I think this scene should be shot from the first point of view, so that the artistic effect is the best!"

"No, it's too messy to shoot from a first-person perspective, and the audience won't be able to accept it at that time."

"How do you know if you don't try? Listen to me!"

"Come on, I fell for you last time, and I wasted so much film in vain!"

"Don't pick so hard, you kid, how can you make a movie without wasting film?"

"I'm the director, I say it!"

Listening to the sound of quarrels in their ears, the crew did their own things, looking like they were turning a blind eye, obviously they were used to it.

The two people who are arguing now are the director of "Casting the Name" Fang Yan and the starring Jiang Wen, since these days, they have quarreled almost every two or three days, and it has already become one of the daily activities of the crew, so it has not attracted much attention.

For this situation, Fang Yan has actually been mentally prepared, Jiang Wen is this kind of personality and temperament, so it is absolutely impossible for him to act honestly and obediently.

As I said before, Jiang Wen is a rare film genius, he is not only an excellent actor, but also an excellent director.

As early as 1988, when filming "Red Sorghum", "drama bully" Jiang Wen quarreled with director Zhang Yi from beginning to end over problems such as changing the script and improvisation, and later felt indignant that Zhang Yi did not mention him after winning the Berlin Golden Bear Award, after all, he also interfered in creation.

In 1989, Xie Fei directed the literary film "Natal Year", with a shooting cost of 400,000 yuan, and invited Jiang Wen, who is 26 years old and looks old, to play the role of Li Huiquan, who is 25 years old.

Originally, the title of the movie was going to have the same name as the original book, called "Black Snow", but Jiang Wen thought of an idea and asked Xie Fei: "Director, do you look like I am 24 years old."

Xie Fei replied to him: "When you smirk, you are quite naïve." , so at Jiang Wen's suggestion, he changed the title of the film to "Natal Year".

During the filming, Jiang Wen often improvised to change his lines, and he did whatever he thought the effect was good.

In one of the scenes, Jiang Wen heard the heroine sing for the first time in a café, and during filming, Jiang Wen asked the crew to find him a pillar to lean on.

When the pillar was found, he continued to command: "Can you stop just shooting me like this, come back from behind the pillar and shoot the song."

Director Xie Fei was sometimes angry, and said to Jiang Wen in a "mocking" tone: "If you keep giving opinions like this, you will be able to direct the play yourself in the future."

In the end, Xie Fei's words came true, Jiang Wen wanted to make his own decisions, so he directly changed careers and became a director, and his first movie "Sunny Day" was amazing, and he has since become a popular figure in the entertainment industry.

Jiang Wen is currently banned from directing by the relevant departments, but he is not at ease as an actor, and he always likes to put forward opinions and ideas from the perspective of the director.

Fang Yan is not a self-righteous person, he will humbly accept Jiang Wen's reasonable opinions, but most of Jiang Wen's ideas are imaginative, although the artistic effect is very strong, but it is not conducive to the audience's understanding.

This is also Jiang Wen's old problem as a director, he has a typical ruffian, and most of the time, there is always the spiritual power to touch the audience behind his chatter.

Later, "Let the Bullets Fly" became a node in Jiang Wen's directorial career, and this film is regarded as the film that best balances artistry and commerciality.

But what about after the balance? Jiang Wen went to art, and the audience went to business, and from the starting point, there was already a pull between the two.

Jiang Wen's movies themselves have a strong personal color, and those who understand him look more at his background and his overall situation, and those who don't understand him only look at his details.

Jiang Wen's film is neither a pure art film nor a commercial film that the public likes to see. From this point of view, "Let the Bullets Fly" can be regarded as a miracle, an accidental miracle, so most of Jiang Wen's movies are destined to have two polar word-of-mouth.

But most of the time, the audience is willing to "tolerate", because there is always something in the "ginger-style" movie that they can't refuse.

For example, in the movie "Evil Does Not Prevail Over Justice", judging from the exterior scenes, green tiles and green trees, Snow Country Beiping. The scene is extremely beautiful, and every shot has a "conservative" delicacy, which is rare in Chinese films.

But Jiang Wen himself is not satisfied with bringing the audience a simple sensory experience, a large number of dense lines, and fast camera editing, so that the vast majority of the audience can't keep up with the rhythm.

Jiang Wen's two movies behind "One Step Away" and "Evil Does Not Suppress Justice" have unsurprisingly received overwhelming bad reviews, in a word-Jiang Wen, achievements are in his self, and defeat is also in his self.

Movies that need to be "interpreted" to help watch are destined to be unloved by the public! ………………

After today's quarrel ended, in the end, it was the same as before, Fang Yan won the victory, and Jiang Wen turned around and left indignantly.

No way, Fang Yan is not a little person like Lu Chuan, with his current status and honor, it can be said that he is not a false ginger at all, what do you say.

In addition, the most critical point is that Fang Yan is the largest investor of the movie "Vote for Fame". In the entertainment industry, the world is big, the investor is the largest, if someone is not convinced, you will pay for the movie yourself!

After Jiang Wen left, Yu Nan walked over with a wry smile: "Alas...... You and Teacher Jiang Wen are really rivals in the last life, and it will be uncomfortable if you don't quarrel for a day!"

Fang Yan shrugged his shoulders, sighed helplessly and said, "You can't care about me, every time Lao Jiang takes the initiative to stir up trouble, I can't help it."

After this period of quarrels, Fang Yan and Jiang Wen completely tore their "faces", usually Jiang Wen directly called Fang Yan's name, and Fang Yan called Jiang Wen "Old Jiang", and the two were not polite at all.

Yu Nan frowned, and said worriedly: "If you continue to quarrel like this, I'm afraid that after the reporters outside find out, they will say that our crew is not in harmony!"

Fang Yan smiled: "It's okay, even if the reporter knows, don't be afraid, just hype up the topic for our movie and promote it well!"

Fang Yan and Jiang Wen's quarrel was just a disagreement on the filming of the movie, although the two quarreled every time, but they didn't actually take it to heart.

It is true that Jiang Wen is a "thorn", but he is also a reasonable person, and the quarrels between the two sides did not affect the filming of the crew of "Casting a Name".

Fang Yan took the jade hand of the beautiful woman beside him, smiled and said, "Okay, don't think about it, let's prepare for tonight's big show!"

What is ready to be filmed tonight is the classic clip in the movie "Casting Names", in which Pang Qingyun, Zhao Erhu, and Jiang Wuyang accept the names and become brothers.

This scene is also the last scene filmed in the village of Jiadi, and after the filming is completed, the crew will go to Hengdian, the largest film and television base in China!

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Chapter 182: Crew Discord? Free to read.