I was already going to code the manuscript of the third chapter, but when I saw the comments of two readers in the background, I really felt that I wanted to talk about something.

The gist is that I don't really understand why I arrange a minion to pretend to force a whole chapter.,Don't talk about anything to lead to the content.,I don't want to see the miscellaneous fish make a big fuss.,I'm drunk and I'm sober and so on.。

Here's what I want to say, so I can discuss with you the question of whether the plot is water or not:

First, the current actions and plans of the Navy, I can't directly write about fighting XX today and XX tomorrow, right? Everything has a cause and effect and a complete logic, right? Since Polusalino has put forward a plan to be implemented on Fish-Man Island, and the Navy is also preparing to implement this plan, it is necessary to have preliminary work, medium-term implementation, and follow-up impact. And the slave traders themselves are an important entry point, because one of the main contradictions between Fish-Man Island and humans is slaves. This is an important part of the public opinion war, the preliminary preparation war, and the logical plot. With such content, do I want to write directly about the destruction of the xx slave market? But there is no such thing as smashing the xx slave market in the world of pirates, because it is legal. Or do you think it's more reasonable that you don't need slaves to cut in, the navy moves in directly, and Fish-Man Island cheers?

Second, it's the end of 1502 in the Haiyuan calendar, and it's been 1500 years since the last big plot brought Robin back to the headquarters, so in two years, do you have to explain her changes? Do you have to explain her interpersonal relationships? Carrying out a mission with Rosinandi, is it considered a side description of these? Do I want to leave this kind of role alone, just like a passerby who has a harem stallion and the harem is gone? Dr. Vegapunk entered the Navy, and he studied pacifists? Just studied the pedigree factor? He's such a flat figure? Personally, I think it is reasonable and necessary to explain that he made a mermaid-shaped thruster, in order to facilitate the Navy's operation on Fish-Man Island, and there are new scientific research results one after another, right? What's more, Rosinandi is also a figure who spent a lot of time and played an important role in my outline, do his actions, words and deeds reflect his current situation, and the changes he received from Polusalino as a former Draconian? Or do you just skip this description without this kind of description? Directly after dozens or hundreds of chapters show that Rosinandi is resolutely against slaves?

Third, the specific situation of the Whitebeard Pirates, such as the prohibition of slaves on the territory, the prohibition of drugs, how did Whitebeard and the pirates under his command form an alliance, how did they form a rebellion, how did the White Beard usually operate, and what were the main problems and actions they faced, these are the official settings themselves, but in fact, the comics and anime show very little content, how many people will write it? Or is it that as soon as Roger dies, the whole world is looking for treasure, and no one has other ideas, no one has other ambitions, right? The tone I set for this book from the beginning of the book is to try to show a logically self-consistent restoration of the set of the pirate world, which is also a good point in my opinion. Without these contents, wouldn't it be possible to fight and always show the stereotypical character image of that plot timeline? But I'm only 1502 years old, and I'm still 18 years away from Luffy's going to sea. And it's still that sentence, I have a story line and a timeline, and if I do something A, there will inevitably be B, and the follow-up C - there is a description of Whitebeard lending the flag to Fish-Man Island in the anime, right? Could it be that you borrowed it suddenly one day? It's like suddenly having to fight one day? Can anyone borrow it?

Maybe some fandoms are like that? That's how things like this happen? But this book wasn't from the beginning. I've written the story of Titch and Thatch before, interspersed with writing in the middle, in fact, a lot of the content is dialogue, and then the communication between the subordinates or something, maybe it's also quite "water"? But it's this plot, according to the official setting, I explain a lot of things that are not shown in the anime. Why Titch killed Thatch was not only because of the Devil Fruit, but also because Thatch had discovered Titch's secret; Why did Thatch and Ace get on such good terms? Because Ace ate the roasted fruit that Thatch wanted the most, and the food that could help Thatch the most; Why did Blackbeard give the transparent fruit to Hiryu no Rain? Not only because the fruit was delivered to the door, but also because the transparent fruit did not mean anything ordinary to Blackbeard in the first place; Do pirates get paid for killing pirates? Yes, the specific way is to deliver the Navy through an intermediary; In addition to the captains, does the white team have any other outstanding roles? Yes, there are intelligence agents like think tanks...... A lot of the information is in the content that some people may think of as water.

Fourth, what is the significance of this so-called little minion - he can betray Whitebeard, contact Kaido, and contact Bigmom, such a plot arrangement, is it a little minion? Who was the last person to betray Whitebeard? What sparked the war on top? Who was the last person who had a problem with Kaido's deal? What's next? With Whitebeard's character, the betrayal of his subordinates, and Kaido's character, the deal failed, isn't this arrangement obvious enough? You should be able to see that anime and manga are relatively complete, right? Take a step back and say, don't look back, even if you go forward - I specifically show that this person loves money very much, and before him, he focused on describing the Golden Emperor Tezzolo, the big boss of the theater version, this relationship is obvious enough. There's no way I'm really going to just put the outline out, right? I'm writing, not serving, not to mention that you have to serve the dishes one by one.

And the so-called pretending content - some readers are probably not familiar with the pirate plot, many of the settings of this character are basically taken from the original plot, and it is a patchwork character, including his speech, many of which are similar to the original lines, so many people will smile when they read it. Moreover, any character who appears on the stage, even if he only appears for one second and only serves the plot for one second, his speech and actions must be in line with his personality. If you say that for the sake of the so-called "no water", the character is turned into a purpose-oriented line reading machine, only talking about dry goods, he has no personality, only action and speech, then do you think it is interesting to read?

In other words, as a slave trader to be described, for the sake of the so-called "no water", don't write that he has subordinates and secretaries, and let him pick up the goods himself? Don't write about his appearance, just write about who this person is? Don't write about his performance when he receives the goods and inspects the goods, and directly writes that he pays the money to take the goods and leaves? Don't write about his position motives, his ideas for doing things, and directly write that he betrayed the world's strongest man, Whitebeard, and engaged in the slave trade? I'm afraid that such a character is not only flat, but also has a problem with the brain, right?

Fifth, a cliché, my timeline is very advanced, 1502, even if I want to write about the big man in your eyes, he has to be born, I can't jump directly to 1520, right? And then 100,000 words can't be written? And in the 18 years before this, the characters I used to promote the plot and describe couldn't always be those big characters who had already appeared on the scene, right? And to put it mildly, even in the previous Golden Lion chapter, there are some readers who think that I have written too much about this person, and his character that only exists in the theater version, because he hasn't seen it, so he feels unnecessary.

I also want to write about the plot characters, I want to write about the big characters, I want to write about the big events - but, in the year 1503 of the Haiyuan calendar, that is, the next year of the current plot, the four Sanji brothers and Zoro were born. Including the fact that I wrote in advance that Klockdahl challenged Whitebeard, which was also in 1503. It's impossible for me to write that Luffy traveled through time and came to this point in time, or simply took a nap and directly got Luffy a onepiece in 1523?

Sixth, the author's background can clearly see the tracking and data, how many people are willing to continue to watch in 24 hours, to put it bluntly, the data represents the majority of readers, I can't take care of everyone, and being responsible for most people is my attitude. And judging from the current situation,This book hasn't written about Luffy's going to sea so far.,There are still a lot of people who support it.,And it's gradually increasing.,Thank you!

By the way, many chapters ago, I brought a character baby5, how many people still remember? Such a character is relatively well-known, right? I have a lot of plot arrangements for her follow-up, should I explain her situation in a word or two from time to time, side description? Or do you just take it out and let her do things? Or do you want to write about her upbringing? Or if you don't write it, this character should not have appeared? I'd like to hear your thoughts.

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