"Tomorrow, the scene of the marriage of Jade Rabbit Jing and Tang Qin is the last big drama of our Journey to the West crew......"

Towards the end, Director Yang was calmly talking to Tang Qin and Li Lingyu, in fact, this paragraph is not difficult for Tang Qin, he has no lines in this paragraph, and there is no difficulty, it is just a group of maids under the leadership of Princess Tianzhu, singing and dancing around him......

Li Lingyu is a member of the Oriental Song and Dance Troupe, singing and dancing is her profession, and she can act in her true colors, Tang Qin can't imagine that Director Yang has nothing to worry about in this paragraph.

Thailand's exotic scenery is still attractive, but Director Yang also ordered that unless filming, no one is allowed to go out, and everyone can only focus on filming.

Tang Qin's costume is a set of Indian-style white clothes, and then a white hat, not to mention, don't wear a robe and be handsome.

Today, Qiu Peining, the scene reporter, did not stay by Director Yang's side for the first time, and ran directly to the makeup side, not specifically to see Tang Qin, the two field reporters, Yu Hong played the king's wife, and she played Chang'e again.

"Master Li, do you think I'm still good at what I do?" Packing up, Tang Qin looked at himself in the mirror, since eighty-three years, Journey to the West has been filmed for five years, and he is already twenty-four years old.

"Done." Master Li smiled and said a word, in the past five years, he has been getting along day and night, he has long regarded Tang Qin as his son and grandson, and the love for each other is that the crew can't disperse.

"Peining."

In the mirror, Qiu Peining saw Tang Qin dressed in white, oh, Chang'e's eyes were stunned, even if he took off his monk's robe and put on Tianzhu clothes, he was still Tang Seng, Tang Seng and Tang Qin, she couldn't tell who was who.

……

The long red carpet has been rolled out, under the huge banyan tree, the festive waiters are holding treasures on the stage, and the beautiful princess Tianzhu is smiling and dancing on the water......

"Oh...... Sha Oh Sha Sha Riva Sha Riva ......

Who sent you to me, the round moon, the babbling mountain spring......"

Tang Qin, who was dressed in white and white, was also dragged to the wedding scene by several waiters.

"I'm like the petals of the dewdrops, sweetly attaching you to you, attaching to ......"

A group of young men and women from Tianzhu Kingdom danced one after another, pushing Tang Qin to Li Lingyu's side.

"Who sent you to me, the bright starlight, the bright blue sky......

Li Lingyu's eyes were both enthusiastic and charming, dancing eagerly around Tang Qin, and the young men and women who were giggling threw flowers one after another......

Hey, Tang Qin bowed his head in embarrassment, but he immediately found out the problem, he was robbed of the scene by Li Lingyu!

There are two explanations for stealing the scene, one is to ignore the plot and the characters, and blindly show off, and the other is that when the actors perform on stage, they highlight themselves, which not only disturbs other people's plays, but also destroys the entire stage atmosphere......

But now, Li Lingyu's graceful dancing posture is in line with the plot and takes into account the characters, and has not destroyed the shooting atmosphere, but she has highlighted herself from head to toe, and Tang Qin only feels that she has become a human flesh background board.

These singers and dancers, they have stage performance skills, and they really know how to steal the show, although sometimes they don't mean it, but they have the seed of stealing the show in their bones.

Let's talk about this scene, Tang Seng is static, the princess is dynamic, the two have no lines yet, they have to use their expressions to act and use their bodies to act, Tang Qin's performance must also be within the scope of everyone's perception of Tang Seng, and he can't do all kinds of exaggerated movements, this is really dancing with shackles......

But he had a way, and immediately, he raised the white sleeves of his robe to cover his face.

Oh, Director Yang is watching it with relish, and Tang Seng hides himself by himself.

"Stop."

This scene can't be filmed, what's the matter with the protagonist not showing his face? "Lingyu, just now, you stole the show." Director Yang Jie talked to the actors, never got angry, when she first joined the group, Li Lingyu was still a little afraid of her, but later I saw that the actors didn't understand Director Yang and said it twice, three times, but it didn't get angry again.

"Where did I rob it?" Li Lingyu feels that she is very aggrieved, she is dancing, where is the scene?

"Didn't rob it." Tang Qin smiled and took the initiative to excuse Li Lingyu, he wanted to communicate with Li Lingyu and tell her how to be smart and steal the show.

So what is a clever show-stealing?

It's that you have to actively communicate with your opponent, communicate with your opponent, and guide her into your performance environment.

"Lingyu, although there are no lines here, we can imagine the lines," Tang Qin looked sincere, "For example, why do you keep circling around me and looking up at me all the time......"

Tang Qin could give Li Lingyu a prescribed situation, and he could come up and ask her, "Why are you going around me?" ”

Then this information is not accurate enough.

You revolve around me, how do you turn? will make the opponent create a blur; If you come up and say to him, "Why are you going around me and looking up at me ......all the time?" then he will have a more specific message.

If you have more specific information, it will better help him establish his performance concept, will let the opponent enter your performance situation, and he will also follow your logic to go down, then the whole story will become a process led by Tang Qin, in this way, he will naturally become the one who steals the scene, and the person who was robbed will thank him.

"Thank you, Xiao Tang, your words are very inspiring to me......"

Tang Qin smiled.

But then, Tang Qin faced the dancing crowd, first sighed, then looked at each other coldly, and finally the Buddha's heart appeared, and he calmly recited Amitabha......

However, he still did not forget to communicate with Li Lingyu with his eyes, whether the communication between the actor and the opponent is organic, and whether he only cares about his own expression and ignores the communication with the opponent, which is also the mark of a good actor.

In later generations, this is the reason why Huang Xiaoming's performance has been criticized, he only cares about being cool and has no real communication with his opponents.

……

In front of the monitor, Yang Dao looked like a weathered old mother, she was silent, looking at her child kindly.

In this scene, from Tang Qin's first expression to the last expression, his performance is hierarchical.

Alas, it's been five years, and the young man from the Qindao Repertory Troupe has acted in his first scene from entering China TV to today, his last big scene in five years.

From the first scene to the last scene, his performance is like climbing a step up, developing and layered, Director Yang Jie sees a growing Tang Qin, and his acting skills are constantly progressive.

"Director, director......" Qiu Peining, who was dressed in Chang'e's clothes, reminded in a low voice, and Director Yang saw that this scene had been filmed.

The song and dance just now is like a dream!

"Don Jr., come here." Director Yang beckoned slowly and called his favorite actor to him.

Looking at his slow appearance, Director Yang smiled again, his every move, instinctively Tang Seng.

"Xiao Tang, I believe that playing Tang Seng is your instinct now, and when it comes to Tang Seng in the future, the national TV audience will definitely think of you first, this is your masterpiece!"

The core of Stanley's system is to "restore man's organic nature and his subconscious movements." In layman's terms, it is to restore the instinct of the actor through the training of acting techniques.

If an actor can react instinctively and perform instinctively when creating a character, this is the highest pursuit.

So if the actor does an instinctive reaction, then his performance must be real and credible, he becomes a character, you can't tell whether the actor is a character or a character is an actor, they are one.

For example, many fans like a certain actor, it must start from liking a successful role he has created.

For example, Chen Daoming's Kangxi, Chen Baoguo's Bai Jingqi, Zhou Xun's Li Mi, Marlon Brando's Godfather, Dustin Hoffman's Rain Man, Zhang Ziyi's Gong Er, Robert De Niro's Taxi Driver, Huang Xuan's Pony, Zhou Dongyu's Ansheng, and Little Lizi's Jack......

These are all very successful roles created by actors, and in role-playing, the actors perform real, life, and natural, and of course the actors' performances are believable.

Qiu Peining's performance is also believable.

When she saw Li Lingyu, she thought of it...... "You dare to escape from the Guanghan Palace without permission, and you are also whimsical, and you want to match Tang Seng...... Are you guilty,...... Evil obstacles, don't reveal their original form soon! ”

"It's you, not you." Director Yang Jie was very helpless, this performance was very good, but the lines were wrong, "Xiao Qiu, it's you, not you, let me remind you again." ”