Xiao Baoju still has to paint "Fenghua Peerless" for Wu Chunliang today, so he didn't follow Li Minghan and others up the mountain to look for scenery, and it happened that Wang Tingting also wanted to shoot Xiao Baoju's process of painting "Fenghua Peerless", so Xiao Baoju returned to the origin of yesterday. Xiao Baoju's technique is actually the technique of Western realistic painting. If realistic painting is viewed from the perspective of realistic training, the proportion is objective, and the image characteristics of the depicted object are objective, and nothing else. Structure, surface, light and dark, color

Chapter 67 of "A Generation of Porcelain Souls" Painting is a boring thing (second update) In order to get the first place in the monthly ticket I am hitting it in my hand, please wait a while,

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