Sugisawa picks up a small amount of black ink from the Demon Space.

Begin to shape the outer contour of the nine-tailed fox.

The ink of the brush strokes smoothly as it touches the canvas, creating a perfect curve.

Starting from the tip of the nose of the nine-tailed fox, to the tail of the fox at the front, the pen is closed.

Ink painting is not just about feeling the beauty of the painting.

Each individual feminine line is the product of being summed up to the extreme.

Every painting is also a visual feast.

The nib of the pen swims freely, without dragging mud and water.

Without the restraint and restraint of Western painting, Chinese painting is more like a free wandering on paper.

You don't have a chance to revise it, everything can only be done in one go.

Once you make a mistake, you can never overwrite the change.

This is just like the pride carved into the bones of Chinese literati.

People with lofty ideals should raise Haoran righteousness, the big one strengthens me with the power of China, and the small one is bright and upright in the world, and the most affectionate and sexual.

When Sugisawa picked up the brush, his heart became extremely peaceful.

The irises who had been pushing and shoving quieted down.

All the painting demons are appreciating Sugisawa's every movement of the brush at the moment.

The pen and ink are overflowing, and the heart is full of goodness.

The image of the nine-tailed fox had been sketched in Sugisawa's mind countless times.

Truly confident, the pen moves with your heart.

Soon a vivid nine-tailed fox appeared on the canvas.

Missing the majesty and sacredness of the last time.

But it has a little more agility and vitality.

Sugisawa felt that this was his Qingqiu, not the king of Qingqiu.

He hopes that Aooka will always maintain his happiness and agility, which is Sugizawa's good expectation for Aogaoka.

The nine-tailed fox in the painting has slightly narrowed eyes, and a very sly smile appears at the corner of his mouth.

Aogaoka is Sugizawa's earliest painting demon, and it is also one of the most eccentric.

Sugisawa is very satisfied with Aooka, even when Aogaoka is mischievous and clever.

Sometimes he hopes that the Holy Armor and the hair can be more lively.

He has always really regarded his painting demon as his good friend, not a tool for fighting.

The nine tails in the painting seem to jump into Sugisawa's arms in the next second.

Ask for hugs, ask for a tall look.

Sugisawa laughed when he saw the picture, and he was looking forward to the day when Aooka grew the Nine-Tails and coquettishly looked like him.

This is his Qingqiu, a very naughty and coquettish little guy.

Seeing Sugisawa smirk at the nine-tailed fox in the painting, Qingqiu was instantly unhappy.

When Sugisawa put down the brush, he went straight into Sugisawa's arms.

It's as if you're saying to Sugisawa that the old lady is your baby, even though you know that this painting is made for yourself.

But Qingqiu is still very unhappy, after all, the painting has not been combined with it at this time.

At the moment, the painting is just a painting, nothing more.

Sugisawa touched Aogaoka's shiny hair dotingly and set it aside.

After getting the touch of Sugisawa Ai, the little guy stopped from the vinegar at this time.

Fa Fa and Shengjia did the same, and they both jumped into Sugisawa's arms.

He touched the two little ones in the rain and dew.

Seeing this, the iris behind him was ready to move.

But Fa Fa knew that he couldn't interrupt Sugisawa too much now, and directly launched his own coercion.

These tens of thousands of irises stopped their restlessness.

After cleaning the black ink from the pen, Sugisawa took a large amount of white pigment from the Aurora Silver Fox Bone.

The entire body of the pen is covered with white ink.

On the beige canvas, the white pigment has an unexpectedly good color rendering effect.

Sugisawa carefully filled the shape of the outer contour with white ink.

Soon, a nine-tailed fox with a snow-white body appeared in front of everyone.

This is not the same as the turquoise light of the holy armor, but an extremely pale white light.

Through the refraction of light, it will show a very light colorful color.

Perhaps the colorful black can only be presented in the way of light if it is realized.

The nine-tailed fox at this moment is colorful white.

If you ask an artist to paint with gouache, you will probably be crazy about a large area.

When the white ink is not dry, the red ink that is made by sucking the grass is soaked.

At the end of each tail, it is lit with this extreme fiery red.

The brilliance of the light is overshadowed by this extreme fiery red.

This touch of red seeps down with the white pigment, creating a transitional beauty of blending.

The fiery red color is so flamboyant and lively.

Filled with cheerful atmosphere.

Finally, and most importantly, the finishing touch.

Sugisawa thought for a moment and came up with the answer.

Wash all ink off the tip of the pen.

Sugisawa directly mobilized the aura in his body and gathered on the tip of the pen.

Transformed the originally red fire elemental aura into the blue color of the sky.

Raising his hand and putting down the pen, a pair of clean and clear eyes fell into the eyes that had no color.

Sugisawa chose to use blue for a simple reason.

Because Erha's eyes are blue, he hopes that Qingqiu can be as carefree as Erha.

Always keep your own desire for exploration and innocence.

Draw it with a pen.

This time, Qingqiu didn't feel the oppression in the picture.

What it felt was Sugisawa's endless love for him.

Compared to the last time the nine-tailed fox was full of majesty and sacredness, it liked the picture this time even more.

Although the nine-tailed fox in the painting is very different from himself, I feel that what Sugisawa is painting this time is himself.

It's just that I've grown up and become stronger, that's all.

It is no longer alienated from the image in the painting.

Sugisawa also has some realization, maybe those tall beast images can be used as a reference.

But they also need to be more in line with their own painting demons, perhaps this will help them the most.

Instead of deliberately wanting to become a powerful divine beast, he drew his own painting demon against the template of the divine beast.

Actually, Sugisawa should have thought of this when he drew for the hair.

It seems that for the future planning of the Holy Armor, Sugisawa needs to consider the character of this little guy and his own ideas.

The fusion of Aogaoka and the Nine-Tails went smoothly.

Qingqiu's hair has become whiter at this moment, revealing an extremely shallow light forever.

If you don't look closely, you can't see this layer of luster.

The tail of the little guy also changes from pure white to red hair.

The color of the eyes has not changed, and they are still brown.

But staring at its eyes, it was as if they had seen a sea of stars.

Sugisawa hugged Aogaoka and carefully looked at every detail of his body.

It's a little embarrassing for the little guys.

Sugisawa was very satisfied with this time.

At this moment, Li Le's sandbag is needed to see what improvements will be brought about by further activating the bloodline of the nine-tailed fox.