After thinking about it for a long time, Sugisawa made a decision.

Still, I chose to place the use of the Core Stone in the position of its main shell.

Sugizawa, the dorsal armor of the Holy Armor, decided to use a stronger material.

This is a wiser choice, not just about the aesthetics.

What's more, it's not just the crystal clear shell that can be called beautiful.

In his previous life, as an art student, Sugisawa was still very confident in his own aesthetics.

After all, in his previous life, he was going to rely on this to eat.

After making a decision, Sugisawa no longer worries about the core stone.

There were still a lot of earth elemental materials left, and he carefully tinkered with them.

In the end, the design was completely drawn.

After all the blueprints have been made.

The materials of the three were also sent to Sugisawa, and these materials seemed to be very precious.

It's not an item in the Academy's Resource Cabinet.

After seeing these materials, Sugisawa couldn't help but smack his tongue.

Li Le, Li Huanhuan, and the two of them have good family backgrounds, which Sugisawa knows.

Tian Jiaxiang's family background Sugisawa is not very clear, but from this material alone, Sugisawa knows that he is not from an ordinary family.

What he sent was a pair of Xuansong Eagle eyes.

The number of Genmatsu eagles is also extremely rare, and the sky eagle in Sugisawa's fantasy world of that trial is from Mr. Li Kuchan's "Eagle".

The Xuansong Eagle is also produced in the paintings of Mr. Li Kuchan, and the number of Xuansong Eagles born in these paintings is extremely rare, and it is also the strongest painting demon in most of the painting environments.

After getting the materials, Sugisawa directly called out the Holy Armor and Qingqiu.

Let the fleur-de-lis in the hair command painting demon space begin to hallucinate on a large scale.

After hypnotizing all the three of Li Le's painting demons, Sugisawa was able to enter the painting demon space.

At this moment, Sugisawa once again felt the benefits of a large number of irises.

This kind of hypnotic method is almost a weapon that he wants to cultivate other painting demons.

After all, Qingqiu's hypnotic painting demons are limited, not to mention that sometimes there is no way to hypnotize the painting demons who exceed Qingqiu's strength too much.

But there is such a huge number of irises, coupled with an impermeable painting demon space.

Even if only a 5-star painting demon broke into Sugisawa's painting demon space, Sugisawa was confident that he would hypnotize them all.

With these iris Sugisawa feels like a blessing to himself.

Not only can it be hallucinogenic on a large scale, but it can also attract bees and butterflies.

After thinking of this, the corners of Sugisawa's mouth twitched, and he just remembered that there were still a bunch of bottom-level butterflies in the demon painting space.

Through the contract with Fafa, Sugisawa knew that the hallucination was over, and he went directly into the demon painting space.

To Sugisawa's surprise at the moment, some butterflies resisted the pollen hallucination of irises.

But when I think about it, Sugisawa is relieved, after all, these butterflies usually feed on the pollen of irises.

Although the amount of normal ingestion is very small, it is not impossible to develop resistance.

Came to the canvas, thanks to the blueprints.

Sugisawa's painting speed also became very fast, and the three of them quickly achieved the promotion of bloodline under Sugizawa's brush.

As for their capabilities, we still need to wait for later tests.

Judging from Sugisawa's current observations, these three small ones have all begun to evolve according to Sugisawa's expectations.

There weren't too many errors.

Shengjia knew that Sugisawa would help him evolve this time, and he was staring at Sugisawa at the moment.

At this moment, the aura consumption in Sugizawa's body is not too large, and it should be enough to learn from the consumption of Qingqiu's evolution last time.

So he directly began to help Qingqiu improve his bloodline, and began to evolve in the direction of the scarab.

Instead of using a brush to paint, he chose a set of oil painting tools.

The legend of the scarab beetle originally came from the West, which is a god given by the West.

The use of oil painting is one of the best options for the Holy Armor.

Sugisawa turned all the materials into colorful oil paints.

Attached to the wooden palette at hand.

The dense oil paint is smoother and smoother under Sugisawa's brushes.

As the brush lands on the canvas, the thick texture of the oil paint is revealed.

Compared with ink painting, this is the advantage of oil painting.

Although it does not have the freedom of ink painting, its physical expression ability is much stronger.

This is a kind of benign collision between the two cultures, and it is not possible to talk about who is good and who is bad.

It's just a technique to show your thoughts.

In Sugisawa's view, every artistic expression has its own rationality.

The same is true for watercolor painting, which is the closest thing to Western painting and ink painting.

Both watercolor and ink painting are techniques used to create works with paint and water.

Although there are many similarities between the two, they are very different in terms of appearance.

Watercolor painting still follows the Western painting thinking.

From this point, it can be seen that although the media are similar, due to the difference in cultural inheritance, the picture will also show two very different painting methods.

Sugisawa's drawings for the Sacred Armor at the moment used some of Klimt's drawing methods.

A lot of decorative elements are used to fill the picture.

On the back armor of the holy armor, a large amount of gold color is used.

Klimt's peak is also known as the "Golden Age" because of the large amount of gold leaf that was applied to the canvas at the time of creation.

The visual impact of this kind of picture is extremely strong, and there is a very luxurious feeling.

The reason why Sugisawa uses gold as the back armor is very simple, on the one hand, it is more suitable for the setting of the scarab.

On the other hand, this is one of the hardest materials Sugisawa has ever sold at auction.

This is a piece of citrine ore, the yield of which is also very low, but its hardness is unusually high.

In many cases, citrine ore is used to craft weapons as a secondary material.

Increases the toughness of the weapon and also increases the weapon's attack.

The citrine ore in Sugisawa's hand can be used to craft seven or eight weapons as auxiliary materials.

The value of this can also be seen.

After Sugisawa finished drawing the body of the Holy Armor, he left a pair of hidden wings and looked at the materials produced by the remaining core stone in his hand.

Sugisawa added some transparent pigment as a blend, and directly used this material to help the Holy Armor make Hidden Wings.

With the Centroider as a support, the energy storage inside it is much larger.

After the Holy Armor later evolved and acquired the ability to fly, it may be able to greatly increase its flight speed.

After drawing this, Sugisawa suddenly noticed that the scenery around him was starting to become distorted.

His own aura reserves were about to be depleted.