Chapter 720: The Plan for Weaving
In fact, this question has been thought about at the stage of making Xuanwu robes. It is also a robe with powerful magic, which requires an additional supply of power, which is a normal thing for magic items.
At that time, the solution to the power needs of the basalt robe was to use magic stones to make ornaments and wear them in a fixed position as a replaceable magic stone accessory. The accessories were originally intended to be made at a later date after trying on the robes.
But the plan couldn't catch up with the changes, and the subsequent series of events made this silk robe no longer an ordinary magic prop, and the Xuanwu totem behind it had the posture of being a god, but it was incomplete.
For unknown reasons, He simply slumbered, merely as a source of power to support the magic attached to the robes. Besides, the power energy of the Xuanwu totem is far from the level that a weak divine power should have, which may also be the reason for him to sleep.
The three sets of Hanfu that are scheduled to be made now can not only add more magic to the silk reeling stage; Even at the weaving stage, Lin planned to add the runes of the magic array. The purpose is to imprint the mark that belongs to the Lost Land, rather than being as empty as the Xuanwu robe, giving the mythical Xuanwu from the homeland of the earth an opportunity to take advantage of.
This means that these three sets of hanfu will have more magical effects, and they will also require more power supply than the original basalt robe design.
The first magic that comes to mind is the 'Magic Sharing' in the apprentice-level magic of the Second Ring. This is the improved version that Lin Yong used to cast the twenty rings. It can absorb the free magical power of the surrounding environment, store it, and supply it to equipment.
It's just that this method, regardless of the efficiency of absorption or the amount of storage, is very low. In order to maximize the effectiveness of the active or passive magic attached to the three sets of hanfu, it is necessary to have an additional supply of power. Otherwise, it is a whole day of charging, three minutes of use, and only three percent of the function can be turned on, such an unfavorable situation.
Therefore, the original solution of the Xuanwu robe was put back on the table for consideration. Under the ingenuity of the three women, it was not only one or two pendants that provided power, but also changed the original cloth buttons to magic stone buttons, and added some tassels and beaded designs, and the beads were replaced by magic stones.
Of course, these stones are designed to be quickly replaced. Replace the magic stone accessories that have run out of power with abundant ones to maintain the operation of magic equipment.
The two stages of enchantment, in the process of reeling silk, have been enchanted several times, it can be said that it is very familiar. As long as the upper limit of mana is calculated, there are few surprises in this part.
But the second stage of enchantment, that is, in the process of weaving the jacquard machine, adds the runes of the magic circle to the plate.
Similar skills have already existed, and it is not uncommon in the world of the mage to embroider magic patterns on magic robes or cloaks by enchantment and tailor masters. Even as long as you are a magician, you will do this, it is just a matter of how the finished product, the effect and the appearance are. And no one has ever tried to inlay magic formations in general patterns, generally speaking, they are all drawings to diagrams, and runes to runes.
When such a technology is used in Jacquard machines, it is not a matter of reducing the scale. How to hide the magic pattern in the plate, and keep the pattern unchanged, this is the real skill, so that someone's eyes are about to look out of the window.
Still, when the three women handed over the Hanfu plates they were going to make, someone was shocked.
First of all, they did not use the totems of the three spirit beasts of the Vermilion Bird, the Green Dragon, and the White Tiger. In addition to the white tigers that they can understand, the other two spirit beasts are creatures that have never appeared in the Lost Land, even if they are not in legends.
Although the magic of the Lost Land can be analyzed scientifically, it is actually because someone avoids a lot of idealistic magic. The main cause is incomprehensible and cannot be analyzed. If you don't understand it well, you won't be able to play it well. Like curses, like divination, and like prophecy, there are many unclear and unclear places about these magics, Lin Xiantian doesn't believe in them, and naturally he can't use them.
In short, that's why those three don't use spirit animal totems. Lin did not object to this. Anyway, when I drew those sketches, the intention was only to broaden their horizons and truly bring out the beauty of the brocade. Instead of putting it on Western clothing, it looks nondescript.
And their vision and design talent were actually tempered as early as the era of Wulian City in Xijia District, when they competed with the nobles. Don't look at the preparatory stage of silk production, the sketches they put forward are useless and disliked by someone. In fact, it was just that they didn't give full play to the advantages of brocade, and the design content had already gone out of their own style.
Now that someone has shown a clear path, they are unbridled in their own style.
Finn is not good at drawing, and here he refers to the kind of pictures that have an artistic sense and are aesthetically pleasing. As a magician, drawing a magic circle with your bare hands can be like drawing with a ruler, which is considered a basic skill; And she started as a necromancer, and she is not afraid to depict the human body, muscles, and internal organs. But none of that has anything to do with art.
Just because you can't draw doesn't mean you don't have vision. Under Fin's guidance, Harumi was able to draw the pattern she wanted. Based on the red Vermilion Bird robe, Fen was replaced by other bird-like creatures, legendary creatures known as elemental spirits, and another widely used term called 'Immortal Bird'.
He, like the gods, could not have entered this world in his true form. The sightings left behind by the Lost Man are merely projections of elemental spirits. According to the records left by some powers, the elemental spirit is not in the class of the elemental plane, and he does not belong to the elemental prince or elemental lord, because he is the elemental plane itself. The elemental creatures of the prince lord were only a part of him, or rather parasitic on him.
As for why the elemental spirit is in the form of a bird, there is no conclusive conclusion.
The Hanfu designed by Fen does not use the red tone set by the Suzaku robe. Instead, it is made of porcelain white, with blue seams, and the skirt and long gown have the elemental spirits of earth, water, fire, and wind. The color is not emphasized by contrast, it is light, and while distinguishing the four attribute elements, it also uses overlapping gradient colors to make them appear in the same picture very harmoniously.
With my sister magically changing someone's pattern in front of her, how could those two bold apprentices use someone's example diagram stupidly, and of course they had to use their own creativity.
Halumi chose a Hanfu with the theme of the green dragon, but it was completely changed. Dragons are dominated by the Lost Dragons. From the coat to the skirt, it is a towering tree full of greenery.
There are eight branches on the tree, and there are three metal dragons such as gold, silver, and copper, as well as five colored dragons such as red, black, blue, white, and green. There is also a brown poisonous dragon at the base of the tree, also known as a corpse dragon. The dragons are just the right size to steal the main picture, and they are more like delicate flowers, blooming in different places on the tree.
If you want to talk about the design of the other two people, it is like drawing on clothes; Harumi's own design is like making a picture into a dress and wearing it on his body, the style is natural and wild and uninhibited. It is said that I plan to wear Hanfu out of this feeling, and someone also thinks that this junior apprentice is a talent. And because this is just a plate for weaving, someone can't imagine what this set of hanfu will look like when it is finished.
However, among the three women, the design that made Lin Wuyan the most was the design from Kaya's hand and changed from the white tiger robe. First of all, the tiger is gone, and it becomes a white-bottomed tabby cat......
It was originally a picture of a tiger descending the mountain, but it became a picture of a white cat playing with pearls......
In terms of color, someone's first impression is like seeing blue and white porcelain. and their sisters, with porcelain white as the base, and azure strokes. The color is not used much, compared to the other two, Kaya's design is much simpler, and with an inexplicable sense of childlike fun and joy.
But don't think that this chick pretends to be cute, it is harmless to humans and animals. From the magic they chose to attach, it was clear that Kaya was not only dark in her skin, but also black in her heart.
Fen's four spirit suits, the enchantment tone is mainly defense-oriented. And the strength of the defense was strong enough to resist her own attacks, so strong. Of course, it's impossible to reduce damage all the time. But as long as she can resist the first few blows, so that she herself can focus on offense without being distracted by defense, the victory or defeat will be made in an instant.
Halumi's Nine Dragons suit, the enchantment tone is mainly support. The magic used for combat and reconnaissance is always on the equipment, so that you have the ability to avoid danger and deal with various unexpected situations; Even if you want to turn around and run away, you can find a way to survive in the shortest possible time, this is the choice of the blonde girl. Speaking of which, it is the lesson of her previous almost fatal crises.
The enchantment theme of the first two can be said to be decent, which is very much in line with the central idea of a magician trying to make himself invincible first, and then find an opportunity to fight back. But that wasn't the case with Kaya's choice.
The black-haired, brown-skinned girl chooses to hide, and it is not the traditional concealment and stealth method of the fascination.
Thieves, assassins, etc., who walk in the dark, will have their own set of concealment methods. But these methods, which only focus on deceiving people's eyes and ears, are a very clever trick.
However, no matter how proficient these traditional methods are, the stalker is still invisible under someone's environmental surveillance. Because the investigation methods designed by Lin also include infrared vision that senses temperature, spiritual vision that senses the wavelength of the soul, environmental modeling that observes air flow, etc., there are no less than dozens of methods from the earth's science fiction movies and brain holes.
As long as there is a way to detect anomalies, you can trace clues from them and find out who is lurking. This is the tragic end of any killer who infiltrates this home and tries to assassinate it, and ends up with the baptism of white destruction light.
Moreover, these methods are not the final fixed solutions, and there is still room for change. Lin will increase the detection method at any time, as long as he thinks of it, whether it is brainy or in line with reality, it can be more or less useful anyway.
However, the concealment method chosen by Kaya is completely a reverse design of Lin's detection method. It is possible to expose the body temperature to the same temperature as the environment. The sound of a heartbeat might alert the enemy, so use the mute enchantment. The hidden tricks of the soul control the winds and give back false messages. Even if you encounter it head-on, there is transparency and optical camouflage to hide your body.
As a teacher, when he saw his apprentice come up with such a design, Lin's mood was mixed.