As soon as Xu Hengzhou drank a cup of ginger tea, the filming of the second scene officially began.

He looked around and saw that the actors who had just sat around to watch him shoot his first scene were still not gone.

Instead, they all gathered in front of the monitors, staring intently at the scene of the shooting.

I'm going to watch all of today's drama before leaving.

It seems that Director Jiang Wen has tortured all the actors a lot, and everyone has no bottom about filming, so I want to watch a few more scenes, find out the feeling, and find out the way Director Jiang Wen filmed.

After Xu Hengzhou filmed a scene, he found the direction of his role, but in the spirit of being modest and low-key, serious and studious, he also stood up and squeezed into the crowd, leaning over to look at the picture in the monitor.

This scene follows the entire plot of the movie, and a train drawn by eight horses appears in the shot.

This is the location of the shooting.

Soon, the footage from the photographer appeared in the lens.

Ma Bond, played by Ge You, took office, sat in the train and ate hot pot with his wife played by Liu Jialing in his arms, and listened to the master played by Feng Xiaogang tell stories and was amused, so it was not leisurely.

When Xu Hengzhou saw this picture for the first time, he immediately saw the presentation of the characters, and heard the interaction between these actors in just a few lines, so he explained the beginning of the whole incident.

He knew that most of the lines were written by the actors, except for one or two sentences that Director Jiang Wen had designated to say before filming started.

But being presented by these actors is not inconsistent at all, but feels that every sentence contains deep meaning.

Especially Ge Wei, Uncle Ge is worthy of being Uncle Ge, and his acting is called a expressive.

and director Feng Xiaogang, who also acted well.

Listening to the staff in the crew, Jiang Wen not only spent money to invite the actor for this movie, but also spent favors to invite many famous domestic directors to make guest appearances in his movie.

Other famous directors may not be able to make the trip because of the schedule, but Feng Xiaogang came at today's start-up ceremony.

Director Feng Xiaogang and director Jiang Wen got together when they filmed "New Yorker BJ" in 1999.

One is that he finally turned to the director to shoot the first TV series, and the other is that he won the first TV emperor with this TV series.

The two directors have achieved each other and have a good relationship.

Xu Hengzhou watched the whole performance, and heard Director Jiang Wen shouting the card, so he had a hunch that this scene was estimated to pass directly, and there was no need to shoot it a second time.

Sure enough, he saw Director Jiang Wen nodding with satisfaction, and shouted to the scene with his loudspeaker:

"The second scene is over, and the actors for the third scene are ready."

But Director Jiang Wen was satisfied, but Uncle Ge was not satisfied.

The first thing Uncle Ge did when he came back from the shooting scene was to ask Director Jiang Wen to play back the shooting clip just now for him.

After watching the entire replay, he said one thing: ask for a reshoot.

Director Jiang Wen was happy, since other actors have such high requirements for themselves, he naturally has no permission.

Clap!

Remake.

Although they are such a large crew, the more time they consume, the more money they consume.

But is he Jiang Wen a person who is almost that rich?

Jiang Wen, who has pulled a lot of investments and came back to form a crew to film, said that he is not short of money now!

Because of this "not bad money" arrogance, Xu Hengzhou was fortunate to see a master-level performance public class.

Uncle Ge has made breakthroughs in almost every scene, and the direction of each of his scenes is different.

But it's all amazing!

By the time it comes to the sixth scene.

The big speaker brought from the scene played nursery rhymes.

"Outside the long pavilion, by the ancient road, the grass is green, and the sky is ......"

The crisp and melodious children's voice fills the entire mountain forest.

In the camera, Ma Debang played by Uncle Ge and the county magistrate's wife played by Liu Jialing are shaking their heads with wine glasses and singing this nursery rhyme with all their hearts.

It's obviously a song with a little sadness, but it makes them sing with a feeling of high spirits.

The master played by Feng Xiaogang is holding a chopstick, swinging his hands rhythmically and vigorously with exaggerated movements to conduct the two singers.

……

After the filming of the sixth scene, Uncle Ge was finally happy to shoot, and said to Director Jiang Wen: "That's all I have, Director Jiang, let's see which one you want." ”

This statement is too domineering.

The other actors at the scene were all heartbroken.

Anyway, Xu Hengzhou was pretended by Uncle Ge!

Director Jiang Wen nodded deeply, raised his loudspeaker, and couldn't wait to shout: "The third scene, the third scene is ready quickly." ”

The third scene is Director Jiang Wen himself, he watched Ge Wei perform so many scenes here, and his heart was already ready to move.

It's his turn to go on the show!

Xu Hengzhou also hurried to the set, although he didn't know what he was going to play later, but the staff had already reminded him that he was going to play.

But after watching Uncle Ge Wei's performance just now, he felt that he had somewhat figured out the context of Director Jiang Wen.

Director Jiang Wen will say the main points of this scene before filming, and then say a few key lines that contain the core points he wants to express, and the rest is left to the actors to play freely.

There are restrictions, but there is also a lot of room for actors.

The scene was filmed in the mountains and forests on both sides of the track.

As soon as he arrived at the gathering place, he saw Wei Xiao waving at him.

Xu Hengzhou walked over: "Are you really playing the seventh child?" ”

Wei Xiao pushed the small round-framed glasses he specially wore for this role, and said in a smug tone: "After all, I am more like a young man with new knowledge than you, without your gangsterism, I don't play the seventh, can't I play the sixth?" ”

"Tsk." Xu Hengzhou rolled his eyes: "If you pretend to be a nerd, you won't be a bandit." ”

He originally thought that the last time Director Jiang Wen asked Wei Xiao to play Lao Qi, it was entirely because the crew was withdrawn and he couldn't find anyone to play it.

But now that the crew is rich, Director Jiang Wen still casually asked Wei Xiao and an assistant director to play Lao Qi, a role with a name and surname that can show his face, which makes Xu Hengzhou feel very interesting.

I don't know who Director Jiang Wen plans to use the role of Lao Qi as a metaphor and who to satirize?

He was thinking nonsense, and he heard Director Jiang Wen quickly tell everyone in a few words: "Later, everyone will ride on the horse, I will do a dozen shots here, the sound will sound, but there will be no movement, the sixth child, you will ask if you have hit, and then I will say the lines, and this scene will be done." ”

What Director Jiang Wen said is really simple.

But they just got on their horses and stopped at the same time to shoot the scene three times.

Children and animals are the most difficult to control in any shoot.