Surprisingly, the last door was actually opened by Sugisawa.

It was a small bedroom with a bed made of iron frames.

The bed was white sheets and pillows, covered with a red blanket, and the room was warm yellow, somewhat warm.

Next to the bed is a chair with an easel.

There is a large green window in the room, and some Van Gogh paintings are hung on the wall.

Sugisawa recognized this room at first sight, it was the room where Van Gogh lived in the sanatorium.

Sugisawa entered the room with some urgency, as it gave him a sense of security.

Perhaps this is also the warmest place Van Gogh ever felt.

There is no worldly distraction, no bad words, only he is alone with these paintings.

The wooden floor, the squeak of the old wooden friction that Sugisawa stepped on on the ground.

There was an oil canvas on the easel, and Sugisawa had thought it was a blank piece of paper.

But when you look closely, you find something peculiar, with 12 rectangular stick figures drawn on it.

Among them, the eleven on the periphery correspond to the eleven "Sunflowers" painted by Van Gogh.

The twelfth is surrounded by eleven "Sunflowers" as the central point, and the twelfth painting Sugisawa is extremely familiar.

This is Van Gogh's "The Starry Night" (The Starry Night), which is also called Van Gogh's pinnacle masterpiece by many later generations.

Sugisawa felt like a treasure map, or a guide.

After the world needs to go through these eleven "Sunflowers", there may be a chance to get a chance to create.

It was at this moment that Sugisawa suddenly felt a creepy sense of horror.

It seemed that a pair of eyes were staring at Sugisawa outside the door, but when he turned around, he didn't notice anything.

Sugisawa didn't know if he could take this drawing with him, but he tried to stuff the drawing paper directly into his painting demon space.

Then he didn't continue to pay attention to the drawing, and stared cautiously at the door of the room.

After much hesitation, Sugisawa decided to go out and have a look, and it wasn't a problem to stay in this room all the time.

Cautiously stepping out of the door of the room, the familiar murmur grew strong again.

Sugisawa perked up and looked out.

Something resembling a human figure appeared in the corner of the hallway.

Hurry forward to keep up, Sugisawa has already activated the bloodlines of the Holy Armor and Qingqiu for the sake of safety.

At this moment, I have a little confidence in my heart.

This shouldn't be a four-star painting demon.,Sugisawa has already felt the pressure of a four-star painting demon last time.,There's a high probability that this unknown painting demon hasn't reached the level of a four-star.。

As Sugisawa turned a corner, the murmuring grew stronger.

Sugisawa was startled, because he also happened to be face-to-face with this painting demon at this time.

This is a humanoid painting demon whose whole body is made of stone, and it is more reasonable to say that it is a painting demon than a sculpture.

He has long hair and beard, the proportions of his hands and body are completely incongruous, and the outer surface is a stone structure, and at this moment he has grown his mouth to Sugisawa.

Sugisawa finally understood where the whisper in his ear was coming from, and he gave instructions with some difficulty.

"Qingqiu Fox Fire Attack!"

As a large amount of flames spit out from Qingqiu's mouth, they were directly scorched on the body of this stone painting demon.

The fox fire was scorching at such a high temperature, but for this painting demon, it was just some dust that burned off its body.

Sugisawa gritted his teeth, strengthened his spirit, and said to the Holy Armor:

"Holy Nail Poison Mucus Attack!"

Still doesn't work!

Sugisawa was a little panicked, and mobilized the aura in his body to smash at the stone statue, but no matter what the element's aura was ineffective.

It was the first time he had encountered such a tricky problem.

No matter what attack Sugisawa used, the stone statue remained motionless, and had no intention of stepping forward to continue attacking Sugisawa.

Just when Sugisawa was a little crazy, the stone statue finally moved.

The long hair and long beard grew directly and went crazy, wrapping Sugizawa, Qingqiu, and the Holy Armor all around.

This entanglement Sugisawa is completely irresistible.

The strong sense of restraint made him a little breathless.

The stone statue moved with Sugisawa straight in the direction of the roof.

The heavy footsteps were strangely on the ground without making any sound.

Sugisawa was wrapped in a stone statue and moved in the direction of the gate.

Sugisawa had no idea what this statue was up to.

After arriving at the gate of the house, the stone statue looked back at Sugisawa like an idiot at the moment.

He pulled the door inwards and it opened automatically.

Sugisawa was also a little dumbfounded, because of his drowsy brain at the beginning, he kept pushing hard at this gate.

There was no reaction from the door, and it was only now that he realized that the door was not pushed at all, but pulled inward.

After the door was opened, Sugisawa Aogaoka Sacred Armor threw Sugisawa out like a broken sack.

It wasn't until this moment that Sugisawa realized that in fact, the stone statue didn't want to harm him at all in the first place, but just didn't want him to come to this room.

But I don't know why I didn't come to drive it away in person at first.

This is also the most puzzling part of Sugisawa, and the stone statue is probably the protector of this room.

It's no wonder those irises at the door are so afraid of this area.

Let's not talk about the powerful strength of this painting demon, let's just say that his ghostly version of the soul attack method is not something that ordinary people are willing to bear.

Sugisawa is finally sure at this moment, this painting demon is likely to be a painting demon above four stars, but why there is no coercion, Sugisawa has no way of knowing.

After all, after so many battles, Sugisawa was still very confident in the strength of Qingqiu and the Holy Armor.

After they activated their bloodline, although there were many people in the same realm who could defeat them, they would definitely not be able to eat the attack of both without damage.

After thinking of this, Sugisawa was a little afraid.

Fortunately, the painting demon just wanted to drive away the incoming enemies, and did not want to directly harm them.

With this experience, Sugisawa is full of awe for the world.

Sugisawa continued to stay in the area of the São Paulo Psychiatric Hospital without dying.

After leaving the courtyard, there were still large irises waiting for Sugisawa at the door.

They all looked at Sugisawa with their heads probed, as if they were watching to see if he had been beaten.

When I saw the intact Sugisawa, I was obviously a little disappointed.

In the days that followed, Sugisawa wandered through the painting in the company of these irises.

From time to time, other plants can be found, and these plants do not mutate into painting demons.

None of these plants Sugisawa recognized, and they didn't appear in any of the information he had previously known.

The days have passed like this, and this painting can really be said to be the newcomer's mother.

It wasn't until the fifth day that a huge white iris appeared in front of me.