It's a bit of a card today, and it's not in a good state, it should be related to staying up late in a large dose recently, and the things that came out were a little watery, so I deleted the manuscript directly.

It's all now, and everyone shouldn't worry about whether the plot will collapse.

The plot of "The Abyss" has been fully unfolded, and the follow-up is how to use several major plots (light and darkness several wars, raiding the city of light, the shaping of Levy's characters, three tests and before the start of the game) to launch the climax of the whole book, and pursue a higher degree of completion and self-breakthrough of the character.

Why did you stay up late late, let's talk about this, the readers of the province are worried.

I'm really trying to write an essay!

Now I am facing a dilemma.

The book "The Abyss" is too niche, the readership base in the online text is too weak, and there are even no space opera type readers at the starting point.

When readers see the content of this book and want to have a sense of picture, at least they have watched a few Star Wars, or played EVE, Warhammer or something, and the books that really produce results on the Internet must lower the reading threshold and take into account readers of multiple ages and cognitive segments.

Before opening "The Abyss", some authors actually persuaded me to increase the system and lower the reading threshold, but I felt that then I would have less than half the meaning of writing this book.

Isn't the creative word of creation the meaning of innovation?

I want to try to find a way out that no one else has done.

Because I firmly believe that as long as the story is exciting enough and the creative passion is put into it, a book will gain readers who can resonate with it, and the subject matter only limits the width and narrowness of the tap water flow.

But the reality is that only by writing a space opera that can stabilize in the top ten of the charts can it be said that a new path has been found in online articles, and only then can authors who like this category be driven to create this genre.

It's like the senior brother who led the fire to Gou Daoliu.

Why did I choose the path of pure science fiction? In fact, there are many reasons, and I will explain them to you in detail after the completion of "The Abyss".

But when I think of the follow-up "Faya's Game" (not the title of the book), the pressure to write is immense!

This second part of us is no longer a space opera that can be directly 'traversed', but a sci-fi genre that extends outward from the real world of the earth, and I have conceived the overall structure and world view of the story, but I am not sure how to unfold this story, which is a new category that I have never tried.

So I need to wait for self-precipitation, and after writing "The Abyss", I will wait for new inspiration for science fiction, to supplement more scientific knowledge, and to learn more about the direction of scientific development.

Then there's the issue of grades.

The next book will return to the category that has matured and is also what I am best at--the ancient Xianxia light comedy of the crossing class, which has a relatively high possibility of producing results. If you can't get results, it won't affect "Faya's Game", and if you do, you can get follow-up rich promotion resources for "Faya's Game".

Readers who like "The Abyss", please understand more, the author has to prove his earning ability to the platform before he can get the platform's resource injection, after all, the platform also feeds a group of staff to eat,

I've been staying up late these days, and I'm going to catch up with new books just after I've finished updating them, because there are a lot of new ideas in my head.

I came up with a new idea for Xianxia in January and wrote a book of double penetration, but this development was too similar to "Steady", and I was disgusted by myself.

I discussed with the editor, and the mature story should be guaranteed, and then I tried a new one.

Recently, the inspiration came back to the story of the Romance of the Gods, thinking about whether I could combine all kinds of ancient allusions with the stories of the gods, and found this idea, well, it's pretty good, so I wanted to work overtime to get out.

I didn't go to bed until five o'clock in the morning for several days in a row, and I was too tired, and today I broke down my whole state.

So, it's really not lazy.

Everyone wait for me to get down, and when I wake up, I will code words, and I will hang the cloud supervisor of station B tomorrow!

Ah, Fackle, dinner hasn't been eaten yet......

(End of chapter)