After a night's rest, Zhao Xinxin's body was much better the next day, this girl had already annoyed Xiao Baoju, so she had to send her back to school, while Xiao Baoju painted in the porcelain factory with peace of mind. Xiao Baoju deeply fell in love with this carrier of art, and the porcelain plate painting is the result of the continuous improvement of the ceramic production process in the form of a plate and porcelain, whether it is an early porcelain epitaph or a later hollow tile. All of them have laid the technological foundation for porcelain plate firing. The emergence of porcelain plates gave porcelain plate paintings material conditions. Judging from the relevant materials, porcelain plate paintings with a smooth and smooth shape and a painting art form began to appear in the middle of the Ming Dynasty. With the improvement of firing technology, it changed its original use as an inlay attachment and gradually became an independent variety. As an independent form of painting, porcelain panel painting was very popular in the Jiaqing and Daoguang periods of the Qing Dynasty, and the homes of ordinary bureaucrats and merchants hung it on the walls of halls or studies.

Before Guangxu in the Qing Dynasty, the porcelain plates used for painting were all fired flat, and the back of the porcelain plates fired flat in the kiln would have a "sand bottom" and no traces of lining. Due to the limitation of the size of the sagger and the production process, the largest is only one foot five or six inches square. Judging from the hand-me-down physical data, the vertical firing process only appeared in the Guangxu period. There are traces of lining on the back of the vertical sintering plate, and due to the improvement of the firing process, the size of the porcelain plate product has also increased accordingly; Due to the breakthrough of the limitations of the firing process, porcelain panel painting, as an independent type of painting, essentially has the conditions for development. Porcelain panel painting is not only porcelain, but also painting, it is a new category of ceramics formed by ceramic art to get rid of craft decoration and integrate into literati painting.

Porcelain prints can be traced back to the Ming and Qing dynasties, and have a history of more than 100 years. For a long time, as an important cultural carrier, it has played a huge role in the continuation of Chinese civilization and even world civilization.

The process of porcelain printmaking is complex, and the delicacy and requirements of each process are high, which is difficult to compare with other process production. From the selection of materials, artistic processing, frankincense oil refining before the meeting, the modulation of pigments, the processing of brushes to the specific steps and techniques of wisdom, are very rigorous and meticulous, these production techniques are the crystallization of the wisdom of generations of ceramic craftsmen, and it is difficult to be replaced by modern technology.

In the 50s and 70s of the 20th century, porcelain prints played a very important role in the local economic development. First of all, the development of porcelain prints can solve the employment problem of a considerable number of local people. Secondly, the raw materials of porcelain prints are taken from the white tires of JDZ, which can effectively promote the economic development of the porcelain capital. Thirdly, in addition to meeting the needs of China, porcelain prints are also welcomed by the people of Japan, Australia and other countries, and can be exported in large quantities to earn foreign exchange.

As a traditional Chinese painting method, ceramic painting draws on the essence of Western photography culture, and its rich content, basic characteristics and inheritance history are rare in the history of art in China and even the world, and have high value for the study of traditional hand painting, ceramic painting and historical and cultural background of the Ming and Qing dynasties.

When Xiao Baoju continued to draw porcelain plate paintings, he also learned about porcelain plate paintings through Shao Lin leading him to visit local masters in JDZ. Gradually, Xiao Baoju found that porcelain panel painting not only covers the essence of traditional Chinese painting art, but also integrates the characteristics of Chinese ceramic art, which can not only depict realistic images and the effect of classical oil painting, but also express the artistic characteristics of various genres at will, which is the perfect combination of porcelain and painting art.

In addition, Xiao Baoju also came into contact with a new category, that is, the framing of porcelain panel paintings. Porcelain panel paintings can usually be framed or embedded in screens for ornamental purposes. The earliest history can be traced back to the Qin and Han dynasties, while the true sense of "porcelain panel painting" appeared in the middle of the Ming Dynasty. Since the middle of the Qing Dynasty, the development of porcelain panel painting has become prosperous.

Porcelain plate paintings are framed with wooden frames, that is, Chinese painting frames and oil painting frames, and cardboard borders and glass can be added, of course, adding glass will reflect light, and the details are difficult to see. Most porcelain panel paintings do not need to be framed with cardboard and glass, and are directly exposed, which is more conducive to viewing the work.

Under the introduction of Mr. Ren, the general manager of the porcelain plate factory, Xiao Baoju came into contact with Liu Jianhong, a well-known porcelain plate painting and framing master in JDZ. Xiao Baoju's porcelain plate painting was directly sent to Liu Jianhong's framing workshop, and Liu Jianhong then matched it with a solid wood frame to put a layer of protective device on the originally squeamish porcelain plate.

Xiao Baoju looks at it again, this is much more beautiful than the original! "My dear, it's really a man who relies on clothes and horses to rely on saddles, these porcelain plates are framed like this, and they look much more upscale!"

"Indeed, it was really worth the trip! Linlin, this trip to JDZ is really beneficial! I learned a lot, and when I go back, all the paintings I made will be framed and sold. Xiao Baoju hadn't realized this problem before, but this time he really learned a lot.

"That's true, the porcelain bottles we usually produce are also customized packaging boxes, and those with packaging boxes are better than those without packaging boxes!" Shao Lin likes Xiao Baoju's studious energy very much.

The days of separation always come so quickly, in the blink of an eye, Xiao Baoju has been coming to JDZ for a month, and there are nearly 30 porcelain plates sent to Shandong. Xiao Baoju wanted to settle accounts with Ren, but was blocked by Shao Lin, Shao Lin talked to Mr. Ren a few times, and finally used 2 porcelain plates to paint the porcelain plate money that Xiao Baoju painted this time. The night before Xiao Baoju left, Shao Lin did not go home, but spent the last night with Xiao Baoju in the hotel.

When the daylight entered the bedroom, Shao Lin also got up from Xiao Baoju's arms with red eyes. When the bus picked up everyone and returned from the Ceramic Institute, Shao Lin drove the car and followed the bus until the JDZ highway intersection. Needless to say, no more to say! Xiao Baoju knew that his beloved woman was following behind the car, and Shao Lin knew that his beloved man was galloping ahead!

Xiao Baoju wanted to let the driver stop, so he got out of the car and hugged Shao Lin in his arms and kissed him fiercely, but he couldn't do it! Shao Lin's tears blurred her eyes, and she wanted to get in the car like this, and follow Xiao Baoju back to Shandong, back to Wang Linkai Art Center, and back to the small room where the two once lived. Carved porcelain by himself, the time when he painted.

The pain of separation made Xiao Baoju sit on the bus and fall asleep in a daze. It wasn't until he woke up again that he found that his head was resting on Zhao Xinxin's shoulder. "Teacher, you love her very much, don't you?"

"Who do you love?"

"Who else? Of course it's Sister Linlin! ”

"Nonsense! I love Siqi! ”

"Hmph.... I don't believe it! ”

"Believe it or not!"