The treble part of "Wings of a Thousand Wings" is up to 80% of the whole track, and the speed of playing must be very dense.

Originally, "A Thousand Feathers of Wings" was supposed to be played by two people with two instruments, but Liu Ling wanted to challenge his limits tonight, so Liu Ling chose to use the bass to play this Divine Comedy, which is enough to rank in the top three in all the tracks.

In this way, two people play into one person play, and the difficulty is far more than one plus one, but it shows more explosions, so this is also the reason why Kasugano Jinba thinks Liu Ling is crazy.

Listening to the rising high-score bass sound in the bar, it seems to be endless, not only Kasugano Jinba, but also Ji Ye and Liu Gong Huaxiao, who have a certain understanding of bass, are also stunned to look at the beautiful boy playing passionately on the stage, as if they were watching a madman.

They didn't believe that Liu Ling would be able to complete the performance of this divine comedy alone.

There was only one strip, looking at Liu Ling, who was playing a vigorous rhythm, but his face was always calm and calm, and a little inexplicable confidence suddenly rose in his heart that Liu Ling would be able to accomplish this feat.

Ri so ba ka ri no ko to ba jya

Light is the ideal word

Honn to a mi e na i da ro u

Can't see the "real"

Da re mo ga o na ji yo u ni

It's the same with all living beings

Sei kai o mi te i na i ka ra

Failing to look at the "world"

Me no ma e ni u tsu tta

To believe

Mo no ka ta ri o shi ji te

Let's tell the story in my own eyes

Ji bunn da ke no tsu ba sa de

If you use your own wings

Mo tto to o ku ni to be ru ha zu

You'll definitely be able to fly farther

At this point, the small ** played in the first half, Liu Ling has completely exceeded the expectations of the three of Fang Jiye, Liu Gong Huaqiao and Kasugano Zhenba, and played it perfectly.

Not only that, Liu Ling also gently faced the microphone with this passionate bass sound and sang the lyrics of the memory in his mind.

The crisp and melodious singing voice and the low and passionate bass sound did not contradict each other, but were perfectly combined, making Liu Ling's performance even more emotional.

This took Liu Ling's performance to a new level.

Many of the audience members on the stage listened to this heart-pounding performance, and their bodies involuntarily shook with the syllables.

In Liu Ling's performance, they seemed to have a pair of wings, although they were still sitting in place, their hearts seemed to be guided by Liu Ling's singing and melody to fly.

Sa a

Come on

Ki zsu ku to ki da

It's time to wake up

Ko no i ma ga

Present

Su be te da tte

That's everything

Ka mi sa ma ko no ko e o

God, please fly your wings into the blue sky

So ra e to ha ba ta ka se te

Give this voice

Da re to mo chi ga u ha ne de

I'm going to use unique wings

Yu me o mi se ru ka ra

Let you see your dreams

Liu Ling glanced at the people below who were immersed in his performance, and the flame in his heart burned even more violently.

Liu Ling closed his eyes and began to play faster and more impatiently according to the score that appeared in his heart.

At this point, "A Thousand Wings" requires the technique of "nail cutting".

As the name suggests, "nail cut" is a rapid cross-cutting of the strings of a bass or guitar with a fake fingernail to produce a louder, more detailed sound.

Although Liu Ling did not wear fake nails on his hands that were specially designed to play bass, after mobilizing the Milky Way Source Power to the five fingers, Liu Ling's nails temporarily became a lot harder, which was enough to meet the needs of playing in front of him.

As Liu Ling's bass and singing gradually entered the middle part of the **, Kasuga's face had become extremely ugly.

Although in the heart of Kasugano Jinba, Liu Ling may not be able to insist on playing this "Thousand Wings" to the end, but just after Liu Ling has played it until now, Kasuga Yejin Ba knows that in terms of bass playing level, Liu Ling definitely has to surpass himself a lot.

Not to mention anything else, just Liu Ling's fanatical performance in the first half of this part, ordinary junior professional bass players and intermediate professional bass players may not be able to play.

This little boy from China turned out to be at least an intermediate professional bass player! He's meowing, Kasuga Wild Formation Tyrant remembers that Liu Ling seems to be only fourteen years old, has this guy been practicing bass since his mother's womb?!

Kasugano Zhanba looked at Liu Ling on the stage, and a feeling of frustration rose in his heart.

Mu su u no ko no tsu ba sa

Countless wings

Ki mi ni mo kann ji ru da ro u

It can also make you feel it, right?

Te ri tsu ke ru ta i yo u ni

Someday you can touch it

I tsu ka a ta do ri tsu i te yu ke ru sa

The sun shining beside you

Liu Ling sang while constantly speeding up the rhythm of "nail quick cutting".

At this time, Liu Ling's small right hand had quickly formed an afterimage, and thanks to the help of the Milky Way Source Force in his body, Liu Ling's hand speed could keep up with the performance speed of the score.

In fact, Liu Ling was very puzzled in his heart, with such a fast performance speed, the original creator was just an ordinary person, how did he do it? Could it be that the original creator is also a cultivator?

However, there have been rumors on the Internet that the original creator who played this "Thousand Feathers" once used the technique of "nail quick cutting", and it was so fast that he rubbed sparks on the strings, and I don't know whether it is true or not.

Ki bo u ba ka ri ka ta tte mo

It's just a story of hope

Ho ra to do ka na i da ro u

Can't get it out

So no a shi o u go ka se ba

If you open your legs

Ji bunn da ke no mi chi ga mi e ru

You can see the path that belongs only to you

Liu Ling, who closed his eyes, played the bass with his right hand, and the invisible spiritual power in his brain continued to jump because of the faster rhythm, which made Liu Ling's five senses more acute.

Sometimes using the technique of "nail quick cutting", sometimes "jumping strings", sometimes "twisting strings", Liu Ling's bass plays thief 6.

The kind of bass playing techniques that Liu Ling was familiar with in his previous life quickly reappeared in the hands of Liu Ling in this life, which opened the eyes of people who knew a little bit of bass under the stage.

Liu Ling's heart wandered along with the melody of the song, although he didn't open his eyes, but at this time, everything in the outside world seemed to be reflected in Liu Ling's heart, all of which was expected by Liu Ling, so that Liu Ling could do what he wanted.

At this point, it feels as if you have mastered the whole world!

So ra sa i te o do ru to ri

Birds dancing in the blue sky

So no ke shi ki no to o sa o

Towards the distance of the view

A ko ga re no ma na za shi de

Cast a longing sight

Mi te ru da ke jya ka a ra na i

However, just looking at nothing can change anything

Liu Ling's performance of "A Thousand Feathers" has entered the final part of the performance, but the tempo and speed of the performance have not slowed down in the slightest.

This is where the "god" of the Divine Comedy of "Thousand Wings" comes in.

Regardless of the country's songs, most of them end with a bass melody, but this is not the case with "A Thousand Wings", which ends with a high-pitched melody.

The ending of "A Thousand Wings" is very incisive, and the pitch continues to rise, as if there is no limit, allowing people to fly above the sky with thousands of wings and wings.

Liu Ling allows people to experience the never-ending joy of flying like a bird.

is like a bird, but just like Liu Ling himself, even if he lives in an ordinary life, he yearns for a passionate life in the deepest part of his heart, and also yearns for becoming the top of the strong.

Like a bird flying after the sun, Liu Ling is also constantly walking on the path of cultivation in order to become stronger.

At this time, Liu Ling had already mixed his feelings into the bass and singing.

Sa a

Look

Ki tsu i te ru da ro u

You've noticed that, right?

Ko no i ma o

Present

Ka e te i ke ru tte

Able to change

In the end, Liu Ling's performance completely entered the endless **.

In this gorgeous, exciting, and never-withering finale, all the listeners present seemed to follow Liu Ling to witness a story.

In the story, they experienced countless birds flying in the sky together, and countless white feathers falling on the birds' bodies, but the birds kept flying to the sun in the sky with their inner fire and love for the sun, until death.

In the blink of an eye, the bird turned into countless feathers and turned white to cover the earth, and everyone in the Firefly Bar seemed to see a teenager who was once like a bird, constantly chasing and becoming stronger.

With the passage of time, the boy held a sword and became stronger and stronger on the road to becoming stronger.

On this road, countless bones and blood existed behind the young man, and those who were stronger than the boy and weaker than the boy were all turned into decay under the sword of the boy.

Whoever stands in front of the young man, God blocks and kills God, Buddha blocks **, as long as there is an obstacle, then the young man must use the sword in his hand and his fiery heart to eliminate all obstacles, and always go further and further on this endless road of cultivation.

The passionate bass and singing voices perfectly played the score in Liu Ling's mind.

The countless notes turned into thousands of wings, giving wings to everyone and making them take off, as if the song would never end when it stopped.

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