By the rules, this golden plant is a very dangerous area.

This is very clear in the seventh rule.

Sugisawa doesn't know exactly where this danger comes from, but it may be that these plants have the ability to entangle.

It is also possible that these plants are highly toxic.

However, it seems that these plants do not mean to actively attack Sugisawa.

There was no obstacle to Sugisawa escaping the area, and Sugisawa didn't dare to take it lightly.

This painting is just too weird.

Sugisawa knew that there were many strange painting environments, but he had never heard of such a painting that had a hidden space and its own rules.

As Sugisawa ran wildly, he finally left the area full of golden plants.

The surrounding environment gradually became normal.

The plants here have faded their gorgeous golden color and are in their most primitive and authentic state.

Many of the plants are full of attractive fruits, and they strive to show off their beauty.

You must know that the crowd after running wild is very thirsty to a certain extent.

Sugisawa originally wanted to pick a fruit and have a good time.

But suddenly the fifth rule came to mind, "Don't eat any normal-looking fruits, these fruits are deadly poisons. 】。

After thinking of this rule, Sugisawa simply didn't eat anything in this painting.

You must know that his own painting environment is very large, and he has a very rich storage of water resources and food resources.

There's no way, this is broken by the last sunflower painting.

This time, he stocked up not only on dry food, but also on a wide variety of other foods.

It is estimated that if people throw all these wasteland troops on a desert island, Sugisawa may not be able to survive the longest.

But he must have lived the most nourishing.

Thinking of the sunflowers last time, Sugisawa suddenly thought of it a little more.

That is, he remembered that when he entered this painting, he also saw the trace of another sunflower of Van Gogh.

In this chimeric painting environment, there is also a high probability that there will be a sunflower painting.

Perhaps Sugisawa may be hoping to collect another token.

He is currently in the painting of "Kiss", but he remembers that when he entered the painting there was a clause about sunflowers.

Article 3 [The sunflower garden is a very safe area during the day, but please do not pick any sunflowers......]

In other words, perhaps this token can also be obtained through this dangerous world.

But whether it can be tested or not, after all, Sugisawa doesn't talk about sunflower gardens now.

He didn't even see the shadow of a sunflower.

At this moment, Sugisawa didn't feel how dangerous this world really was, but he just needed to pay attention to some details.

Just as Sugisawa began to move forward, all of a sudden, the ordinary-looking plants suddenly went berserk.

The root vines are moving towards Sugizawa's side.

It's like a poisonous tongue that has escaped from the cage, swaying its body wildly.

It seems that at this moment, Sugisawa has become the most delicious prey in their eyes.

I saw that a lot of vines were about to wrap around Sugisawa's legs and waist.

At this time, Qingqiu was a little anxious, and Sugisawa didn't have time to stop it, only to see a large area of flames attacking and descending.

Scorch all of these nearby vines.

Sugizawa's heart suddenly cooled.

Because in the last tip, violence is not allowed here.

Sugisawa didn't know what the consequences would be after Aogaoka spewed the flames.

I can only carry a few little ones and quickly escape from the battlefield.

But there were so many plants in front of them that it was difficult to get out of the area they controlled.

Sugisawa didn't dare to continue to let Qingqiu attack, and kept speeding up his speed.

Fortunately, these plants don't seem to have any intelligence, and they don't know how to encircle and suppress Sugisawa in front of them.

This also gave Sugisawa a chance to get out.

If all the plants around him blocked the road, Sugisawa wouldn't even want to leave.

But this vast vegetation is so vast that you can't see the end, and Sugisawa doesn't know if it's only his own life.

Or everyone's path is the same, and he feels that this kind of start is not friendly at all.

I just took two breaths after running, and then there was an even bigger crisis.

Maybe it's not so dangerous to stay in the area of the golden plants.

Anyway, those golden plants just said to stay away, but Sugisawa didn't feel any danger.

Maybe that rule is a trick, but it's clear that the golden plant is much safer than this area.

But Sugisawa didn't dare to turn back, because he still didn't know what kind of danger the area of golden plants had over there.

Along the way, there are occasional golden plants, but these golden plants do not attack Sugisawa.

So at this moment, Sugisawa doubted the rationality of the rules even more.

Just as Sugisawa was about to collapse, a house suddenly appeared in front of him.

The area around the house seems to have a natural restraint effect on the plants in front of you.

Not a single plant was seen within a 50-meter radius.

Sugisawa breathed a sigh of relief and carefully recalled the rules, and it seemed that there were no rules introduced to the house.

He ran straight to the location of the house.

Fortunately, Sugizawa's judgment was not wrong.

When I got to the vicinity of this house, I didn't encounter a single plant chasing after me.

Looking at the house in front of him, Sugisawa was honestly a little flustered.

It is a standard old European building, typical of Gothic architectural style, with a high ceiling giving a strong sense of oppression.

But looking at the surrounding plants, Sugisawa still decisively pushed the door open.

But Sugisawa was stunned by the fact that this Gothic building was not a house.

Rather, it's an old European alley, somewhat like Diagon Alley in Harry Potter.

But this Diagon Alley clearly doesn't have the magical style of Harry Potter.

It will look even more dirty and dilapidated, which seems to be more in line with the historical European scene.

Sugisawa hesitated for a second, then stepped into the area.

There were a lot of European civilians who walked through the streets at the time.

But there wasn't much reaction to outsiders like Sugisawa.

With the crowds, Sugisawa gradually walked into this extremely absurd and extremely real street.

He is said to be absurd precisely because it is too real.

In Sugisawa's worldview, this kind of scene almost never appears in his own world.

The streets were littered with garbage, and Sugisawa was already trailing behind him when he entered the area.