In the seven minutes designed by Du Qifeng, the first paragraph is a demonstrative shot.

It mainly shows two groups of police and gangsters.

Show their environment and what they are going to do.

Therefore, there is no need to rush the camera movement here, you can take it slowly.

But entering the second half of the shootout phase is different.

Everyone here is shooting, fighting!

It's a huge picture, and the camera is a pair of admiring eyes.

These eyes want to keep seeing more exciting content, either from above or from inside to see every detail.

For this reason, Du Qifeng naturally will not use the first method, although he can see the picture of everyone's gunfight, he can't see the details of the actors' performances.

If that's the case, why did he spend so much money to get actors?

Why bother with real guns?

Du Qifeng is a director with strict self-requirements.

He is absolutely not allowed to complete the shooting in a simple but untechnical way in order to save trouble and ignore the quality of the work.

Du Qifeng has only one requirement, that is, to keep pressing, he wants to see all kinds of details of each actor when shooting!

But he didn't use some small means.

For example, now, when he shoots, he often uses a panning technique to slowly pull everyone into the lens.

It's simple, but it makes the whole picture look like a stage play.

In fact, Du Qifeng really likes the way of all kinds of stage plays forever.

For example, he filmed "Gorgeous Office Workers" before, and a lot of stage plays and music were used in the whole film.

Although this movie hit the street very well, this did not make Du Qifeng completely give up this idea.

The camera keeps moving from Zhang Zhiheng on the right to the left.

Assi who shot him

, Scarlet, constantly appears in the camera.

In the end, the camera stayed on Chen Yiyuan's body.

He stood behind the bunker with two guns in his hands and kept shooting at both sides.

Although there was cover in front of him, Chen Yiyuan had no intention of squatting down to dodge at all.

Zhou Chen grasped the role of Chen Yiyuan too well, and every time he fired a shot, his eyes became more and more ruthless.

The photographers who saw his eyes couldn't help but be a little scared.

In particular, Zhou Chen also defiantly aimed the gun at the camera.

looked at the other party's fierce eyes, and the muzzle of the gun.

The photographers were scared.

On the contrary, Du Qifeng, who saw Zhou Chen's eyes, became a little excited.

This kind of ferocious feeling is Chen Yiyuan!

But it's a pity that the camera can't stay on Zhou Chen's body for too long.

In order not to make the picture boring, Du Qifeng asked the camera to keep the camera in motion all the time, and the camera could not remain on each character for more than ten seconds.

By the time the camera circled the streets, two more police cars joined the battlefield.

This is Du Qifeng's design, and every moment, he adds new elements to the picture.

In this way, the picture will not be boring!

An officer in the back of the police car walked in the direction of the bunker and headed ahead.

The camera immediately followed him in the direction of Zhang Zhiheng.

This is the language of the lens, and every movement of the lens is traceable.

And one shot to the end, as a very simple, but extremely difficult shooting method, has always been the first choice for many directors to show off their skills.

Although this method of shooting does not need to be as expensive as a special effects blockbuster.

But it's not so easy to shoot well.

Every movement of this camera is quite exquisite.

Just like this move, it seems that the camera is going to pull the camera to Zhang Zhiheng, but in fact, the ultimate goal is a bandit who shoots at them on the second floor.

But the camera can't be directly raised abruptly, so just point the camera at the bandits above.

So his logical order is to take the lens on Zhang Zhiheng first.

At this time, the bullet exploded, and when they dodged, they followed the invisible trajectory and moved upwards.

That's the whole logic.

In fact, the difficulty of this shot is not too big, but the bandit who stays on the second floor at the end of the shot has to jump down from the second floor.

The difficulty of this action is more prone to accidents.

Once there is an accident, it means that the scene must be re-filmed.

Behind the monitor, Du Qifeng's hand holding the cigar was already a little swollen.

That's what makes it so stressful.

Moreover, when the camera is on this bandit who jumped off the building, the personnel on the ground also have to do a lot of movement.

In the end, some of the actors' actions can only be moved while the camera is not on them.

And it only took more than ten seconds for the bandit to jump from the upstairs, and everyone had to move quickly in such a short time, and they still had to stay in the state of the performance.

This is indeed a very difficult thing to do.

Thankfully, it all went well, and by the time the bandit landed, everyone had already moved around.

As the camera pulls back, several bandits are framed in it.

They had already stepped out of their bunkers and onto the road.

Here I have to mention a huge problem with Xiangjiang police and gangster films, even if you don't want the bandits to die so early, you won't be able to send Ah Si

The marksmanship is so poorly designed.

These people have already come out of the bunker, but these people's points are just not hitting.

The camera then pushed and pointed at Zhou Chen again.

He cried out with a gun in both hands and without looking back:

"Get in the car!!"

The bandits who heard the sound all moved closer to a stolen police car behind them.

Zhou Chen put Chen Yiyuan's decisive and ruthless performance very well.

From time to time, he raised his left and right hands and shot at targets that he could see.

At the same time, Zhou Chen's body was slowly receding.

He alone pinned everyone down and couldn't move.

This fully reflects his bravery!

Behind Zhou Chen, the rest of the bandits covered each other and withdrew into the police car.

After Zhou Chen also withdrew into the car, a shell shot out of the car at the same time, heading straight for Zhang Zhiheng.

The camera moves rapidly, as if tracking the trajectory of the shell.

The next moment, the shell exploded!

At this point, the whole shot is over.

But the drama isn't over yet.

Du Qifeng's heart has long been relaxed, and the scene of one shot to the end has finally passed.

Looking at the next picture, he relaxed a lot.

When the smoke of gunpowder filled the air, Zhang Zhiheng and the others rushed out of the bunker and rushed out in the direction where the police car left.

Zhang Zhiheng's speed was relatively fast, and he climbed over the fence in one fell swoop, but the police car was already whizzing towards the distance.

This scene is really over here!