At this time, in the courtyard, in the courtyard.

Under the starry sky, He Yun and Wang Ruoyan sat on the stone bench and chatted.

Maybe someone is willing to listen to him, Wang Ruoyan, who was originally angry, suddenly became much calmer at this moment.

And after He Yun listened to Wang Ruoyan's detailed explanation, he realized that daring to love domestic animation was far from being as simple as he imagined.

Times have changed, and so has the animation industry.

In the past, when I made cartoons, I didn't want to shoot them, but China Film Company issued a task index, and only how many hours were allowed to shoot each year, and as for the cartoons that were made, they were also acquired by China Film Company first, and then taken to major TV stations to broadcast.

Under this model, there is no concept of making more and less money for a cartoon, and naturally, the production unit has no scruples, and they will use twelve distractions to create each animation.

It is precisely because of this that almost all of the animations produced are classics.

However, with the country's reform and opening up, a large number of foreign cartoons have poured in, and domestic animation will inevitably not be affected.

Even the Modu Fine Arts Film Studio is no exception.

Especially in the late eighties, a large number of animation talents went south, which led to the collapse of the entire Modu Art Film Studio, and since then it has started a downhill road.

In fact, with the introduction of foreign films, it is not only the animation industry that has been greatly impacted.

It's the same in the film and television industry.

Whether it is a movie or a TV series, they have to make changes, the previous films were all about the pursuit of art, but since the nineties, commercial films have begun to sprout in China, and even in the later stage, they have directly become blindly pursuing economic interests, while ignoring the film and television works themselves.

The same is true for the major film studios that undertake the shooting tasks.

Take the Kyoto Science Studio, for example, in the past, this film studio was responsible for the shooting of many science and education films, including animation films that popularized science education.

Of course, not only Kyoto Science Studio, in fact, the same is true of the Science Film Studio in the magic capital, these two major film studios plus the Changchun Film Factory in the northeast region have shot a lot of cartoons.

But since entering the 90s, the three major film studios have hardly made a decent animation work.

The reason for this is actually very simple.

It's still a matter of interests.

Not to mention the time-consuming and laborious production of cartoons, the most important thing is that there is not much benefit, and even the salaries of employees cannot be paid, so naturally no one will make cartoons.

The same is true for Kyoto Science Studio, although they have a shooting task this year, they chose to outsource.

The so-called outsourcing is to outsource most of the work of animation creation to other production teams, such as drawing lines and background design.

And this kind of work can be done by an ordinary animation production team.

This is also one of the reasons why the film studio agreed to cooperate with Wang Ruoyi.

In fact, this model has already formed a convention in the early field of animation in the United States, and a large number of Japanese animation companies once started by taking over the animation outsourcing work of the United States.

Nowadays, the Jade Animation Design Company and the Pacific Animation Design Company in the Special Economic Zone are among the domestic representatives, and most of them undertake animation outsourcing tasks in the Wa and Mei countries, and make huge profits from them.

It's just that there are too many such outsourcing work, which is a disaster for domestic animation.

After all, everyone only cares about pursuing economic benefits, but they have completely abandoned their own domestic animation.

In particular, the original script and aesthetics, which originally belonged to the "excellent heritage" of domestic animation, were directly thrown aside, which is a great pity.

But there is no way, the times are developing, if you can't be flexible and adapt, you will be eliminated by the trend of the times, just like the previous Yangcheng era animation, and finally went bankrupt and disappeared.

Wang Ruoyan also recognized this point, so he opposed cooperating with the film studio and chose the youth animation department of Kyoto TV.

After all, compared with the former, the latter is obviously the unit that really does animation wholeheartedly, just like the CCTV Animation Department, which has made great contributions to the re-emergence of domestic animation.

As someone said, in the 80s you had to watch Kyoto in the anime, and in the 90s, you had to watch Kyoto.

And Kyoto here refers to "CCTV animation".

.........

For animation, He Yun can only be said to be a layman, even if Wang Ruoyan says a thousand things and ten thousand, he is also half-understood, so naturally he can't help Wang Ruoyi.

However, He Yun still made a promise to Wang Ruoyan that if he was needed to create an original script in the future, he would never refuse.

The next day, He Yun officially opened the study path of Lu Xun Academy of Literature.

In the following days, every morning, he would take the bus to the Faculty of Arts early, and sit in the classroom with steamed buns to read.

During class, he would also take notes and listen carefully to the teacher's lectures, just like an ordinary student, without the slightest pride in being a famous young writer.

In this way, more than half a month has passed in a flash.

At the beginning of November, snowflakes fell in the sky.

The temperature in Kyoto has dropped to minus 10 degrees Celsius.

At this moment, He Yun sat at the table and couldn't help but wrap the down jacket that he had just bought for forty yuan from the department store.

As for the original military coat, he covered his legs.

The weather was so cold that he couldn't even hold the pen in his hand.

"Knock ....."

Suddenly, there was a dull knock on the door.

He Yun raised his head and glanced in the direction of the door, and then saw that the door was gently pushed open, and in an instant, a cold and biting cold wind blew in, and even the falling snowflakes flew into the house, fell on the floor, and melted in a moment.

"Give! He Yun, there is a letter from you! The postman just delivered it. ”

The person who entered the room was Wang Ruoyi, who walked to the table and handed He Yun a letter.

He Yun took the letter and looked at it, and found that it was sent by his father-in-law, Elder Gao.

"The old man sent it? Could it be some letter forwarded to me? He Yun muttered in a low voice, and then opened the letter.

At this time, Wang Ruoyan told He Yun on the side: "Today's dinner may be a little earlier, and it will be ready at half past five, remember to come out and eat." ”

With that, he turned and left.

After Wang Ruoyan left, He Yun poured out the contents of the envelope.

Sure enough, just as he expected, the envelope contained a letter.

On the envelope of this letter, it was written "Sent by Chen Zaochun of "Contemporary" magazine.

"Isn't it Editor-in-Chief He? Could it be the new editor-in-chief? ”

Although he was a little puzzled, He Yun quickly opened the letter.

After reading the letter, He Yun was a little stunned.

He muttered quietly, "Let me go to the magazine?" ”