Chapter 23 After passing through the sieve, weigh the catties and weigh them

The crew of Journey to the West is a big family, after the Spring Festival, everyone returned from all over the country one after another, and in addition to greeting each other for the New Year, Director Yang Jie also bought peanuts and melon seeds candy cubes out of his own pocket to comfort everyone.

After the Spring Festival, the episode of Zhu Bajie participated in the exchange of Chinese and Japanese TV dramas, and RB colleagues heard that we only used one camera to shoot such a picture, which felt incredible, which made the big guys more confident and confident.

"Happy New Year." Tang Qin saw Qiu Peining in the middle of a group of people.

"Happy New Year." Qiu Peining also saw him, but she was standing one meter away from him, just after a Spring Festival, the two seemed to have a lot of separation.

Next, the crew rushed to Wuyi Mountain to shoot an episode of the Monkey King Bao Tang Seng.

Zheng Rong did not go to Fujian because of the performance task of Renyi, Tang Qin selected some high-quality tea and sent it back to BJ.

This master of art is not a teacher's teacher, and his life has always been hard and self-disciplined, but he has a hobby - he likes to drink tea.

Speaking of BJ human art, the explanation of a certain encyclopedia is the temple of Chinese culture and art!

These four words, whether at this time or in later generations, represent the supreme honor and status of the entertainment industry.

"Good tea."

In Renyi's rehearsal room, taking advantage of the break, Mr. Zheng Rong opened the tea tube.

The tea trees of Wuyi Mountain grow in the crevices of the rocks, this rock tea has the fragrance of green tea, the sweetness of black tea, and is the best oolong tea in China.

"What, Lao Zheng, are you secretly drinking and eating alone by yourself again?" Teacher Han Shanxu put on makeup, and when he came over, he pressed Zheng Rong's hand, "Lao Guo, come on, there is good tea to drink." ”

They are about the same age, they are all about fifty years old, Han Shanxu has played many roles in Journey to the West, such as Liu Hong, the villain who kidnapped Tang Seng's mother, and Han Jiaqing played the incarnation of Guanyin, the old monk who was invited into the palace by Tang Taizong, of course, he also played the Yellow Wind Monster in the back.

Director Yang Jie likes actors very much, Sun Fengqin, the mother-in-law in the three plays of Zhu Bajie, Wu Guiling, Zhenyuan Daxian, and Yang Guixiang, the daughter of Guotaishi...... They are all actors.

"Try it, a child from the crew sent it to me from Fujian." Teacher Zheng Rong handed the tea tube to Han Jiaqing.

"Monkey King?" Teacher Han Jiaqing's voice is loud and strong, and he knows that Zheng Rong, as a performance consultant, has the first task in the crew to guide Zhang Jinlai's performance.

Zheng Rong said with a smile, "The Great Sage doesn't have this heart, he is the master of the Great Sage, a very good young man, Director Yang Jie thinks he lacks breath, so I ,......will ponder it with him."

"Oh, apprentice?" Han Shanxu was not polite, pinched a pinch of tea leaves and put it into his teacup.

"If you find a good seedling, then hurry up and tell the dean, and bring it in and cultivate it with Xiao Pu and Xiao Wu." Guo Jiaqing took a sip of tea and was very interested, because the talent at this time has experienced a special era, there is a shortage of green and yellow, there is a shortage of scripts, there is a shortage of actors, and the younger generation can't afford to be the main one......

"I don't think it's qualified enough, it's impetuous." Zheng Rong dropped two words and stood up.

Among the young actors, whether it is lines or expressions, Tang Qin has done a good job and is willing to work hard, but when he returned to the crew during the Spring Festival, he saw Tang Qin, the young man became a star at first time, and he could earn more than 200 yuan a month, he felt that the young man's heart was floating, he was irritable, and he was impatient, and he couldn't act well in this scene!

He mentioned a few words, but the young man did not take it to heart.

"You are demanding, why don't you let Lao Guo try the fire?" Han Shan continued to take the initiative.

"I know that people who drink have short mouths and short hands." Guo Jiaqing found a piece of paper out of nowhere, opened Zheng Rong's tea cone and began to pour tea on the paper.

"Hey, hey, leave me some."

Zheng Rong pretended to stop it, but Han Shanxu's proposal hit the nail on the head, the following episode is trapped in the Five Elements Mountain, the incarnation of Guanyin Bodhisattva played by Guo Jiaqing, has a lot of rivalry with Tang Qin, and there are also a lot of lines.

This is also the first time Tang Seng has appeared in the play, this episode is not like just following Sun Wukong behind him to play soy sauce, in this episode, Tang Seng is the real protagonist!

"Okay, you just let the children know what the drama is bigger than the sky, you have been to the sieve for me, and weigh his catties and taels!" Zheng Rong put the cup on the table, "Continue rehearsal." ”

……

Sneeze –

Tang Qin, who is far away in Fujian, doesn't know what is going on in BJ Renyi.

The weather in Fujian is rainy and wet, even in spring. The crew has endured this kind of weather for a long time, not to mention the delay in filming, people in the north are really not used to this kind of weather, how awkward it is.

However, since the arrival of Teacher Zuo Dajue, everything has changed.

At this time, she was also the head of the first troupe of the Hunan Opera Troupe in HUN Province, and at the kind invitation of director Yang Jie, she decided to play the role of Guanyin in "Journey to the West".

When shooting, it was real, on this day, it was raining, and when Tang Qin got up early, it was still raining outside.

It was raining, and there was no way to shoot, but when it came to Mr. Zuo's role, the rain suddenly stopped, and the rain was clear!

This is really an inexplicable phenomenon.

In the next few days, it was obviously rainy just now, and the sky immediately cleared as soon as Mr. Zuo appeared, once or twice can be said to be a coincidence, such things have happened a lot, and even the actors on the scene called her the reincarnation of the Bodhisattva, and they all joined their palms to worship.

What made Tang Qin cry and laugh even more was that many of the viewers who came here offered fruits, souvenirs and other offerings, so that Mr. Zuo couldn't eat it, and he didn't eat it.

The filming years in Wuyishan have made the strangeness between Qiu Peining and Tang Qin disappear, at least in the spare time of filming, the two can talk a few words like colleagues.

“…… Take the three laws as the system, and take the law of consciousness as the way. Open and famous, change and spread. Although there are three laws, there are endless kinds; Although I feel that I am one, I am wise and thoughtful......"

In the play of Wuyi Mountain, he doesn't have many lines, and he is familiar with the lines of Tang Seng ascending the altar below.

The Buddhist scriptures are really profound, and he feels that he has tried hard to read and memorize, but he just can't get that taste.

The old man Zheng Rong told him that when he was in the thunderstorm, he played Zhou Puyuan, and director Ouyang Shanzun pointed out that he was too hard and irritable, lacking the problem of bookishness......

"Tang Qin, the director called you." As the scene reporter and director's secretary, Qiu Peining came over to call Tang Qin in a skirt and sunglasses, this girl, no matter how tired she is from filming, never shouts bitterness, even if Director Yang Jie is sometimes angry, she can quickly make Director Yang down, this ability, everyone is impressed.

"What did Director Yang say?" Tang Qin inquired.

"Director Yang said you...... Pretty. Qiu Peining suddenly laughed, laughing so inexplicably that Tang Qin was a little inexplicable.

Next, I will go to Lengshui River in Hunan to shoot the scene in the Water Curtain Cave, there is no Tang Qin's scene here, he originally wanted to return to the Qindao Repertory Theatre.

"Xiao Tang, the two assistant directors and I have felt your progress, and of course, you yourself are working hard......"

Why, how is it so similar to the rhetoric of human resources in the previous life when they were laying off employees, or the rhetoric that the crew was suddenly changing an actor?

"However, I and Director Ren and Director Xun both feel that your side face is better looking than your front face, Pei Ning, do you think that's the case?" Director Yang Jie suddenly greeted.

Qiu Peining was meeting Tang Qin's gaze, but she didn't dodge, the director asked her to watch it, she had to look at it generously, and she had to give her opinions after reading it.

"That's right, a lot of the profiles in the lens have to shoot the side face, but shooting like this, I feel that the Buddha nature in you is insufficient...... That is, from the front face, you are a monk, but from the side face, you don't have the feeling of a monk,......"

Tang Qin was speechless, when he met such a director who strives for excellence, what else can he say, director, just say what to do!

In fact, Director Yang Jie called Tang Qin over, and it was really not for his side face.

In the sequence of "Journey to the West", the plot of "Trapped in the Five Elements Mountain" can be called the longest and most expensive plot in the whole drama.

It is necessary not only to show the suffering of Sun Wukong in 500 years, but also to introduce the past and present life of Master Xuanzang, and finally Guanyin Bodhisattva enlightened everyone, and King Tang sent Xuanzang out of the city to meet Wukong.

It can be said that the plot of "Marble Mountains" is a very important turning point, which belongs to the foreshadowing of the previous and the next, after all, the story told in the full-page novel is to learn from the scriptures, and the background, characters and masters and apprentices gathered in this episode are shown in this episode, so the quality of this scene will directly affect the audience's experience.

If the filming is not good, the learning experience will have no practical meaning, and only by filming well can the audience smoothly get through the buffer period brought by "Havoc in Heaven".

In addition, there is another reason why director Yang Jie attaches importance to the plot of "Five Elements Mountain", that is, the criticism of Buddhism in the 80s on the original "Journey to the West", although the whole novel is based on Buddhism, Wu Chengen's description of Tang Seng in the original "Journey to the West" is not quite in line with the image of Buddhism.

Therefore, when Yang Jie carried out a remake in 82, several well-known abbots of the Buddhist family asked her to shoot Master Xuanzang as "Buddha nature", and as the first episode of Tang Seng's appearance, the section of "Trapped in the Five Elements Mountain" is extremely important.

In order to shoot this episode well, Director Yang Jie decided on the idea of location shooting early, and selected 8 city attractions across the country for filming, which can be said to be quite painstaking.

"Xiao Tang, you say, how can the Buddha nature in you be stronger?" Director Yang Jie put down the scene note sheet in his hand and asked.