Liuzi glanced at Zhang Mazi strangely:

"I've been!

It's the building with a complicated name that I can't even remember now.

It's still Dad, you took me there.

I've done a lot of things.

Help your dad pour wine, help dad find a girl.

I heard you say that the building is too messy and worried that it will not be safe at night, so I also helped your father keep vigil. ”

Zhang Mazi said "oh" and nodded: "Let's go, let's go and see where the sound of the piano comes from." ”

They soon found the source of the sound.

It was Master Tang playing the piano in the middle of the hall next door, and the flower girl was standing behind Master Tang with her hands behind her back, looking like she was listening seriously.

Zhang Mazi said to Master Zhang: "You are very good." ”

Master Tang shook his head: "The county magistrate is listening to the song to celebrate, and I am also using the song to congratulate the county magistrate on his success." ”

Although Liuzi doesn't understand the gramophone, he knows the piano, this piano has to touch the strings to make a sound, Master Tang is playing the piano in the air at all, how can he play the tune.

He thought about taking a few steps forward, and directly put the gun on Master Tang's strings with a snap, and pressed the strings.

It stands to reason that the sound of the piano will no longer be able to come out.

But the piano still sounded.

When Master Tang saw the gun, his face changed instantly.

The flower girl was very determined, she glanced at the six sons who were looking everywhere with her eyes, took out the tape recorder from behind her, and asked him, "Do you want it?" ”

Liuzi's curiosity rose again: "What is this?" How did this sound get inside? ”

Hua Guzi shook her head: "I heard that this is called a tape recorder, but I don't know how the sound gets in, there are many other tunes in it, do you want it?" I'll lend it to you if I want it. ”

"Devouring the Starry Sky: Signing in to Become a God"

This is a novelty left by the people who came to the hermitage to make incense, and this time they went to the countryside and didn't know how long they would stay at the bottom of the mountain, so they brought this thing out.

During this time, Hua Guzi felt that Liuzi was very good and stupid, but she shouldn't have beaten him before, thinking that Liuzi wanted this thing, so she borrowed him first.

Liuzi's eyes lit up and nodded: "Then you lend me!" ”

Director Jiang Wen shouted "card", and the scene was over.

I reshot the shot that should be reshot again.

This brings us to the next scene.

It's eleven o'clock now.

Xu Hengzhou estimated that the following scene would have to be filmed for two to three hours.

Jiang Wen really planned to finish filming this scene in one go, and when he saw that the two new scenes were arranged, he went to the first scene first and filmed a clip at the beginning of the whole plot.

This clip takes place outside the county office.

Some villagers beat the drum of injustice and sued the six sons.

"The son of the county magistrate, defy the law!

Talk about the tea hall and welcome the driver. ”

Zhang Mazi had no choice but to ride over, at this time he didn't realize the seriousness of the matter, and he was still in the mood to ask Master Tang: "Talking about the tea hall?" Isn't the county government a place where eucalyptus is broken? ”

Master Tang replied to him: "Your county government is a decoration, and you can only go to the tea hall to talk about it, and that is the real county government!" ”

The flower girl followed on horseback, still holding the tape recorder that Liuzi had said to keep here in her arms.

Although, this tape recorder was obviously lent to him by himself, so he couldn't keep it for him.

……

After the filming of this scene, Director Jiang Wen took a large group of people to the new filming venue - the tea hall.

This scene is the highlight, and Director Jiang Wen carefully stared at the layout of each scene.

Then he pulled Xu Hengzhou over to talk about the play, Director Jiang Wen's talk was not to tell Xu Hengzhou how to act, but to directly tell Xu Hengzhou what effect he wanted:

"No one cares how many bowls of noodles Liuzi died, they just want Liuzi to die.

I don't care how you want to play the role of Liuzi, I just want to see the indifference of the people around me. ”

Xu Hengzhou knew what Director Jiang Wen meant, indifference is not based on acting, but by comparison.

How tragic the death of the sixth son is, how indifferent the inaction of the people around him is.

He nodded, "I understand." ”

Director Jiang Wen also nodded: "It's good to understand, go ahead!" ”

After speaking, he pushed Xu Hengzhou and directly pushed Xu Hengzhou into the room.

In this scene, the six sons mainly played against Hu Wan and Wu Juren.

Hu Wan is Huang Shilang's close confidant, secretly in charge of the affairs of Goose City, bullying the people and reversing right and wrong, ruthless and arrogant, and unscrupulous.

Playing Hu Wan is Chen Kun, who has only joined the group in the past few days, Xu Hengzhou knows that this is another actor-level character, but this scene belongs to the sixth son and belongs to him Xu Hengzhou.

Xu Hengzhou was not false at all.

Over there, Director Jiang Wen shouted to start filming.

Chen Kun, who played Hu Wan, sat on the chair, he really didn't know who Xu Hengzhou was.

He had some concerns about this.

Because this scene is not only the highlight moment of Liuzi, but also the most brilliant scene in the whole movie for the role of Hu Wan played by him.

Although this brilliance may not be glamorous.

Therefore, the sixth son played by Xu Hengzhou must confront Hu Wan played by him.

No one's momentum can be weakened.

Chen Kun took these thoughts around in his mind and put them down.

He entered the play Hu Wan and looked at the sixth child played by Xu Hengzhou, although he was sitting, but when he spoke, he had a condescending meaning, and he opened his mouth to ask:

"Sixth master, you ate two bowls of noodles, but you only gave money for one bowl."

Xu Hengzhou picked up the first line of Lao Liu's speech in this scene and said: "Fart, I ate a bowl of noodles and gave him a bowl of money." ”

Because this scene is very important, Director Jiang Wen gave the script, but only gave the general lines and character scene angles.

How to act depends on Xu Hengzhou's grasp.

After Xu Hengzhou said the first line anyway, his mind settled down.

He looked at Chen Kun and several other actors, and his mentality was surprisingly consistent with that of Lao Liu, waiting for the other party to sing this scene.

Chen Kun's heart is also settled, this sixth child is a little interesting.

He took the play.

Hu Wan listened to the words of the sixth child, so he went to ask Sun Shouyi, the owner of the cold noodle shop: "How many bowls did he eat?" ”

The owner of the cool restaurant immediately replied: "Two bowls." ”

Wu Juren kicked the owner of the jelly shop hard, kicked Sun Shouyi to the ground, and then looked at the sixth child, deliberately pretending to stand on the side of the sixth person to speak, and instantly put the sixth person on a moral high ground:

"Impossible, the sixth master is the son of the county magistrate, how can he owe you money?"

The owner of the jelly shop was kicked by this, and the emotional grief and indignation came up, but he didn't know who he was against: "I just ate two bowls and only gave one bowl of money!" ”

Hu Wan immediately got up, walked around, and looked at the people in the teahouse: "The county magistrate wants to give our Goose City a fairness, okay, what I ask for today is a fairness!" ”

The people chimed in: "Yes! ”

Hu Wan received the support of the people, and this is even more reasonable:

"Ask whom?

Ask the county magistrate's son!

Why?

He ate two bowls of noodles and only gave money for one bowl. ”

Hu Wan flicked his sleeves and said word by word:

"It's called unfairness!"

"Since it's unfair for the county magistrate's son to take the lead, what the county magistrate said is a fart!"