(The paid content of the previous chapter has been replaced by the normal plot, and you can read it by refreshing the chapter directory.) The contents of Tea Party 2 are moved to the free single chapter of this chapter. ）

From the opening of the book to the present, some readers have been asking, why is there no level setting of the combat system?

Actually, this book has a system, but there is no hierarchy.

Part 1: The "system" of combat power in this book.

Take the martial artist as an example, combat power = martial arts + mental method + magic weapon.

Among them, martial arts include strength, agility, physical strength, and proficiency, among others. (Martial artists also practice some auxiliary supernatural powers, such as He Dashao's doppelganger technique and Li Dai Taozhuang.) For martial artists, this kind of martial arts is the same as martial arts. ）

Martial arts should be improved through repeated practice and fighting.

The law of the heart is the warrior's understanding of combat.

For example, in the boxing match between Tyson and Holyfield, Tyson moved forward bravely and Lao Huo kept pulling. Players who can fight to 12 rounds should not be much different in terms of martial arts level, so what does the victory or defeat depend on? I think it should be the player's grasp and choice of himself, the enemy, the environment, the timing, and the will of the player.

The mental method should be improved through experience and understanding.

The so-called different people have different states of mind and different beliefs. Therefore, it is not good to classify the grades, nor to evaluate the superior, and whether there is progress or not, you know in your own mind.

Let's not talk about the magic weapon.

And so on, the combat power of the sorcerer = supernatural power + mental method + magic weapon.

Spellmaster's combat power = summons, spells + mental spells + magic weapons.

For the rest, please deduce it yourself.

Some people may think that such a setting is too simplistic. However, the road is simple, one life is two, two is three, and three is everything.

The highest-end ingredients often only require the most modest cooking methods.

A kaleidoscope of exquisitely ornate mirrors, in fact, consists of only three mirrors.

No matter how complex and delicate the architecture of a computer is, the perspective of its origin is nothing more than 0 and 1.

This colorful and ever-changing world only needs a very simple underlying logic to run.

In this way, it has more vitality.

Part II: Power Levels.

This book has no combat power rating.

Jiufang knows that for many readers who are accustomed to "level", they will not be able to do without this, and their hearts will float and float, and they always want to grasp what as an anchor.

My first work had a level set from beginning to end, but it was also limited from beginning to end. So after that, I gave up the "rank".

In my opinion, the conventional hierarchy makes it easy for readers to substitute God's perspective to observe and compare the strengths of both sides, and evaluate them with their own understanding of the system. For example, should this battle be won easily, or difficult to win, or unbeatable, and the "cool point" is only to win by leapfrogging, and watch others be shocked and shocked.

It gives the reader a positioning coordinate, but at the same time, it also limits the reader's perspective, making people ignore whether the fight itself is exciting, reasonable, and ingenious.

The excitement of combat lies in the uncertainty, and the division of hierarchies makes combat highly regulated.

The less restricted, the better the play, this is one of the truths that social life teaches us.

If this book had a combat power level, the moment General Baili met the protagonist, he should have turned around and fled, so that he would not be unarmed; And there will be no scene where the protagonist swings his horse and slashes Hong Chengluo in the Battle of the Han River, because Hong Chengliu is obviously stronger than him.

Whether it is strong or not, whether it is good or not, whether it is powerful or not, whether there is a chance to turn the tables, should be known through the tricks and try the hand, rather than directly measured by some complicated values and parameters.

This is true of reality, and what comes from reality and is higher than reality should also be so.

Jiufang hopes that the level of the two sides can be evaluated by the process of the battle, rather than predicting the outcome of the battle by the level of the two sides.

Since it is a Xianxia world, the combat should be exciting, imaginative, and understandable, rather than a screen full of death, explosion, and collapse.

Well, like Iron Sand Fist fighting against the seventh-level collapse, and shouting slogans at the same time, it is difficult for you to write his process wonderfully (there is no trampling here, each author has a different mind, can not be compared, long live understanding).

Whether or not you can write a good battle is a challenge for the author, and it is also where the fun of Jiufang lies.

The Nine Parties will do their best to ask everyone to supervise.