There is thunder on the pond, and the movement of the thunder will be felt in Ze, and it will be promised by the righteousness of heaven and earth, in the elephant.

It should be as this should be, the moxa knife foot thunder pond water, the palm of the six Yao with time and time rheology, to the surrounding scene to occupy. The upper hexagram is damaged, the lower hexagram is exchanged for the eyes [kuí], and the first nine days of the change are the hexagrams of "Wen Wang Yi" Lei Ze to return to the sister, saying: The earthquake is on the down, there is thunder on the Ze, and the sister is returned. A gentleman will never know what to do.

The thunder in the sky is easy to breathe, and the water in the pond is always the same. The gentleman knows forever, Ai Dao has a kinship, and the Guangui sister hexagram should think: people need to accumulate slowly and gradually, and remove the disadvantages of rushing to achieve results in the continuation of the years. Those who know this righteousness can also govern the country and observe the mind.

Glory and withering, life and death, fleeting, but it is extremely difficult to hold the palm freely, and only 351 escapes from prison will leave.

There is no danger to go ashore, the thunder pool that does not cross half a step is passed, Ai Dao has great joy in his heart, and only when he is restricted can he be motivated, which comes from the achievement of breaking through the shackles. Lei Ze returned to his sister, the ninth day of the first month, and returned to his sister to Di. Lame can walk. Zheng, Ji. Being lame and able to walk is really suitable for the situation.

When you meet this, you will travel auspiciously.

The sea wind rises in the northwest, the sun has come out, after 200 steps, the original sea water shrinks and gradually evaporates to form a salt, and the crawl is broken with a click.

Squatting down with a moxa knife to dig the soil with a wooden cane, the loam surface is a white salt crust, and the lisu is extremely damp and dark mud, catching salt in the hand, 皭 [jiào] 然mud but not 滓 (zǐ). (Note 1)

The hexagram of Yi Lei Ze's sister used just now, one hexagram, one line, and one number all contain three types of meanings: reason, image, and number. All things run out of order, Dali is connected, the insight of the world is learned, Ai Dao pays attention to the things around him, and every time he encounters new things, he will definitely use reason, image, and number to seek knowledge and righteousness.

Only by not being afraid of thousands of disturbances, seeing through the withered glory of the plants and trees, and the withering of flowers and leaves, the beginning is easy to simplify, and the opportunity for latent change can be practical and effective.

Standing stone in the northwest corner, as a person is like a big ying

g-column]. Ai Dao took a hundred steps further, and the endless fertile black land was salty white. (Note 2)

There is no birdsong and the fragrance of flowers, no cooking smoke, and some are silent and desolate.

From time to time, you can see the tender yellow uneven size of the water concave, and the water beach is uneven and contains valleys and teeth, and you can vaguely see the green.

On the desert island, which is inaccessible to the world, there is an unknown plant, the leaves are degraded and shrunk, or they merge with the stem to form a tubular plant to survive, and the white salt crystallizes after steaming and leaves the leaf surface.

According to the soil salinity, the plant community is along the water surface of the beach, and the distribution is regular in a belt.

The humble barnyard grass is tenacious, never complains about the barren soil, and may life be as stubborn as it.

The left foot of the abaaca shoe shook from time to time, and a reptile with a lot of spotted feet, as big as a bamboo tube several times larger than a centipede [Ma Lu], turned to the left toe slightly north, and then folded into the mud five or six steps away.

At this moment, a red-bellied feather flies down, with slender black feather stripes and white feather edges on its back, and struts on the salt mudflats with its thick and short black claws, and its beak is short and piercing straight into the mud to collect and eat in its mouth, the red-bellied sandpiper [yù]. (Note 3)

Ai Dao does not know the extremely powerful birds that migrate long distances in this world.

The red sun flies on the isolated island, and the red-bellied crow is light and smoky. Under the shadow of a little Feihong, white salt and green water, withered grass without leaves and flowers.

There is a cold wave and ruthless sunshine, which is Xiao Xiao Puyu. Quietly pondering, in the traces of time, Ai Dao 蒐 [sōu tǎo seeks to explore] the style of life carving.

Barren and uninhabited wilderness, dry riverbed dark green, Tongshan [zhuó zhuó] hills. The seed of the tenacious plant, the insect of strong life, the bird of the lonely shadow of the frost. Life leaves lonely fortitude everywhere, the weak are tenacious due to setbacks, and dare to resist fate. (Note 4)

At the end of the horizon, I finally returned to the sea, looking at the rising tide, listening to the water surging, remembering the empty phase, and having no plan to pass on the news.

The heavy clouds in the sky don't know people, where can I find them? In this way, Ai Dao realized the true meaning of life.

May the winter snowflakes fly, the spring breeze and the summer thunder surging, the autumn night quietly listen to the birds and cicadas can look forward to the stars of the day, may life grow naturally, just wait for the wind and thunder, and be tenacious!

At this time, there is light like rain, falling on the surface of the sores and uneven lichens, pan turbulence ripples out of the light, as if the world is bumpy, and the heart travels far away. There is a xia colorful into a strip of 蝃蝀 [dì dō

g rainbow] from afar. (Note 5)

Like clouds but not flying, like fog but not obscure mirage, like a sky curtain enveloping a distant island, the sun above the vast sun does not flash, only a shrouded heaven and earth looming, like smoke and gas condensation but not dissolution.

Among them, there is a city, its color is half green and half yellow, its shape is high or down, reproduces a city, which starts with a triple building, and then rises a clutch and uncertain quadruple building. The second floor is next to each other. Compound for a four-major building, there is a door in the middle, the green mantle outside the building is a high axis, leaning all over the gangan a few songs.

Its east is the three-round pavilion of three stacks of heavy eaves, which is thorough and exquisite. There are three rockeries in the west, all of which are lonely peaks and towering, abrupt and towering. A few fine willows in the light and rain dyed a stream of new green.

Outside the willow flew a double-feathered jade, and the relative bath was clear. In the east of its four major buildings, the clouds are light and horizontally inch smoke and trees are clustered, and a double small building is revived to faintly show the harmony of 孰 [shú]. (Note 6)

Only the light is weaving dreams, and at noon and sunshine, it is suitable for loneliness.

The next moment, the sea of mugwort marrow reappeared in all directions, but there was one more self in this heaven and earth, exactly the same as himself. People have a far-sighted vision, a near-sighted none, a side-sighted dew, and a positive view of the hidden [yì], all of which are good at the subtlety of Tai Chi.

The floating world is long, the loneliness between heaven and earth, the years are frequently looking back, retreating into time, the water in front of the moxa knife turns into a long river, picturesque and deep. A leaf flat boat is a scene in the ups and downs of Danqing, just like the old goose in the sky, and the lonely crane outside the clouds, but there is only one person in the painting, alone and sorrowful.

In the salt marsh, a group of footprints in the wind sent the sun to the wind, for the departing prisoners to get away with the law. Hinting at how many sacrifice days, in the past, only one person was left on the island alone, how to know that Lu Yao sighed, and when Jia hurt pedestrians complained.

Ai Dao opposite the posture of Guangluozhong, pushing his hand and holding the circle, there was a huge earthquake between the four corners of the frontier, showing a water-blue sky without saying a word, it was another eternity.

The sky is vast, but the heart is getting steeper and steeper. Heaven and earth fell into a strange moment of comfort. A trace of confusion flashed in the eyes of the other moxa, and he didn't know what to say, reminiscing and sleepwalking, imagining the beauty of spring, the farthest day.

The auspicious sunlight is sprinkled, and a soft world is formed in the picture, the mountains and flowers everywhere are brilliant and vibrant, and the green grass is light and distant with the breeze, or thick and near.

Ai Dao was secretly thinking for a long time, and he felt sad things on his island. Under the love of the green mountains and white clouds, they drank and drank and played with the people of the tenth and seventeenth years of the first year, chatting thick but not thin, and it was better to get drunk than to wake up.

His people want to transport out the bamboo slips, want to write a few words of knowledge, usually swept away flawlessly, today a sick person just recorded two lovesick words.

The past is picturesque, I want to live the most bitter and displaced, the four words of separation and dispersion are subdivided, desolate and desolate without stopping, the tenth and seventeenth of the first century, I miss Ercao in the fifteenth year. [note 7]

It is the time when the scenery is sudden, and the sound and shadow of the first ten Aiwo are reproduced, and the seat of the house is equipped with a high bamboo Hu [hú], and he sings to the sky and says: Whoever rises and falls, who succeeds or fails, the alley [dā

Scoop is also happy. Poor, angry does not change; Reach, will not change.

Under the scorching sun, an old man in Mai faced the high cliff and said: My heart will not change, a cage, a world of love. white, also eyes; Blue, too, eyes.

A vast memory, a vast life, recalling the past, this only true world is so worthy of nostalgia.

Between the ridges under the coxagulus tree, a dark-skinned teenager picks chrysanthemums.

Suo Heng, the general manager of the Liquor Company, said on the side: "Buya-Moon Order" records that in the month of autumn, there is Huanghua, and the chrysanthemum is set to color and fragrance first.

The ancients said that Yanhui and flowers are villains, and pine, bamboo, orchid chrysanthemum are gentlemen. Chrysanthemums have the same fragrance and color, and there is a state, it is a gentleman and has a majesty. The second plant in the hand is a cicada, the leaf shape is a tube with a cicada shape, and the pink flower shape is fine and the stamens are mixed with each other.

I still remember that in the old days, when the white grass was flying, the moxa knife bent over, so close to the thick earth of 袒露宥 [yòu], and the hand grasped the 耒耜 [lěi sì], and the cane was leaning on the palm of the hand, and the loam under the eyes was in exchange with each other. [note 8]

Outside the bamboo fence of the stone house, the dew is stained with linen.

Picking hemp and chrysanthemums return to the true state, and the original intention is taken by the mountains and rivers. Moxa Dao coexisted with the blades of grass and sucked it at will, and watched the morning dew condense and disperse.

When I turned around, a small room, a handful of millet in my hand, a bowl of water and a few chrysanthemums were boiled, and the millet and chrysanthemum were low in the pottery, floating out of the world's happiness and extravagance without gorgeousness. The taste of the world is refreshing.

The red dust is worldly, and the good situation is scorched from the fireworks.

What I can't forget is, Ai Dao himself doesn't know, he can't let go of the familiar fragments of time, and he looks back at it for many years. The wind passes through the eyelashes, and the phantom shadow of the Ai Dao bears the tediousness and tribulations of the world, and his eyes are humble and silent from beginning to end.

At this time, the phantom and the real body follow suit, following the heavens and the earth. One city after another in the country and the mountains is lost, the spirit is a bloodline and a bloodline is reduced [falling], the personality is under the bones and bones, the life is surrendered inch by inch, and the red dust is tied by a bundle of wisps.

The things of the Quartet, nothing more than a bean of fireworks in the world, the most soothing Ai Dao people's hearts, the things that are in the heart, will eventually become a nightmare, everything is the Tao, let Ai Dao be silent.

[Attention to mobile phone users: Outside the text, the relevant columns of the work, there are wonderful comments and guides on behalf of the class]

The class representative sang lyrics, commenting on the seventeen chapters of the heart, and finally became a nightmare

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(Note 1) 皭 [jiào] 然mud but not 滓: 皭然, clean and pure white appearance. Murmur: Dirty. Historical Records. Volume 84. The Biography of Qu Yuan Jia Sheng": "In the muddy mud, the cicadas molt in the turbidity, float outside the dust, do not get the dirt of the world, and those who are muddy but not dripping." ”

(Note 2) 大楹 [yí

g]: large column. "Poetry Xiaoya" has a sense of it. In the Zhou Dynasty, the pillars on the building were called Ying. "Spring and Autumn Zhuang Twenty-three Years" Danhuan Palace.

(Note 3) Red-bellied Sandpiper: It breeds in the circumarctic region and is a long-distance migratory bird. Fly about 10,000-150,000 km.

(Note 4) Puyu: A small island in the water.

Tong Shan Mao: Describe the mountain without grass and trees, bare. "Poetry, Shang Song, Yin Wu": "The sound of the great voice, the soul of the water." ”

(Note 5) Grasshopper: Rainbow. "Poetry, Wind and Grasshopper" "The Crab is in the East, Mo Zhi dares to point out". The ancients believed that when a marriage was disordered, a rainbow would appear.

(Note 6) 孰 [shú] harmony: harmony.

(Note 7) Ercao: You. "The Book of the Later Han Dynasty: The Biography of Zhao Xi": "Er Cao Ruojian, avoid each other from afar." ”

(Note 8) 耒耜 [lěisì] Farming tools used to turn the soil. The rake is its handle, and the rake is its blade. Mencius. Teng Wen Gongshang": "Chen Liang's disciple Chen Xiang and his brother Xin, bear the burden of Song Zhiteng. ”