The five levels of this volume are written according to the original Romance of the Gods, and I have basically deleted the clichéd parts. The point is to write something of your own on the basis of the original plot.

The strength of each of the five levels is different, and it has to be set reasonably and suspenseful, and it's very interesting, but I can't do it anyway.

Anyway, sometimes I want to jump over when I write something similar to the original text, but I can't.

Wen Zhong appeared more in this volume, on the one hand, it was to let him save the scene everywhere, and it seemed that the strength of the two sides was more even, but more importantly, Wen Zhong was not dead before, he had to do something. More activities and suppression of the Western Zhou Immortal Dao is a reasonable inference.

The setting is that Wen Zhong is inextricably blessed, and he has long had this idea of dying because of the "Absolute Immortal Sword". is still the same sentence, Wen Zhong is not going to die when he sees "Jue", otherwise he should die when he sees "Heavenly Absolute Array".

This volume added a little emotional drama and interacted with Deng Chanyu, but he just closed the pit dug in the early stage, and he didn't think about letting them be together.

Deng Chanyu's positioning in the book has always been very clear, a benchmark for time. From the age of four or five, to the age of twelve or thirteen, to the age of fifteen or sixteen, to the present in his twenties.

I want to rely on this to highlight the passage of time.

But in fact, I didn't do a good job, if only the usual scenery and environment had a time to change.

The main purpose of the heart lock is not to let the protagonist go to the Wa Palace, the main purpose is that this treasure appears in the original book, but it doesn't show how powerful it is. I'm just going to make it up myself and let everyone see what it can do.

After all, it's the treasure of the sect leader, and it's not easy to write too useless.

I'm a little sorry for the readers.,Compared to the reflection of the protagonist's bulls,I actually want to raise the level of several sect leaders.,I really think that shrews scold the street at every turn.,Expose each other's shortcomings.,The sect leaders who beat each other with weapons are too cheap.。

It's like the resurrection of Xia Hua, which is the current main quest. But let the concept of Xia Hua's existence be erased, in fact, the main purpose is to highlight how strong the Tongtian Sect Master is.

Anyway, the battle I imagined for several sect masters was a battle involving rules and the origin level, which was a kind of metaphysics, not that you cut me with a sword, I hit you with a stick, or that the sky was shattered with a punch.

It is probably equivalent to changing a gravitational constant, *** constant, and then the stars in the world collapsed, and all living beings were extinct.

The four swords of "Killing and Trapping" are conceptual obliteration, with no future and no reincarnation.

Personally, I feel that this is stronger than the extremely sharp and slashing through the sky. This only represents my own opinion, and I have different opinions. If you don't like it, don't spray.

However, everyone reacted quite a lot when Xia Hua passed away, it seems that although she doesn't have much pen and ink, everyone still likes her.

This volume has filled in a lot of holes, including the various unreasonable behaviors of the protagonist in the first volume, as well as the fact that I can't remember my past life and can't remember the details clearly, it's really foreshadowing, it's not that I want to deliberately find it unpleasant.

When the protagonist first started descending the mountain, he was really just a teenager who had been in the mountains for a long time and was ignorant of the world.

Leaving aside the question of whether this style of writing is pleasing, I will only say that the main character's behavior in the first volume is reasonable. At least in this book setting.

There is a saying in the comment area that the protagonist should practice Buddhism, and it must progress rapidly, although it should be a satire of the protagonist's personality and the like, but he accidentally said it right, and the setting is indeed like this. If the protagonist cultivates Buddhism, he will make rapid progress.

Ma Yuan, Fa Jie, Fear of Liusun, Bilu Xian, Kong Xuandu and Western Religion all have cause and effect, and in the end they all let the protagonist bear it. In addition, the Dao heart of "Heaven and the world, only I am respected", as well as the "Great Circle Mirror Wisdom", originally had a deep relationship with Western religion.

As for why this is so, it will soon be revealed.

The reason why Emperor Xi asked the protagonist to save Bigan's life, and why Pingxin Niangniang wanted to compete for Linglong's heart at that time, also echoed a little.

The banshee she met in Chaoge when she saved Bigan has also revealed her identity, and so on.

When I passed the fifth level, I didn't write the Ten Thousand Immortal Array, deliberately. I'm going to save it for the next volume.

It's ready to wrap up, and the pace will pick up.