For that one who somehow came to a conclusion, Lin didn't have the strength to complain at all. didn't turn his head away because the other party turned his head away, so he took the liberty of lifting the night starry sky. Instead, he waited until the other party crossed the line of that attack, and then left without looking back, until he was outside his observation range, and then dared to disarm the magic. At the same time, the nervous feeling of worry eased slightly.

But he was able to slow down, but the magicians who were forced to watch the whole scene couldn't. Because the opponent is the trouble of the empire, from the appearance, from the ability, no one thinks that one is a fake.

Although Lin still cooperated with the head of the house, he cleaned up the lecture hall. At the same time, I went back and changed my clothes so that I could continue the class. Otherwise, the original set would have been decayed under the destruction of the continuous flash technique. It's just a line away, and someone has to swing the pendulum and teach from the podium.

It's so beautiful that no one wants to see it. So the masters waited a little longer and asked Lin to go back and change his clothes. Even so, it is rare to have such a class, and everyone's mind is not on mathematics, just staring at the lecturer.

Regarding the matter of that prince, Lin of course took this opportunity to ask the head of the Kabanbai Academy after class. also learned all kinds of absurd things about the demon prince from the mouth of this old man. also confirmed the fact that he was indispensable to deal with this person next.

The Demon Prince Azad Kazarnia is a sword that no one can hold if he is the supreme force of the Gwana Empire. Because he has no hilt, no sword, and his whole body is an open blade, and if he wants to hold him and hurt others, he will definitely hurt himself before he hurts others. Even if his emperor Lao Tzu came forward, it would not be useful.

All his actions are unpredictable. In short, if he is interested, he will keep playing until he gets tired of it. And in recent times, the most prominent figure in the holy city of Estali is undoubtedly someone who wants to establish an authority on mathematics. It's impossible not to attract the attention of that one.

After confirming that he couldn't hide or escape, Lin simply didn't bother about that one. As the so-called soldiers come to block, water comes to flood, this is the wisdom of the ancients. You have more important things to do, and you can't spend all day worrying about things that you can't control. Anyway, I have determined one thing, at least I still have the strength to protect myself.

It is said that a mountain is still a mountain high, and the strong have their own strong players. I thought I could walk sideways on the rivers and lakes, but the result was a slap down, that dizzy. Sure enough, you have to be a good person, don't wave, this is the way to live a long life.

Aside from the things that cannot be solved at this stage, it is said that the collection of moth species has come to an end for the time being, and there are many kinds of silk threads that can be used, but to find the most suitable one from it, it still needs to be observed and studied. In any case, it takes time to raise the larvae to the point of spinning silk and cocooning.

As for the large piece of filthy garbage that someone suddenly brought back after missing overnight, Lin only roughly said the origin, and then piled it up in a corner of the warehouse, and did not use it for the time being. From previous experiments, we know that the most suitable time to use the dragon language sonic enchantment method is at the stage of silk reeling. Wait until the silk thread is ready, and then use the same method to enchant, and the effect will be greatly reduced.

And how to deal with the large piece of silk cocoon remnants given by the Demon Moth King, Lin didn't have a bottom in his heart. In order to avoid waste, the best way is of course to keep it and ignore it.

Anyway, according to the huge lady, many of these parts that she couldn't digest and couldn't destroy by herself were left by her own reincarnated larvae a few lifetimes ago. I can keep it for so long, and I won't leave it for a few years and then it will go bad.

Although the optimal moth species and the most suitable silk thread ratio for different moth species have not yet been found. However, experiments have also proved that there are indeed moth species and silk cocoons suitable for making magic silk in the Lost Land. So Lin intends to start the next stage of the plan, which is weaving.

If it was just a simple weaving, with the warp as the base, and the shuttle shuttling back and forth with the weft, such a simple machine would have existed for a long time, and the development was not bad. At least women don't need to tie one end of the cloth to their feet and weave the cloth day and night, and the length of the cloth is not more than a few feet, and the surface of the cloth is not very wide.

With the cloth, the next trick is to see the work of the embroiderer. Patterns of various insects, fish, birds and beasts, realistic, abstract and symmetrical geometric patterns. In contrast, the skill of dyeing cloth is not as rich as that of embroidery in Midi. But with the support of rich and idle people like the aristocracy, both have good prospects for development.

The production of lace can be said to be the most praised skill in the textile process of Midi. Not only female aristocrats loved to use lace to decorate their clothes, but also men, and even the common people dreamed of having a formal dress decorated with lace in their lives and wearing it on the most important occasions.

To weave an entire garment using lace techniques, it takes dozens or hundreds of craftsmen months or even years to make. Being able to wear such clothes, even if it is just for a wedding, is the yearning that all aristocratic girls will have.

But the form of lace itself is destined to prevent it from becoming a favorite equipment for magicians. Because of the hollowing everywhere, I can't draw any magic array on it; It's fine to add magic in other ways, but lace is too fragile and can be easily destroyed. There is no bikini armor, and the less cloth, the higher the defense.

However, there was once a magician, with his superb skills, who weaved lace into the shape of a magic array and made a fully woven magic lace robe. It's just that later, no one did it anymore, and whether it looks good or not is secondary, and the biggest reason is that it is not conducive to fighting.

Just as most warriors prefer to have short hair, even bald heads, in order to avoid the hair being grabbed by the enemy and thus taking a bigger hit. A robe full of holes, if all the equippers are ranged attacks; The Dharma Master of the Lost Land also loves hand-to-hand combat with the enemy, which is bad.

In addition, clothes covered in lace are not the best equipment for adventurers. For example, when traveling through the forest, it is easy to hook some branches. If the hook is broken, it will be distressing, and if it is not hooked, it will hinder the action.

For various reasons, lace has become the exclusive clothing of nobles, and has no chance with magicians. And due to pragmatism, costumes that are not useful in battle will not be worn in mage's gatherings. Because who knows if the masters will suddenly open the film halfway through eating and drinking. In this case, the mage who came over would not wait for someone to change into combat equipment.

What someone wants to do is, of course, not to transform the existing craftsmanship of Midi, that is, to improve lace, and certainly not to simply weave plain homespun cloth in the style of Midi.

What Lin wanted to do was to introduce a technique that Midi did not have, that is, to weave silk with a jacquard machine. The silk I have seen before, the patterns on it are still embroidered. Not only the silk of the fascination, but also the ornamentation on other kinds of fabrics are either embroidered or cloth. Even the dyed fabric is still monochrome, not to mention the fabric with its own pattern.

However, the skill of jacquard machine has gone to the extreme, and it is the Shu brocade.

Lin still remembers that before he crossed over, he used to be indistinguishable from each other. But once I saw on a TV show, about the introduction of the weaving process of Shu brocade, I was shocked. It turns out that in ancient China, there was this level of black technology, which could be used to make such exquisite fabrics with a jacquard mechanism. Not all fabrics are embroidered by people, stitch by stitch.

To this end, I also went to study the jacquard machine of Shu brocade and the evolution history of the jacquard machine. Maybe I am fascinated, and it is very difficult to achieve a high-level artwork like Shu Jin. But using jacquard technology to make the woven cloth come with its own pattern, this is only a matter of mathematics and industrial design.

Therefore, based on the wooden flower building Shu brocade machine that he had studied, Lin began to make a fan version of the automatic jacquard machine with automatic machines and program control.

With the ability of a magician, one of the most wonderful things to do research and development in the field is that it is very convenient to make equipment and modify parts.

All magic materials are used, and the production is entirely made using magic shaping. Slight errors on the part can be improved directly using shaping. You don't have to let the parts go back to the furnace to rebuild, or pick up a file, sandpaper, and polish until you doubt your life.

And because the various magical metals in the Lost Land are powerful enough, they don't exist at all, and there is no need for material science. After all magic metals are purified, they are presented and used in their original flavor.

If on earth, after an alloy part is scrapped in the research and development process, the cost of refurnace separation and reuse may be much greater than that of discarding the old one and making a new one.

But there is no such problem in the Lost Land. Because the metal material of each part is single, even if it is broken, or what part needs to be knocked out and retrained, the scrap parts can be easily turned back into metal ingots and reshaped according to their own needs.

If the machine enters the stage of mass production and is still made entirely of magic metal, it will be like a farmer ploughing the field with a strange hand, and the cost, efficiency, and benefits paid are completely unequal.

But if the benefits of using magic metal in the research and development stage were known to the RD of Earth, I'm afraid that eleven out of ten people would shed tears. The extra one is the boss, because I don't know how much I saved because of the material money alone.

Copying the original Hualou Shu brocade machine is not a big problem under someone's perverted memory today. Including all the details, all in mind. Although I have never actually operated it, I have seen a lot of related videos and explanations. Although the public information didn't really scratch the itch, I was able to figure out the functions of each part when I pondered it with others.

Anyway, after all, I want to change the magic, not completely transplant the process of Shu brocade, so I don't have many requirements for whether I understand every detail.

As for the production of jacquard machines, Lin did not have a technical guild led by Uzov Gantia, and every part was made by himself; When the two apprentices are free, they help out.