Chapter 263: The Making Process of the Explosion Diagram

The presentation of the explosion picture is one of Lin's proudest achievements recently. Benefiting from the simulation changes in order to draw a star map and constantly change the basic observation points in order to find the starry sky belonging to the earth, Lin Ke has delved into the relative positions of stars, that is, points of light.

How do you move the star map and keep all the points of light at the same distance from each other? If the observed parameters are changed, what will happen to the overall star map? And most importantly, how the distance between the stars changes as they move. In other words, Lin's star map is not a static model, but a realistic simulation of the universe that can be used to extrapolate the past and predict the future position of stars.

This achievement was the most important topic for Lin for a long time. Even the unfinished magic tower in the dream, the magic array and program depicted on the first floor, the most important work is also this aspect of the operation, and even he is still improving.

The benefits of these studies are also quite clear. Just like the unfolding of the explosion picture in front of him, if you do it by Fen, a lich who was a genius thousands of years ago, and whose talent and magic level completely crushed someone, there will be some slight errors in the details compared to Lin himself.

After the verification of various methods, it is proved that the three-dimensional perspective explosion presented by Lin using the whiteboard pen technique is the closest to the original drawing design. Even if the explosion shown by Hefen has only a few errors (0.01mm), a certain lich who wants to break his head can't find where this error comes from. In the end, it can only be blamed on the metaphysics of programming, which cannot be explained.

It's because it's important to have something to do right now, and a lich doesn't want to bring a bomb that can explode at any moment, so everything is required to be perfect. The work of the explosion map also fell on Lin.

Too lazy to look at someone's triumphant expression, Fen removed a small part from the explosion and threw it in front of Lin's eyes. At the same time, he took out an inconspicuous stone from the pile of materials, put it in the crucible, and said, "This is the star stone, and when it is calcined until it also emits a cyan flame, shape it into that part." ”

At the same time, Fen also took a large piece of metal ingot, put it on the metallurgical furnace, and heated it directly. The part of the part diagram that was removed was used to make the part base that Lin was making. She glanced at the general appearance, then pushed the parts map to Harumi, and said to the girl, "Ready, girl, I will engrave this formation later, while it has not completely cooled and hardened." ”

"Yes, Sister."

The mages are shaping magic materials, but there is no such thing as a thousand tempers, everything is broken by magic brute. Most of the time is spent adjusting the shape to the right shape.

If there are multiple parts to be combined, it will be troublesome, one by one to match, to combine, meticulously crafted, and finally it is possible to fit together.

If it's a multi-person collaboration, it's a different disaster. How to put together what everyone makes is a difficult problem that has not yet been solved. Therefore, the way the magicians of the Lost Land cooperate in crafting items is usually that each person makes a separate part alone, and the combination of each other is the part that does not involve precision.

This also results in the fact that only large artifacts, such as airships and magic towers, can be completed by multiple magicians; If it is a small component or prop, it is mostly done independently.

But what is now presented to the Great Magician Evers and others is a production process that subverts their cognition.

The explosion at the beginning shocked them. That kind of diagram is very intuitive, and it makes it clear at a glance what the finished thing should look like.

Although the dimensions and descriptions floating next to the part design drawings, they did not understand the meaning. But whether it's the demon king or the man, he puts the finished parts into the three-dimensional parts composition several times and compares them, which side is convex and which side is a few points shorter, it is clear at a glance. Of course, it is also quite fast in terms of corrections.

The portrayal of runes and magic arrays, under the hands of the blonde girl, is like flowing water, all in one go. And that's the difference between Harumi and Kaya.

If you were to draw with a ruler and make a decent drawing, Kaya would be able to make exactly the same geometry.

But if you rely purely on the feeling of brushstrokes, drawing every line in one breath, every turn, the magic props made by Harumi will have the best effect among the four, even the lich can't compare. This is yet another unexplained metaphysics.

Although the difference between good and bad is minimal. If I use it by feeling, it can be said that there is almost no feeling. But when measuring with an instrument, there will be a slight gap.

However, the girl is limited by the amount of her power, and she does not have the ability to draw all the magic circles and runes completely. With the exception of a few that were required to be completed in one go, most of the patterns were drawn by Harumi and the final strokes were drawn by Fin. Someone jokingly called such a move the finishing touch.

The dark-haired, brown-skinned girl was just watching from the sidelines at first. But every time a part was finished, it would be placed in front of her, in the center of the beast skin magic array. At this point, she will pick up the needle tied with the thin wire and attach it to both ends of the part. The other end of the thread was tied to the hide.

At this time, the eight magic stones arranged next to it will light up in order, and at the same time, various feedback will enter the first coffin, and after being organized, it will become information that people can read, and it will be displayed on the water mirror screen in front of the girl. From time to time, I heard her report: "Input 1 mana, output 0.7 mana, temperature increase by 0.04 degrees, vibration frequency of 21 megahertz, eight power ratios close to the sixth mode." The percentage of excess loss is estimated at 27%. ”

Or: "1 mana input, 0.3 mana output, 0.5 degrees higher temperature, 6 hertz vibration frequency, unknown ratio of eight powers." The percentage of excess is estimated at 66%. ”

"It's a bit of a loss." If there was a problem with the data he heard, Finn would come to Kaya's side and look directly at the more detailed numbers. Sometimes he points to the data on the screen and says, "Girl, can you adjust it here?" "Sometimes it's just throwing the material back into the furnace.

At this time, he may have crossed his waist, stood in front of the blonde girl, and said, "Girl, you have turned the runes upside down." Be careful. Sometimes he would hold a man's ear and say fiercely: "The components are not exactly according to the drawings, not only the thickness of the center is different, but also very uneven." Who are you trying to kill by doing this kind of thing, do you really want those tentacles to break through this mask and go in and out of you? ”

"I'm sorry, I was wrong." The weeping man aggrievedly took a piece of bowl-shaped armor with a subtle arc, put it back on the metallurgical furnace, and reworked it.

By the way, while Magical Shaping can directly change the appearance of a magic material, some of the more 'harder' magic materials require a considerable amount of power to change their appearance. At this time, if it is heated to a certain temperature, it is relatively easy to complete the same job. In addition, the method of smelting can effectively remove impurities, which cannot be done by shaping.

But more often than not, it's the Demon King who stands in front of the perspective structure of the physical parts and the exploded parts, constantly calculating the changes that may occur when the data is combined.

Sometimes, even if the test is passed, it will be returned for rework because the linkage with the whole does not meet the requirements of the calculation. He even changed the design drawings on the spot.

Under the stunned eyes of the onlookers, the intricate parts were crafted. According to their respective experience, to make such a complex thing, it is necessary to take into account the workmanship and finesse, which cannot be done without months or even years of effort.

But in just one afternoon, they made a number that they might not have spent years and couldn't do. How surprising is this.

Whenever a part is completed, it is displayed not far away, not on the table in use. Scattered exploded images will also push the finished parts aside, so as not to confuse the parts that have been made and those that have not been made.

When the parts on display filled a large table, the archmagicians who were watching consciously took on the role of coolies, and pulled a long table and stood up. Because there are still unfinished components in that 3D perspective explosion.

However, making something with such full concentration was the first experience for the three of them. It was also the first time that the upper explosion diagram was used, and the various power detection functions that were used in the era of the Great Sage's Tower were used to make an artifact.

So much so that they didn't even realize they were going to eat it for dinner, and their whole minds were filled with data from the blueprints. And how to use your own technology so that the finished thing can match the perspective completely.

Originally, Lin thought that this was like a game of cartoon pattern coloring blocks played when he was a child, and it was good to fill a blank with a colored pen. But when I actually did it, I realized that it was not the same thing at all. The difficulty of filling in the blanks in two-dimensional space is very different from that in filling in the blanks in three-dimensional space.

Not to mention anything else, just for the forged parts, there have been several mistakes in the thickness of the parts. And don't underestimate this uneven problem, under Kaya's test, uneven components, but even thickness, have worse performance in terms of power loss and vibration frequency.

In particular, the vibration frequency is arguably the most important part of Finland this time. Or should it be said that many magical processes, under a large number of trial-and-error and elimination experiments, have been handed down to obtain the best ratio, which has made the mystery of a physical phenomenon that has long been ignored and deeply studied, that is, waves.

Why do the same materials, the same construction, but different lengths and widths have different magical effects? The mages of the Lost Land never think about such a question. Rather, it is the accumulation of experience through a lot of trial and error to arrive at the best answer.

In fact, if someone looks at the development of the world from a critical point of view, such a deformity is understandable. At that time on Earth, soldiers and soldiers spent their days thinking about how to kill people more efficiently, with rifles that could hit farther, with cannons of larger calibers, with planes that flew higher and missiles that ranged longer. They don't think about anything other than that.

However, it has never been this group of warriors who has driven the history of military weapons change. The invention of gunpowder was an accidental product of the alchemy of Taoist priests. The chariot was in its original form before it was mounted on the cannon, and it was nothing more than an agricultural tractor. The Manhattan Project was completed by a group of peace-loving mathematicians and physicists who pursued clean energy.

The magicians of the Lost Land, though they claim to be seekers of knowledge. But under the threat of the external environment, their first consideration is how to protect themselves in the war with Warcraft and other races, rather than asking why.