To be honest, some time ago, when He Yun saw this name, he thought he had crossed over.

This name sounds like that at first glance, but in fact, this is actually one of the sentences of "Spring Resentment" by the Tang Dynasty poet Liu Fangping.

The original poem reads: "The screen window is getting dusk at sunset, and no one in the golden house sees tears." The lonely empty courtyard is late in spring, and the pear blossoms are all over the ground and do not open the door. ”

It can be seen from the poem that this is obviously a resentful poem describing life in the palace.

However, the "new version of Lu Siniang's assassination of Emperor Yongzheng" created by Li Yan is not a palace fighting romance, but a historical martial arts.

Although the romance part also occupies a lot of space, if you want to say whether this name is suitable for this one, He Yun can only say "as long as the author himself likes it".

Well, although he had some objections, he didn't let Li Yan modify it.

The reason is very simple, each creator has his own unique ideas, maybe you don't think it's very suitable, but you can't stand the author's own liking.

Just like last time, He Yun originally planned to suggest that Li Yan change the name "Smoke Lock Qingqiu" to "Zhantan Prefecture", but in the end, Li Yan did not agree to modify it, and she still used the original name.

Facts have proved that her persistence still has a certain reason, at least according to the feedback of the editor-in-chief Wu of "Furong" magazine, readers still have a good impression of "Smoke Lock Qingqiu".

It is estimated that Li Yan's part should have good sales after it is published.

As for the one she created recently, although it is only a hundred thousand words, it is a higher level than "Smoke Lock Qingqiu" in terms of literature and plot concept.

From between the lines, there is no girl's grace and childishness, but it reveals a majestic sense of chivalrous tenderness, and the historical background is very obvious.

The background descriptions of large paragraphs in the text are obviously written with reference to many ancient historical books.

It can be seen that she has wasted a lot of thought about this one.

Especially in the choice of subject matter, she did not repeat her previous works, but once again embarked on a new path on the road of "romance".

In this regard, He Yun feels that this is the persistence that a writer should have.

"You don't have to, you can sit down first." He Yun motioned to her and sat her down.

He walked up to them, pulled a chair out of the table, and sat down.

"You, I don't think there is any need to make any more revisions, and besides, you don't need to call me a teacher anymore, with your creative level, you can be a teacher."

He Yun's words made Li Yan hurriedly say: "How can this work, as the so-called one day as a teacher and a lifelong teacher, not to mention, you have taught me so much, I ......"

"Uh...... Fourth brother, Sister Li Yan, what are you talking about? Also, is this Sister Li Yan, a new one you wrote? Let me see, is it okay? At this moment, He Xiaolian, who was confused on the side, interjected and asked.

"Absolutely...... But Mr. He...... I feel that I still have a lot to be desired, would you like to help me look at it? After Li Yan nodded at He Xiaolian, she turned her gaze to He Yun again.

But He Yun shook his head slightly, waved his hand and replied, "Li Yan, don't be presumptuous!" I really can't teach you anything more, so you better take this manuscript back! ”

He Yun was naturally speaking from his heart at the moment.

Li Yan's creative level is no longer what it used to be.

Especially in the last year or two, the two films she created have obviously made great progress.

There is no hint of immaturity in the writing.

Especially in the theme of romance, although she can't be compared with the real masters, she can be called comparable in writing.

At least, that's what He Yun thinks.

"Okay then......" Li Yan saw that He Yun had made up her mind, so she had to take the manuscript back and hand it to He Xiaolian, who was sitting on the side.

After He Xiaolian took the manuscript, she watched it carefully.

She looked at it, and the fifth sister He Ying, who was sitting on the other side of her, was also attracted over.

The two little girls sat down like this, and were deeply attracted by this "romance story" created by Li Yan.

…………

Half an hour later, He Xiaolian finally reluctantly took her eyes off the manuscript paper, and she couldn't help but look up at He Yun and asked, "Fourth brother, this one written by Sister Li Yan looks so good!" Did you direct her to create it? ”

"Of course, I didn't guide her to create, it was done by her own independently, I just helped her look at it some time ago, put forward some opinions, that's all."

He Yun shook his head slightly, directly negating He Xiaolian's question, he then looked at Li Yan, and asked again: "By the way, do you continue to plan to invest in "Furong" magazine?" ”

"I think you can try the publishing house on Taiwan Island, and if you want, I can help you match."

"Taijima?" After Li Yan listened to He Yun's words, she couldn't help but be stunned.

Taiwan Island, she naturally knows it, but today's Taiwan Island is extremely unfamiliar to her.

As for Taiwan's publishing houses and literary publications, she is even less clear.

However, for He Yun's proposal, she was already moved in her heart.

Because at this moment, she suddenly thought of someone.

"Qiong Yao".

In fact, the fame of "Qiong Yao" in the current mainland is far less than that of later generations.

Only in the nineties, after the baptism of "Qiong Yao Opera", did everyone really have some understanding of this romance writer from Taiwan Island and his ancestral home in Hunan Province.

But Li Yan is different, after all, she is a lover of literature, and she has a certain understanding of this writer from Taiwan Island and his works.

Even when she was creating "Smoke Lock Qingqiu", she once thought of imitating the writer's style.

But in the end, she gave up imitation and walked out of her own "romance" path.

You must know that compared with "Qiong Yao", the romance she created does not have so many "love and love", but is closely related to the feelings of family and country.

To put it more bluntly, the two films she created are "giving up small love for big love", rather than entangled in the love relationship between two people, three people, or even four people.

At this point, He Yun felt that he should continue to create like this.

After all, although the romance style of "Qiong Yao" is first, it is a little bad, and the three views conveyed are seriously inconsistent with the broad masses of the people.

This is one of the reasons why, throughout the 80s, Qiong Yao's works have been strictly restricted.

…………

An hour later, Li Yan finally left with her manuscript.

Soon after she left, He Yungang was about to go back upstairs to continue writing "The Legend of the Vermilion Bird", but he found that he had a small tail behind him.