sorry for you, you scolded me twice, and I was scolded.

I didn't mean to make anyone have a bad reading experience. (It's okay to scold two sentences, don't keep scolding, after all, I haven't been sorry for you too much.) ）

According to the feedback from readers, the author feels that he has grown a lot and made a lot of adjustments, first letting the protagonist gradually become the protagonist, and then adjusting the rhythm.

The first volume is called the Human World, which originally meant all kinds of human beings and all kinds of beings, so I may be biased towards highlighting the supporting roles, so that there is no obvious goal in the early stage.

Originally, the protagonist would have more events in Chaoge, such as Qingfeng inviting the protagonist to explore a certain ruin and discover the clues of Jiuding; For example, when the protagonist divins and sets up a stall, Xue Ahu's grandfather will come to divinate his grandson's whereabouts; Pang Hong will also come to divinate the fortune, so as to have a relationship with the protagonist, and later when the protagonist becomes Bo Yi Kao, he will save him in the gladiatorial arena and so on.

The part where the protagonist heals his wound would have been more twists and turns, leading to some side plots. The lower courtyard of the Jade Void Palace will also show the cultivation side of those disciples of the lower courtyard.

But these episodes were all deleted by me because of rhythm problems.

These plots are a drag on the current rhythm, but they are foreshadowing for the whole book, and they are the method of grass snake gray lines, which can echo back and forth, making the whole book more three-dimensional.

Let's take a look at the present.

To put it bluntly, the author's pen is insufficient, and there is no way to achieve a tight rhythm, an attractive plot, and a lot of foreshadowing.

In terms of character building, some are not as good as I want, I think I wrote some changes in Li Jing, Jiang Ziya, King Xu, Bi Gan, Ji Chang, Fei Zhong, and You Hun, showing some three-dimensionality, but it is not enough.

(This has something to do with my rush to catch the pace, and while you may think it's slow, it seems to me that it's really rushed.) It's really a little pressing, a little less eloquent and calm. Author's pot. ）

Compared with Jiang Ziya and Ji Chang, who spent more pen and ink, the image of King Su is clearer, but this is not entirely my ability, because there are many images of King Xu, and there are contradictions, which are relatively easy to shape.

The author of the fight scene is really not very good at it.,I think the protagonist and the dragon girl fight in the early stage are almost interesting.,In the later stage, it's much stronger to sort out the logic.。 If the author has time, it may be better to find more works to observe.

Finally, allow me to say a few words about the early part that has been criticized by everyone.

In fact, this book was deleted and revised and reissued, at that time I wrote 100,000 words, the title of the book did not "Feng God", there were not many people who read it, and there was not even a single person who scolded. The application for signing a contract failed.

I was in a very serious state of self-doubt, was my writing really that bad?

I don't think I'm writing too well, but I can't even sign the contract, which is really shocking.

The opinion of the internal investment is that the protagonist has no protagonistship, and there is no sense of expectation as a whole. I think that's right.

At that time, I thought of many ways, such as letting the protagonist come up and know that Qiao Kun was the dead dragon; The previous plot is cut, and the scene that comes up is Chaoge City, or in front of Xiqi Jichang's sickbed.

But in the end, I gave up, so writing went against my original intention, and I still wanted to write about the unreality of "a thousand thousand spirits", and write about self-proclaimed gods, which will be a disaster, etc.

So it was still like this, and at the beginning of the book's biggest foreshadowing.

Every dead street has its own persistence.

At that time, I thought that I would try to finish writing it without signing a contract, so I made adjustments, changed the title of the book, and reissued the book to take advantage of the popularity of the gods.

The adjustment is to make the relationship between the protagonist and Nezha more intimate, and I am ready to use the lamp as the goal in the early stage, but I deliberately imitate the various extreme protagonists of other books, and I have not learned the essence, so that it is self-defeating.

Later, I have modified this part, but there are still some traces left, and I can't help it, the plot is already like this.

This is a small part of the reason why the behavior and psychology of the protagonist in the early stage are a little strange and even a little fragmented.

Part of the reason is that the protagonist is originally a baby, and he is not smart enough, this is not a forced intelligence to make the plot progress, and it is really reasonable for the protagonist to do this, because he is really a baby, and he is empty.

His Virgin, his immaturity, the part where he didn't act like a traverser were the side effects of the biggest hanging I had prescribed him.

Only with this hanging, can he be qualified to participate in the final battle, so that this section of the interpretation of the gods has a beginning and an end.

I don't want to say too much, because "Taiyi Ancient God's Dream of Too Void" is too good to set up. If I said more, he would probably have guessed what I was going to do.

Thanks to the editor who sent me the invitation to sign a contract, I was ready to give up, because I signed the contract so that I could have readers.

Thanks to all readers. Because of your feedback, I have mastered some of the rhythm of online articles and made some progress.

The book will be on the shelves at 12 o'clock, and we will try to send out a chapter before it hits the shelves.