Chapter 191: The Ultimate Truth
Yumekoyuki wore a formal suit.
It is a very youthful mamba green.
This overly bright color is very picky about the skin of the wearer.
If you are not careful, you will wear a rustic atmosphere.
Dream Heart's graceful figure and milk-like skin forcibly put the formal wear out of the dress's sense of déjà vu.
Especially the temperament of her gestures.
What if, just what if.
If Mengxinzhi hadn't come to nail him to the pillar of shame of plagiarism, Nie Guangyi would definitely have an urge to go up directly to propose.
It is said that genius and neuropathy are only separated by a thin line.
At this moment, Nie Guangyi is convinced of this statement.
In this world, apart from a neurotic like him, who else would have thought of proposing to a person who was not interesting to him at all at the scene of his disrepute?
】
Nie Guangyi expressed surprise at the thoughts that flashed into his mind.
At the same time, he was surprised by Yumeshin's level of Italian?
Who said they couldn't speak Italian before?
Forget it, what's the point of figuring out such trivial things?
Mengxin's authentic Italian language made Fedek find a bilingual Italian translator in advance who was proficient in Chinese and English, and he was directly unemployed on stage.
With the update of the presentation, the meaning of the aurora of Yume's "design" was displayed at the press conference scene from the mold lake to the clear.
The first and second paintings, with a gap of four months in between.
Speaking of which, in the past four months, the change in the painting style of Dream Heart is indeed the biggest.
From Impressionism, it returned to the most essential realism of the Renaissance.
Although the first one is also called a painting, it is actually some color blocks, which is more impressionistic than Impressionism.
When it comes to the second painting, as long as you push it backwards a little, you can understand that what Dream Heart wants to paint is the meaning of the aurora, but he is still very immature in painting skills.
A single evolutionary history is not enough to nail Nie Guangyi to the pillar of shame.
If Yume's "design" has never been exhibited to the public.
If Nie Guangyi had never had the opportunity to come into contact with Mengxinzhi's "works".
Then there is a very small possibility, it is a simple coincidence.
will make Nie Guangyi questioned, but he will not be directly shot to death.
From ancient times to the present, there are more people who have been questioned.
But any genius will inevitably be questioned.
Even da Vinci, a genius who is widely recognized around the world, cannot escape such a fate.
Among the voices questioning da Vinci, the first to bear the burden was the Englishman Gavin Menzies.
Gavin Menzies was once in the spotlight for asserting that the Chinese discovered the American continent 70 years before Columbus.
He published a book, translated as 1434: A Huge Chinese Fleet Arrives in Italy and Ignites the Fire of the Renaissance.
In this book, Gavin Menzies argues that the fleet of Chinese envoys arrived in Florence in 1434 and gave Eugene IV world maps, celestial maps, and many other texts describing ancient Chinese science and technology, which did not exist in the Western world at that time, which led to the Renaissance.
The reason why da Vinci was able to draw so many and so many complex engineering, mechanical and celestial drawings was because he came into contact with these texts.
Gavin Menzies did not think da Vinci was a genius of design.
He believes that da Vinci's only contribution is to redraw the mechanical design drawings in ancient Chinese scientific and technological classics in a three-dimensional way.
What gears, mills, waterwheels, and even weapons......
Just look at the various editions of the Book of Agriculture in ancient China to easily find a prototype of the simple version.
The simplicity here does not refer to the craftsmanship, but only the difference in painting techniques.
The ancient Chinese did not have the "three-dimensional perspective" eyes that da Vinci did, and drew three-dimensional figures in his notes.
……
The launch soon came to the most critical moment.
After introducing his entire set of "paintings", Yumekoshi began to tell what happened in the four months between the first painting and the second painting.
"Two months after I finished my first painting, I went to Europe for the first time with my father, to the Louvre." Yumeshin is fluent in Italian and presents:
"That year, I was eight years old."
"At the Louvre, I threw away my first painting."
"This painting was picked up by Mr. Nie Guangyi, who was also in the Louvre at the time, and was kept until a year ago until it was returned to its original owner."
Meng Xinzhi pointed at Nie Guangyi with his finger.
The press conference was ready-made, and there was an uproar.
Many people have identified Nie Guangyi as plagiarism, and there are many reports that Nie Guangyi plagiarized a master of Chinese folk architecture, and this master is talking about Zongji.
But it was unimaginable that Nie Guangyi had copied the work of an eight-year-old girl.
This kind of cognition directly refreshed the three views of the people present.
This is no longer a question of genius or not, it is directly a shameless.
Those architects who once regarded Nie Guangyi as an idol were even more full of righteous indignation.
Following Mengxinzhi's gesture, many people looked at Nie Guangyi.
They hoped to find out the expression of shamelessness on Nie Guangyi's face.
Nie Guangyi didn't follow these people's wishes, the expression on his face was expressionless.
In Nie Guangyi's heart, a voice emerged, [Let the destruction come more violently! It shattered my architectural dreams completely. 】
Who says that people must have dreams?
Change of country, change of identity.
Take the trust left by your mother and live a retired life early.
Isn't it beautiful?
The press conference continues, and Dream Heart's speech on stage also continues.
Nie Guangyi thought that he would start from this second, seal his five senses, and he wouldn't listen to anything.
But every word passed through his eardrums and was imprinted into his mind.
So clear, so nice, so ...... Words and words:
"I was shocked when I learned that the first painting I lost had been kept in Mr. Nie Guangyi's study."
"Mr. Nie Guangyi and I have also discussed whether he can see anything in this painting."
"Frankly, not even I see anything myself."
"Then, Mr. Nie Guangyi, he immediately admitted it."
"He thinks he can see it."
"I didn't expect that Mr. Nie Guangyi would also come to the scene today." Meng Xinzhi once again drew everyone's attention to Nie Guangyi: "Since Mr. Nie Guangyi is here, then I want to ask again in person, is this the case, right?" ”
Nie Guangyi raised his hands, which were no longer trapped by muscle problems, pulled up the curvature of the corners of his mouth that he thought was the most elegant, and gave Mengxinzhi a thumbs up with his left and right hands at the same time.
Doesn't it mean that liking someone is sinless?
Even if he is guilty, it will not be to the extent that he needs to be stripped naked in front of so many people.
Perhaps, this is what true destruction should look like.
People are not afraid of not having dreams, they are afraid of having unrealistic fantasies for the rest of their lives.
Nie Guangyi smiled unprecedentedly good.
His face was relaxed and bright, waiting for his own judgment.
This is how Yumeshinyuki's speech on stage continues:
"Hearing Mr. Nie Guangyi's personal admission, I can see the meaning of the aurora from the first painting."
"In my opinion, it's an unbelievable thing."
"Because, even I can only start to see the prototype from the second painting."
"I myself, in fact, didn't pay much attention to this matter until Mr. Nie Guangyi's plagiarism incident began to be hotly discussed."
"I'm just starting to find out what happened."
"What is it that made me go from the first painting with no substance to the second.
"It's just that the painting skills are not satisfactory, but the content is a real Aurora."
"Finally, a week ago, I found out."
Yumekoyuki shows a photo.
Here is a group photo.
Inside the picture is the dream heart and the soji.
In the background of the photograph is the glass roof of the Louvre.
In the lower right corner of the photograph, the date is printed, and the time is exactly halfway between the first painting and the second finish.
Yumeshin stood beside Soji, her left hand on her cheek, and her right hand holding a white model of architecture.
This is a five-story building model.
Each layer has a rotating arc.
There are some similarities to the Cetto di Aurora façade designed by Nie Guangyi, but it is not identical.
Pure white plaster, without the meaning of aurora, is surrounded by glass on all sides, and it is not a water building.
At best, it's a semi-finished product.
This photo also appears in the presentation behind Yumeshin.
The angle at which Yumeshin and Soji are located is a very classic glass pyramid check-in position.
The photo gradually zoomed in, and the screen slowly disappeared from the dream heart and Soji, and step by step located on the glass roof of the Louvre as the background.
The sunset imprints the buildings around the Louvre on the spire of the glass gold tower.
As the figure in the photo slowly disappears, the enlarged glass pyramid roof shows the reflection of the model in the hand of the dream heart.
The model, which was originally a little thin in the hand of Yumeshin, seems to stand on the water in the reflection of the glass pyramid, and the appearance of the building has also become richer.
The reflection continues to be magnified in the presentation, and the surrounding unrelated elements are separated one by one.
At the end of the separation, a building that seems to stand on the water appears that is almost exactly the same as the meaning of the aurora.
Yume's story behind the photos on stage:
"When I saw this photo, I finally understood why I would draw the prototype of the aurora two months later."
"I actually saw this picture."
"After returning home from the Louvre, I took pictures of me and my dad outside the Louvre more than once."
"I probably didn't pay special attention to this reflection."
"It's just that I've watched it a lot of times, and in my mind, I have left a clear image from the mold lake."
"This probably explains why I, who have never studied architecture, were able to draw such a conceptual water building."
"From the moment I saw this reflection clearly, the focus of everything was on why I had a plaster cast in my hand when I was only eight years old."
Dream Heart's words aroused the curiosity of everyone present.
Dream Heart's Mind Sells Guanzi:
"I thought about it for days, but I couldn't remember anything, so I had to ask my father, who was also in the photo."
"According to my father's recollection, it was because we didn't speak the language at the time, and we almost missed the glass pyramid of the Louvre."
"In a hurry, he found a young man who looked like Chinese, helped us father and daughter, and took a group photo in front of the glass pyramid of the Louvre."
"This plaster cast was held in the hand of the person who took the picture for us at the time."
"He helped us take pictures, and I helped him get the model of the building that had been made."
"Since then, the focus of this matter has become, who is the owner of this model."
Speaking of this, Xuan Shi, who was going to be the groom the next day, appeared, and he handed Dream Xinzhi a USB drive.
When opened, there is an image.
Appearing in the video is a professor at the École Nationale Supérieure d'Architecture in Belleville, Paris.
In the professor's hand, he holds the architectural model that was once held up by the Dream Heart.
This model, as an excellent student academically, has always been placed in the office by professors.
In addition to the finished model, the professor also kept the design manuscript of the model, and wrote annotations on the finished draft.
The professor asked the person who drew the manuscript to make a model of the original and display it with the graduation exhibition of the École Nationale Supérieure d'Architecture in Belleville that year.
The professor explained in the video that the reason why he wrote such a comment is because this design draft is the work of an exchange student who came to the school for exchange temporarily.
The professor placed the artwork in his hand on the top of his desk.
The camera moves down with the professor's movements, and in the lower right corner, which was originally blocked by his hand, the deadline for handing in the assignment and the signature of the submitter appear.
The deadline is that Dream Heart's first [Aurora Source] will be pushed forward by twenty-two days.
This is the earliest point in time when the appearance of the meaning of the aurora can be traced.
The signature of the submitter is handwritten in an artistic style.
It's hard to be analogized – and the standard signature that has been used to this day – exclusively for the genius architect Nie Guangyi.
The reporters at the press conference were all stunned.
Nie Guangyi was also stunned.
He was so stunned that he didn't notice that there were a lot of cameras pointed at him.
Two lines of tears slipped uncontrollably from the corners of the eyes.
This is Nie Guangyi's first public gaffe.
So much so that I forgot to wipe and cover up.
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[Ahhhh 】
[Monthly tickets, recommended tickets, all tickets, all for Piaopiao~]