[*Front row tip: Please automatically ignore typos in this chapter]

[Table of Contents:

Preface: Nonsense link

One: On the point that there is no outline

Two: Deviation is a talent

Three: False reflection (the author incarnates the keyboard warrior link, not happy but jumping)

Four: Serious reflection

Five: Draw a flatbread

Spit at the end: nonsense link]

【Preface】

Well, that's it, and that's the official end of the first volume.

The first time I officially wrote a book, although the current data has almost set a new record, but on the whole, the mood should still be considered upward, probably (●—●)

[a]

I won't say anything about the motivation for this book, it's not within the scope of the summary, so let's reflect on the current content first.

There is no doubt that the writing is wrong, and the writing is fluttering.

If you deviate, you will ask for it, and if you pounce, you deserve it.

And, needless to say, there is a big problem with this book

- There is no outline.

- I have forgotten about it a long time ago.

If you don't believe me, I'll show you the "outline" I made up in order to pass the internal vote:

[Early outline: The protagonist is a captured slave who was taken away by the dark wizard as a servant for two years, in order to prevent death at the hands of the dark wizard, after finding the opportunity to become a disciple of a white wizard, he followed the other party to start a real wizard practice, and soon showed his talent in the wizard, standing out among the many disciples of the white wizard.]

After becoming a senior apprentice, the white wizard accepted an offer from a wizarding academy and followed him to the academy, where he found an opportunity to break through the wizard and successfully promoted to wizard. ］

emmm, yes, as you can see, the content of this book has nothing to do with this outline from chapter 5 onwards, and from chapter 11 I slapped my head and felt that when I added the plot of Yamu and Lumina and Ovilia, I completely lost my relationship with this outline (ಡωಡ) hiahiahia

Of course, the price is also very heavy, and the successful birth of a collection and reading ratio is close to the 60:1 level of epic garbage (for objective comparison, here is a normal data, under normal circumstances, the ratio of collection to chase is about 4:1, generally fluctuates between 2:1 and 10:1 according to the quality of the book)

Of course, this is what I asked for, and in fact, I also know very well that since I can successfully submit the manuscript with the above copy and the first three chapters, it means that there must be no problem with that route.

So I also think from time to time that if I honestly made up a traverser character for the protagonist at the beginning, and then honestly wrote according to the inherent routine, the situation should be much better than now.

This fact also made me understand a little bit, how much will the newcomer pay if he is not honest (●—●)

[two]

About the contents of the first volume.

In fact, I myself am a little unclear about this, because the book is too haphazard, coupled with my willfulness, the style of the first 20 chapters is in a state of flux.

A large part of this was due to the fact that I didn't have a clear idea of what to write at the time.

Of course, there is a general route, which is the title of this volume, and the undercurrent is surging.

But that's just a vague idea, and it's right to write about some of the problems that exist at the current stage of this wizarding civilization.

But what's the problem? What can I do to solve the problem? How to write and how to solve the problem? None of this has been thought through.

As a result, I had to add a more routine plot to the middle plot to give myself a little buffer, and then I gave the book an extra point of persuasion.

After all, judging from the tone of the closing stage, the style of the first volume obviously does not match the everyday, not to mention that it is still very tense at the beginning.

It wasn't until I wrote about the plot of the trial that it gradually improved, and I grasped the tone little by little, and the plot began to really unfold.

Of course, this is actually off the rails again.

According to the syllabus I wrote on the fly, the first volume was supposed to be written at the end of the awakening of ordinary people at the Inquisition, to make wizards realize how ridiculous it is to look down on ordinary people (and here again, a poison point for some).

But as it was written, it inexplicably became a focus on Boye's calculations.

The latter is even more outrageous.

Originally, I wanted to kill a god and end it, but then I slapped my head and thought about a plot about the background of the world, and then added it like this.

It's not over yet, here (that is, the day before yesterday), I'm still thinking about letting Boye and Murphy talk about Moya for a while, and then cut to Moya's perspective to end the two sentences as the end of this volume.

As a result, as you guys saw yesterday, emmm......

I'm blind, I'm taking a three-thousand-word chapter outline (ノ=Д=)ノ┻━┻

It also made me realize that maybe I was born to be a person who likes to go off the wrong path (ಡωಡ) hiahiahia

[three]

Reflection Session (Key to Come)

The posts in the book friend circle are basically Q&A and keyboard stickers, plus the special period of the past two days, I can't post it, so I'm just here to reflect on the problem of poison points.

Come one by one (I won't talk about what was mentioned in the post).

————

[1] The protagonist starts not as a traverser, but as an indigenous.

I also thought about this for a long time, but then I chose the indigenous approach, because many of the plots I envisioned in this book would not be able to unfold if they became time-travelers, especially the content of the second volume.

There are certainly benefits to having a time-traveler as the protagonist, but the impact is actually obvious, especially in a research-based system like wizards.

For this reason, I also made a lot of special references, and finally found that there is almost no serious environment for studying witchcraft in the text with the traverser as the protagonist.

And also identified one thing, I was fooled.

Whoever reads the Wizard is here to study, and what the big guy wants to see has always been Edward's behavior.

————

[2] In Chapter 4, Flon says that he thinks the most important thing for a wizard is to break the common sense.

emmm,To be honest, I really didn't expect this sentence to hit people's poisonous points (don't believe it.,If I can't comment now, I'll take a screenshot directly.)。

To be honest, this kind of question is essentially the same as asking you why you are a teacher, people ask to see you as a person through your answers, and it is okay to have any point of view, but even so, I am still instinctively scolding when I open my mouth, then I can only be when your life is unsatisfactory, and I can't afford to provoke you.

————

[3] In chapter 6, when Fren talks about the attitude of the wizards towards the people, and in chapter 9, when Moya breaks the shackles of his mind, he thinks that he is too virgin, or that he is pursuing equality.

Because there are all kinds of sayings.,I'm too lazy to reply.,This question is really a little tired of answering.,Before writing it, I also thought that this plot might cause a lot of negative effects.,But Dacheng is like this...... It was a bit of a surprise.

It can even be said that this is the culprit that caused this book to hit the streets.

I can only remain silent about this, and those comments that I don't like to see will be given a mute package (anyway, they can't come back to see (●—●))

Here are the answers of people with different reactions.

(1) First of all, I still don't understand what it means for those who open their mouths to come to Our Lady.

Ah, yes, yes, yes, treating people as human beings is the Virgin, abandoning the darkness and turning to the light is called the protagonist of the Virgin, I began to wonder how you were born? After all, you hate Our Lady so much, you can't tolerate that you actually came out of the womb of a "Madonna" who was willing to endure ten months of pain for a guy she had never met, right?

What's more, even according to the most standard definition of Our Lady on the Internet, it should be at the expense of one's own people's interests and used to fulfill others.

Does the behavior of wizards have anything to do with the loss of their own interests? Take some simple, long-developed things that can deceive a basket of civilians, obviously fool a bunch of people with a dollar, and people will be grateful to you, and the corpses on the street lamps are going to cry when they see it.

(2) I feel that wizards are pursuing equality for all, and logic laughs at people to death, which is too naïve.

This point is indeed my problem, or the misdirection here is really too heavy, but to be honest, it is really unpleasant when I am scolded (●—●).

Now I've added a hint at the end of chapter 5 to let readers who can't figure it out skip to chapter 70.

Of course, the Great Wizard's thinking is an extreme behavior, and the practice is relatively out of normal logic.

But in fact, I didn't plan to solve this problem in the first place.

After all, if it really involves class, this is a problem that countless people have not solved for thousands of years, and it would be outrageous if an online writer could give a satisfactory answer.

So from the very beginning, I thought about using the existence of the transcendent system to "cheat".

As for if after reading it, I still feel that wizards are pursuing equality for all, and I think it's too fake, then I can't help it.

It can only be said that if you refer to real history, the corresponding forms of wizards are by no means equal.

Think about it, a race that is extremely united internally, but extremely resistant to the outside world, and even has no moral bottom line for outsiders, can do all kinds of experiments with other races without any burden, there are indeed similar groups in history, and it is not clear which group it is (it is too dangerous to say it)

It's a very contradictory form, and if you look at the inside, you will feel that the good is unrealistic, but if you look at the outside...... All I can say is that I am blessed.

Of course, it's definitely not enough to just say and don't do it.,The content will gradually involve different races.,Including humans of different civilizations.,At that time, the behavior of wizarding civilizations towards them hopes that someone else will give me a sentence that is too inhumane.,Then I'll really curse (●—●)

[4] The plot of the trial meeting An ordinary person actually defeated a wizard in an academic competition, laughing to death, what a mentally retarded plot.

emmm, let me ask, when did the academic competition decide the winner based on the hardware?

If you don't understand, think about it, I'll give you a supercomputer now, give you good experimental conditions, and then let you and Einstein go to ...... Forget it, what do you think are the chances of winning a random scholar who can make creative contributions in the academic field to compete on an unproven topic?

The system in the book is already obvious, and simply breaking through the wizard's words is actually not very demanding on the brain, and more importantly, the spiritual talent, because the essence of the wizard system is still a system of talent + strength in the final analysis, not like the squid's "Arcane Throne", which is a system that shapes everything with knowledge and cognition as the core.

In this way, as long as the talent is enough, it is not too difficult to become a wizard, after all, the witchcraft models involving breaking through wizards are fixed, and there are only a few in total, as long as you are not stupid into a pig, you can always copy it, right?

To put it simply, it's the difference between taking a test and being really knowledgeable, you and Newton both know how to use the gravitational formula to calculate, but if you really think you're smarter than Newton, then I can only say silent.

Of course, wizards do have a huge advantage over ordinary people, their brains are faster and more energetic, so it can be said that there is no suspense in comparing the two with the same knowledge.

But only if they are at the same level of knowledge, and the group of wizards at the Inquisition ...... I can't say.

Don't say that they are also wizards or something, academic things, you will seriously regress if you waste them for three or five years, not to mention this group of guys who have been addicted to pleasure for decades in the name of knowledge, to be honest, they can still remember how to rub witchcraft models can be regarded as eating the benefits brought by the wizard realm.

————

Okay, the false reflection (in fact, it is venting, but I have to admit that it is really cool (ಡωಡ) hiahiahia) link is introduced here, and the following is the real reflection.

[four]

There is something really wrong with this book.

I'm still clear about that.

Because the opening is too casual, a lot of preparation is obviously insufficient, and even completely wants to write wherever it is.

At present, the most persuasive part is undoubtedly the part of chapters 6 to 10, and I have been thinking about whether there is a better way to solve it.

If you think about it, there is.

(1) The problem of the transformation of the opening atmosphere

At that time, due to my lack of preparation, my grasp of the character was still too fluctuating.

In hindsight, if I had seen the problem in Chapter 6 with a generous addition of Moya, but still chose the wizard's side in order to pursue progress, perhaps I would not have been so dissuaded.

Or simply let Moya remain hypocritical for a while, and then enter the wizard's tower and be woken up by Fren and Yamu and Ovilia, which are all good ways to deal with it, and there are more turning points in the middle to write, and the plot can unfold more naturally.

But I didn't expect it at the time (●—●)

(2) Then analyze it again, in fact, there is another reason why the people who are persuaded to retire feel that the behavior of the wizards is hypocritical.

- Urus's opening actions and the slaughter of the nobles by the wizards.

Although it has been clearly explained that this is actually the result of deliberateness, it is still easy to misunderstand.

This point is indeed my pot, and my brain has been completely muddy in order to pass the manuscript, in fact, if you change the opening and lay out some details, you can greatly avoid this problem.

For example, the dark wizard added a description of the treatment of commoners, so that the reader realizes that the aristocracy itself is deliberately discriminating.

Or use other techniques to slightly reduce that dark atmosphere.

Unfortunately, I didn't dare to make these attempts at the time in order to get the manuscript approved.

In other words, when the manuscript that had been painstakingly prepared for two months was dead or alive, and the things that were fooled by the exercises in one day actually came to pass, my heart was very unbalanced.

This dark tone also had a lot to do with the state I was in at the time.

But when I got to the sixth chapter, it suddenly occurred to me that this was not what I wanted to write, and this turn of mindset was reflected in the book, which led to a serious peacekeeping of the atmosphere before and after.

Although in the end I succeeded in logically rounding it up, it is also true that the style deviates.

This kind of taught me a lesson.

(3) Lack of pen power.

My level is not up to the level where I can break everything, and that's my biggest flaw.

Even a lot of times when I was coding words, I would fall into the dilemma of lack of vocabulary, which means that my current hard power is still too poor.

However, there is not much of a clue about this for the time being, which is (ಡωಡ)hiahiahia

(Having given up treatment for typos)

(4) If you don't do an outline and a detailed outline, it's easy to deviate if you do a chapter outline

How to say this question, I love and hate it

It definitely allowed me to write a lot of unexpected things on my own, but on the other hand, it also made some places not feel as good as I imagined.

For example, the plot of Shira and the challenge plot of the Trial

These two paragraphs actually didn't meet my ideal requirements, and the beginning was fine, and I barely passed the test at the end, but the content in the middle was obviously boring.

For example, in Sheila's case, I was satisfied with the chapter on the birth of a sinner, but by the beginning of the meeting, it was too hasty, and in short, Moya's incubation ended too quickly, and the faces of the wizards of the redemption faction were skipped without elaborating on it at all.

This indirectly affected the emotional perception during the challenge session, because the Redemption Faction Wizard plot was not enough, resulting in the emotional conflict when ordinary people stood up to challenge them, and finally had to use Moya's question to Boye to make up for this real emotion.

(5) There are also the previous daily links, as a daily life, it is a bit too abrupt to suddenly skip for half a year, and even lead to a serious vacancy in the personality.

Ovilia pulled back some with a separate plot, Yamu has nothing to say, it's not a bad plot, and Teacher Fren is actually obviously a little marginalized in the follow-up plot (I really don't blame me, blame Boye)

The most embarrassing thing is Senior Sister Lu Mina, who currently has a vacancy in her eyes, but the initial setting leads to her plot that can only be filled by Yamu's plot

The current idea is to adjust it in the second volume.,Because of the distribution of the relationship circle.,The overlap of the characters should not be worried.,The core trouble is that the character of Lumina lacks a 'personality' that can support her existence.,This kind of personality,Moya has,Yamu has,Ovilia has,The upcoming teacher also has,Boye and Murphy also have,Even Emerson and Urus These characters that haven't been mentioned much I can think of.。

But it's the two characters of Flon and Lumina, and I haven't been able to figure out how to let them bloom their own unique 'personalities' for the time being.

However, there are still general directions, such as Lumina's illness, which can continue to be strengthened, and Fren, an old father-like character, can form a pairing group, simply speaking, he can show affection with his wife normally, enjoy the benefits of apprenticeship, show off his apprenticeship skills in front of other wizards, and fight with Urus (etc., it seems to have found Fren's direction (●—●))

This should be the end of the serious reflection.

[five]

What to write in the next volume?

To be honest, I am personally quite satisfied with the results of this volume.

The buried sinkhole in Chapter 6 is round, and what should be talked about is in place.

Originally, what I was most worried about was actually the shaping of Boye's character.

But as I wrote, I suddenly realized that what I should really be worried about was moya (ಡωಡ) hiahiahia

emmm, that's a long way off.

Back to the original story.

The content of the next volume was actually thought out early in the morning.

The first volume is actually more like a summary, which can be said to directly pull out all the things that can be written.

So the next few volumes are actually a little bit of this thread connected, and finally a complete circle is successfully formed into chapters (even in fact, the order of development of the later volumes corresponds to the rhythm of the first volume)

For example, if the first volume itself corresponds to the beginning, then the second volume is the daily link that follows.

Yes, the second volume is everyday and will come with a very old-fashioned element:

- Academy

As a wizard, how can you miss the academy chapter (ಡωಡ) hiahiahia

Of course, admission is definitely not possible, after all, Mo Ya's current identity as a student is not suitable, so it is better to simply build an academy.

Well, that's right, it's an academy plot, no problem.

If the first volume is to deal with internal worries, then the second volume is the beginning of the take-off of wizarding civilization, all kinds of novel knowledge are discovered, witchcraft and meditation are crazy iterations, the number of wizards is growing like a blowout, and the remnants of the old civilization will disappear completely, replaced by a new internal pattern with the academy and school city as the core.

"To hell with those damned, hell, fart intrigues and ridiculous desires that don't exist, if you don't run faster, if you don't hurry up and delve into new theories, those bastards of the alchemy school will laugh at our astronomy research again!!"

[Volume II: The Heyday.]

- The splendor of the wizarding civilization officially begins at this moment! 】