These five sunflowers can be clearly judged from a distance, which are the prototype of the five sunflowers painted by Van Gogh.

The reason why I can't see through it is because time and space have become distorted after walking in.

Looking at the electronic devices, the closer you get to these flowers, the slower time becomes.

The space, on the other hand, seems to be that the five flowers in front of it seem to be smaller after the total person approaches.

But when you see the flowers behind you, you will be amazed to find that in addition to these five flowers, they are getting smaller, and the flowers around them are getting bigger.

Zhou Ruijun looked at the scene in front of him and said:

"With my current strength, I can get close to the range of the second flower, and a few of you are at most close to the range of the first flower."

Seeing that everyone was a little puzzled, Zhou Ruijun continued to explain:

"Actually, the principle is very simple, if your strength is forced to get close to those flowers, it is not impossible, but it is very likely that you yourself will be lost in the turbulence of time and space, maybe you can go back when the seven days of the painting are up, but you may have experienced an unknown amount of time when you go back, resulting in mental disorders, which is more terrible than they are trapped in 7 7 days of time and space. Let's see if the first flower is in danger, if there is no dangerous flower, I suggest that you act separately according to your own strength, see where you can go, and if it really can't be done, turn around and come back quickly. ”

Everyone's expressions became serious, they nodded, and they all began to move in the direction of the first flower.

As everyone approached, after reaching the first flower, they found that the speed of time had reached 7 times the speed of slow release.

It maintains a state of equilibrium with the flow of time in the small space of the previous painting.

I know that at this moment, everyone can see the structure of the many sunflowers in front of them.

Its entire body is made up of runes, and almost all of the runes here involve the rules of time.

And Sugisawa has never learned the runes about the rules of time, so these runes are completely like a book from heaven in front of everyone's eyes.

Of course, this is a rune generated in the painting, not a rune mark left by Su after being carved by man.

Sugisawa can still judge this, so for the time being, it can be judged that this painting should not be a trap left by the poachers.

Sugisawa wanted to observe these runes carefully, but as soon as Sugisawa focused his eyes on a rune mark, there was a strong burning sensation in his eyes.

If he hadn't withdrawn his eyes in time, it is estimated that he would have been blind in the future.

This kind of natural rune mark has not been artificially processed and differentiated, and it needs to have a certain strength if you want to look at it directly.

Obviously, Sugisawa doesn't have such strength at the moment, of course, this doesn't exactly refer to combat effectiveness, but also to an attainment in runes.

Sugizawa, who had withdrawn his eyes, was a little scared in his heart at the moment, and he no longer dared to look directly at these natural rune marks.

To say that this is a natural rune is actually better to say that it is the product of the materialization of rules.

Zhou Ruijun glanced at Sugisawa and said:

"It's also a good thing to teach Zhang Zhang, don't be so curious about everything."

Sugisawa nodded, and Zhou Ruijun continued:

"It's also good that you're around here to let your painters feel some of these time rules, and maybe in the future there will be hope to master the rules of time."

Of course, he is just talking about how simple it is to master the rules of time.

Zhou Ruijun then continued:

"I'm ready to continue exploring, there should be no danger here, you can explore the painting world by yourself, build more teleportation coordinate points by yourself, the time and space rules here are a bit weird, and more coordinate points can be more accurately deployed."

Everyone nodded, and Sugisawa didn't let the team continue to follow him.

Now that they don't have much point to follow themselves, it would be more reasonable to spread out and find their own opportunities.

After dispersing, Sugisawa took out the drawing in the painting demon space.

On the drawing, at this moment, the color of the painting "Five Sunflowers in a Vase" seems more profound.

But there is still something missing from condensing into substance.

Sugisawa was also a little confused, but his feelings should be right.

In order to fully activate the illustration of Five Sunflowers in a Vase, you do need to be close to certain areas or collect certain things.

This is the second time Sugisawa has opened this drawing, and there is actually a guess as to why the color has become darker.

That's the sunflower seeds of those sunflowers.

At this moment, the number of melon seeds in Sugisawa's painting demon space is actually not small.

But to fully activate the picture, it seems that this amount is simply not enough.

Sugisawa focused his gaze on the stamen of this huge sunflower.

Where there are a lot of sunflower seeds.

But this distance to the second sunflower is not too far.

Sugisawa thought for a while, gritted his teeth and decided to go, those little melon seeds Sugisawa felt that even if the number reached the extreme, it would be enough to activate the flowers on the drawing.

Perhaps only by relying on the ontology of these sunflowers will there be some hope to reach.

Thinking of this, Sugisawa took a direct step towards the position of the sunflower's stamen.

The flow of time began to become more slow.

Sugisawa's already vague impression of time became even more unclear at the moment.

Sugisawa felt that the flow of time had slowed down, and his own sense of time had become even slower.

It was supposed to be a day, and he felt like at least three days had passed.

Everyone also noticed Sugisawa gradually approaching the second flower.

In everyone's field of vision, Sugisawa seemed to be accelerating.

Only in Zhou Ruijun's eyes, Sugasawa seemed to be driving slowly, and the time span of each step forward was a little too slow.

Because at this moment, Zhou Ruijun has already reached the position of the second flower.

Seeing Sugisawa approaching his side, Zhou Ruijun frowned, but soon eased up.

Young people have their own ideas, and he can't say anything about pursuing his own opportunities.

He is a person from the grassroots, and he also relies on this spirit of not being afraid of death to get to the achievement of today.

These are all based on his own hard work, and he has never relied on the care of others.

So Sugisawa's move seemed to him to be very reckless, but it was also very encouraging.

His heart was very entangled, and there was no doubt that he looked up to this young man even more at the moment.

Sugisawa felt like it had taken him a long time to reach the position of the stamen of the first flower.

But in fact, less than half a day has passed.