With these attributes, Su Chen is still relatively confident in tomorrow's shooting.

Maybe this level of martial arts is not as good as Wang Baoqiang, who will play Feng Yuxiu in the future, after all, people have practiced hard for ten years, but it is better than the current dawn.

And that's all this time since.

The progress of the scumbag and the love scene is slow, and it can be said that it has barely moved.

However, the sad acting skills of the little people are still increasing.

Twenty days ago, the little person's sad attribute was only 75, and now it has grown to 91.

No surprises.

At the end of this play, this aspect of acting skills will be a full-level attribute of Su Chen.

……

That night, Su Chen also received good news.

That's the finalization of "Crazy Racing".

What is certain is that two months later, after so long of editing and filming, "Crazy Racing" can finally be released in theaters.

Moreover, the Chinese New Year's Eve of '09 is January 25, and "Crazy Racing" is released on the 21st.

In other words, today's third day of the Lunar New Year is also the period of word-of-mouth fermentation of "Crazy Racing".

Chinese New Year!

The movie theater schedule is very face-saving, and it belongs to yes.

This news was called by Huang Bo to Su Chen, and Huang Bo also asked Su Chen about his current situation by the way.

Su Chen hesitated, because it was too late tonight, so he didn't say much.

He is ready to go all out to finish filming the five days in front of him first, and then go back to have a good chat with Huang Bo.

Otherwise, if Huang Bo knew that he was now on the crew of "October Siege", I am afraid that his eyes would be able to pop out in surprise.

……

Early the next morning.

Su Chen arrived at the hotel dressing room at five o'clock in the morning.

Then the crew had a wig specially customized for him, and he had a total of two scenes today, a small scene and a big scene.

These two scenes were filmed together.

As for which scene to shoot first, it doesn't matter, it depends on the on-site arrangement of director Chen Desen.

After all, after the role of Liu Yubai recovered his martial arts style, there were only two scenes in total.

After filming in advance, the next scenes are all beggars.

After putting on makeup, Su Chen arrived at the scene where he was going to film today.

He was dressed in a black stand-up collar gown, made of coarse cloth, and the cloth was faintly white because of the perennial washing.

He has long black hair with a stroke, a smooth shawl from both sides, and white cloth shoes with a stripe on his feet.

Inside the stand-up collar, a white veneer lining can be seen, and a little white edge is exposed from the edge of the neck button, which is very stylish.

Su Chen was tall, he was wearing this outfit, plus he had been practicing martial arts crazy recently, which caused him to lose weight.

After the caftan is close to the body, it is slightly empty, the breeze is blowing, the clothes are fluttering, no matter how close and far you look, it is an independent style in the turbid world.

Walking on the long bridge, behind him is the old house.

There is about a little open space in front of the long bridge, and there is a small road in front of you.

Not surprisingly, the sedan chair of "Mr. Zhongshan" came from this path.

Director Tak Sen Chan is still busy outside.

In the first shot of Su Chen's fight, there was no dialogue.

So there is no need to think about the lines, the only thing he has to do is to make the character's appearance enough to stir up all the audiences in the cinema at that time!

Just when Su Chen was standing alone at the head of the bridge and playing silently.

Chen Desen is taking the other actors to tell the plot.

In the director's tent next to it, actors such as Fan Bingbing, Zhou Yun, and Battle also came to the scene early.

The outside temperature was ok today.

However, after autumn, it is a little windy and the sky is a little gloomy.

This is also the director Chen Desen who deliberately chose a cloudy day to shoot this scene after reading the weather forecast.

"The Siege of October" is mainly about the corruption and degeneration of the Qing court in 1905, and it was at this time that Mr. Zhongshan arrived in Xiangjiang to meet the seeds of revolution in various places.

However, the Qing court sent Ouchi masters to infiltrate Xiangjiang and prepare to assassinate Mr. Zhongshan.

And the story of a group of businessmen, actors, beggars, porters and many other talented people buried in the people in Xiangjiang, in order to protect Mr. Zhongshan and the revolution, used their lives to buy time for this meeting.

Liu Yubai, played by Su Chen, is the ceiling of force in the whole film.

And the content in front of this fight scene is that the old man Wang Xueqi escorted the fake "Mr. Zhongshan" to meet his mother, and many of the characters in front of him have died.

The masters of the Qing court appeared one after another from the street corner.

When the mountains and rivers were exhausted, Mr. Zhongshan's sedan chair finally reached the last step of Wang Xueqi's layout.

Wu Zhuangyuan Liu Yubai, guarding the bridge.

This can be said to be the climax of the fight in the whole story, and before Liu Yubai appeared, it was also the most depressing scene in the whole story.

There's nothing quite like shooting this period of weather on a cloudy day.

"Come, all departments, if they're ready, let's take a real shot."

"Power on!"

Director Chen Desen held today's script in his hand and shouted on the walkie-talkie.

Then he stuck in front of the monitor and held his breath.

At this moment, the cameraman is sitting on the apple box (a wooden box, the camera crew is in black words, the crew is referred to as the apple box), and slowly moves forward on the track with the push of the camera assistant behind him.

Now!

In the camera lens.

It was overcast, and the dark clouds above the houses in the distance weighed heavily on the top of the camera's viewfinder.

The overall tone of the picture is oppressive and gloomy.

Wang Xueqi played the wealthy businessman of Xiangjiang with a nervous look.

On the way to escort Mr. Zhongshan, he killed all the way, and all the chess pieces he had arranged to protect Mr. Zhongshan before were uncertain in order to prevent the killers from approaching the sedan chair.

The actor Liang Jiahui, who just joined the group today, was wearing a cotton suit and standing outside the sedan chair.

His hair was combed diagonally, pressed to the top of his head, and he wore gold-rimmed glasses, sweating profusely.

No one in this scene has a single line.

It's all about performance.

The sedan chair slowly marched forward in the alley.

And the cameraman followed the slide and held the Steadicam all the way to shoot.

The crowd was stumbling and nervous.

The civilians on the streets of Xiangjiang watched the sedan chair curiously.

On the stone pavement of the street, a few patches of newspapers were swept up by the sudden wind, and there was a strong sense of gloom.

The onlookers were constantly pushed away, and on all sides there were killers played by sharp-eyed martial artists showing their faces in the crowd.

At this moment, the sedan chair has passed the British Concession.

The killers no longer need to hide, they surround the sedan chair, some of them emerge from behind the signboards of the surrounding shops to sign "Fuyuanhao spice and incense candles", and some simply stand and wait coldly in the stalls of "white rice, oil and sugar miscellaneous".

The long knife behind him was revealed on the street, and the killing machine was revealed earlier than the long knife.

Wang Xueqi lowered his head, held the sedan chair, and trotted all the way, he swallowed his saliva, and his afterglow could sweep the cold light of the steel knives of the killers around him.

Liang Jiahui looked sad, and he looked around.

There were only a few newspaper boys who were enthusiastic about the revolution in front of the sedan chair to protect "Mr. Zhongshan", while there were thirty or forty Qing court masters around.

The black cloth in their hands was thrown on the bluestone slabs of the street, and the whip was coiled around their necks several times, and they gradually approached the group with fierce faces.

There was no sound around, only the footsteps of the porter pushing the sedan chair and the sound of the tires of the sedan chair gurgling and turning.

Wang Xueqi swallowed and foamed.

He looked flustered and pushed the handrail of the sedan chair and quickened his pace.

The cameraman's camera followed closely, and in front of him was the corner of the path.

At this moment, the slide was no longer enough, and the cameraman crouched slightly, moving quickly with the Steadicam.

The killers gradually converged and followed behind the sedan chair unhurriedly.

Liang Jiahui's body was about to go limp, but he still gritted his teeth and ran forward with the sedan chair.

Director Chen Desen sits in front of the monitor and squints.

His palms gradually tightened.

The advantage of looking for these actors is that they don't need the director to say much, after the actors understand the director's intentions, their performances can naturally show enough sense of substitution and tense atmosphere.

In the middle of the camera.

The old street in 1905 in Hong Kong Central was restored so well.

The camera turned to the "oil sugar" shop.

turned the shop sign of "Long Xianghe" in black on a white background, and gradually revealed an old bridge in the picture.

Behind the old bridge, there are layers of stone steps, and you can't see the end as far as you can see.

And on this road, there are no pedestrians, no people.

Just one person.

Wearing a black robe and an iron fan, he stood at the front of the steps.

Liang Jiahui followed next to the sedan chair, and the first time he saw Liu Yubai played by Su Chen, he finally had the courage to shout two words heartbreakingly!

"Run!!"

On the other hand, on the old bridge.

Su Chen's long hair was on his shoulders, and a light and shadow hit him from the side.

His face was calm and his gaze was indifferent.

There is quite a kind of elegant and calm that guards the bridge alone, the living stop, and the dead can walk.

He is imposing, but restrained.

It is in extremely strong contrast with the panic and tension of the predecessors!

……

When director Chen Desen saw this scene, his eyelids immediately jumped wildly.

It wasn't what he imagined, but it was more powerful than he imagined.

Even goosebumps were raised layer after layer in the sleeves of his clothes!

"Good fellows."

The basketball star, who had also been watching the monitor next to him, shivered with anger because of the sound of Battle's urn coming from the cameo.

"Is this an actor?"