Chapter 115: Fang Long refuses to accept the old
Li Xue came back to Mu Rong as an agent, and she took the initiative to propose it.
But Mu Rong also knew that this was also what Wang Jinghua meant.
In front of Xiang Huaqiang's strong financial resources, she has no way to compete.
If she wants to win over Mu Rong, she can only rely on favors.
Li Xue is more familiar with Mu Rong than her, and it is easier to understand Mu Rong's temper.
It just so happened that Li Xue was willing to go back to help Mu Rong, and Wang Jinghua was naturally happy to see it.
It's just that she still takes it for granted.
Although Mu Rong is closer to her than Xiang Huaqiang, there is no essential change.
Mu Rong and their cooperation are all based on interests, and there is no element of human feelings.
The only person in this world who can make Mu Rong emotionally entangled, I'm afraid the only one is Sissi.
After receiving Liu Yifei and Liu Xiaoli, Mu Rong took them to the airport together.
Li Xue, as before, helped Mu Rong run before and after the formalities and checked the luggage, which was very profitable.
With her to help with these trivial tasks, Mu Rong was indeed much easier.
But he also knew very well that the main reason why Li Xue gave up her sister's convenience and came back to him to help was because he showed enough value.
There are many things in this world, and when you look at them, they are actually related to interests.
But if you take everything away and look at everything, it's too boring.
It's good to know in your heart.
"Xiaorong, I've done it for you."
Li Xue returned the document to Mu Rong.
Mu Rong took it and thanked him with a smile: "Thank you, Sister Xue." ”
"Thanks for what..."
Li Xue smiled, but found that Mu Rong had already turned around and continued to talk to Liu Yifei.
With a suffocating smile, Li Xue sat silently on the other side.
She knew that Mu Rong must have been angry because she didn't choose to be on his side in the first place.
This is also one thing she has always regretted, otherwise she would not have chosen to come back.
She always remembered the figure when Mu Rong left Huayi alone, and at that time, Mu Rong must have been very sad.
Therefore, when she came back this time, she had guesses about Mu Rong's attitude and approach.
Mu Rong was able to accept her back happily, and he was so polite to her, which was beyond her expectations.
That's already good.
She told herself secretly.
The cold heart can only be slowly boiled little by little.
However, Mu Rong didn't bother with these things at all.
When he fell out with Hua Yi at the beginning, in addition to the conflict with Wang Zhongjun that made him a little unhappy, he felt more relaxed.
It's like untying one.
And the reason why he accepted Li Xue back was actually for future consideration.
His current cooperation with Wang Jinghua and Xiang Huaqiang is actually just an expedient measure.
In the future, he will definitely set up his own door.
At that time, he will inevitably have to fight with Wang Jinghua, and Li Xue will be more useful at that time.
……
Departure in the morning and arrival in the afternoon.
Before Mu Rong and his entourage landed at Xiangjiang Airport, Xu Zhiqiang's car was already waiting at the airport.
Non-stop, after getting off the plane, Mu Rong and his party went straight to the Xiangjiang Convention and Exhibition Center, where Chen Musheng and Fang Long were surveying.
Liu Yifei saw Fang Long for the first time, and she was a little nervous.
Although she is already a little famous, in front of Fang Long, she can only be regarded as a little transparent.
But after meeting, she quickly relaxed.
Because Fang Long was too busy, he didn't have time to care about her, so he hurriedly said hello and took Wu Xing to the roof of the Convention and Exhibition Center.
He plans to shoot the final part of the film on the outer deck of the convention center.
Mu Rong appeased her, and then followed to the top of the building, where he also had a role.
The action design of this movie is still Fang Long himself.
He is the protagonist, he has to participate in all the fights, and only he knows best what kind of actions he can accomplish in his current physical state.
The script of this play was originally tailor-made for Leslie Cheung, but now that it is given to Fang Long, it is necessary to add a lot of action and explosion scenes.
Therefore, Fang Long also personally participated in the creation of the script.
However, after reading the original script, he did not follow the usual routine of the "Police Story" series and designed the male protagonist as a strong and brave policeman.
In this play, he gave his role a huge blow for the first time.
In the first act of the movie, the male protagonist he played suffered one frustration after another, not only losing to Ah Zuo at the speed of renting a gun, but even the fighting seemed to be inadequate, and even the basic over-the-shoulder falls could not be completed, resulting in the tragic death of his teammates one after another.
At the end of the first act, he even designed a scene where he cries and kneels to the villain, which is the first time in his movie.
"I'm too old to move."
When Fang Long said this, he had just tried Weiya with the martial arts team.
If it was before, he would never use WIA to hang a tightrope in the movie.
Whether it was a three-story lamppost or a bell tower more than ten meters high, he didn't add any protective measures, and jumped directly.
But now, he even has to hang the most basic fighting scenes with Weiya.
He couldn't jump as high as he used to.
"It's time to get old."
Chen Musheng comforted him: "Leave more opportunities for young people!" ”
Fang Long thought the same way.
So, in the following days, he took Mu Rong to discuss the action design.
Since he can't move, the play has to be carried by the young man.
Mu Rong's skills are very good, and he also has a set of action design, Fang Long knows it.
Du Qifeng said that the action design of "Big Old" was completed by Mu Rong.
And Mu Rong also participated in the K-1 fighting competition, which is an experience that Fang Long has never had.
He has already made high expectations for Mu Rong's skill.
However, when he really entered the work of motion design, he found that Mu Rong's strength was still far stronger than he expected.
Before the action is designed, it is necessary to understand the physical fitness and ability limits of the actor.
After Fang Long took Mu Rong to do a test, he realized that he had definitely dug up a treasure.
In that test, he didn't measure Mu Rong's limit at all!
All the movements he designed, Mu Rong could easily complete, and it was extremely easy.
Mu Rong can even perform some actions beyond his imagination, such as changing direction in mid-air volleys.
Fang Long couldn't figure it out even if he broke his head, without Wei Ya hanging and no place to borrow, how did Mu Rong change direction in the air?
But Mu Rong just did it.
After testing Mu Rong's skills, Fang Long knew that what he wanted to do was not to stimulate Mu Rong's potential, but to press.
He can't let Mu Rong show his strength to the fullest, otherwise it will be too show-stealing.
It's not that he's jealous, after all, this is still a movie with him as the protagonist, and the final victory must belong to the protagonist, otherwise the story will collapse.
However, the strength shown by Mu Rong also inspired his competitive spirit.
He overturned the previous action design plan and added several difficult moves to himself.
He's not old!
Mu Rong didn't have the idea of competing for the show, he was learning Fang Long's action design ideas with great interest.
Fang Long's ability to become a premier martial artist has a lot to do with his super action design strength.
Mu Rongwu is profound, but in terms of imagination in action design, he is not Fang Long's opponent.
Fang Long is best known for his tendency to add everything around him to his action design.
Even a supermarket trolley, a refrigerator, or even a triangular ladder can be played by him.
Although these things may not really hurt the opponent, it cannot be denied that the addition of these props will indeed make the action scenes more beautiful and interesting.
This is where Murong is lacking.
Most of his martial arts are the pursuit of knocking down the opponent in the shortest possible time, and the lethality is enough, but the viewing is not enough.
Even if there are those flowery tricks, they are all taken from the intention of qin, chess, calligraphy and painting, and there is no lack of elegance, but there is not enough fun.
Therefore, in these days of designing actions with Fang Long, Mu Rong has also benefited a lot.