On the third night of Ji Guangnian's stay in the Jiang family, he couldn't help but visit the roof tile back and stone carvings of the Jiang family, and the gentleman on this wall was also quite exciting.

No, she was climbing the wall when she was caught by the young master of the Jiang family.

"Ji Gongzi, this is this?"

"I came back late from the event, and I was afraid of disturbing Uncle Fu, so I jumped in by myself, which made the young lady smile!"

Ji Guangnian didn't care whether Mrs. Jiang believed it or not, and she didn't lie or write a draft.

Mrs. Jiang didn't seem to have the slightest doubt, and said with a smile: "If you say anything, I didn't scare you!" ”

"Where, where, did light years scare Young Lady Jiang?"

Mrs. Jiang smiled slightly: "The night dew is cool, the Danqing is written, and the ink is left with a stamp." ”

"What?"

"If Ji Gongzi can't sleep at night, you can go to Huayixuan to pass the time!"

After she finished speaking, she turned around, swayed and walked forward.

The lights of the painting were always on, and Mrs. Jiang carried the lantern straight into the pavilion.

Ji Guangnian wanted to go back to the room directly, but when he passed by Huayixuan, he was stopped by Mrs. Jiang Shao inside.

"Is there something wrong with Young Lady Jiang?"

Ji Guangnian said politely.

"I have a painting that I haven't been able to solve, can I ask Childe to help me take a look?"

Ji Guangnian hesitated for a moment, she was wondering if she wanted to avoid this suspicion.

Mrs. Jiang's voice came again: "Don't worry, Gongzi Ji, I won't delay Gongzi for long." ”

In the end, Ji Guangnian still entered the Xuan.

"Childe, please take a look."

Ji Guangnian stood in front of the painting case, and what caught his eye was a landscape painting.

The green landscape is drawn with complex lines and magnificent colors, giving people a sense of magnificence, and with the oblique diagonal as the boundary, a large number of blanks are left, and a few brushstrokes are embellished into the river, and only three small boats are drawn in the river.

Ji Guangnian was puzzled: "I don't know why Young Lady Jiang has no understanding of this painting?" ”

"I'm just not white, the true meaning of this painting, Ji Gongzi may guess it?"

"Really?" Ji Guangnian frowned, "The true meaning is like the artistic conception, it's hard to say, unless the original author deliberately annotates and explains the yin, otherwise it has always been the opinion of the benevolent and the wise." ”

"Is Ji Gongzi benevolent or wise? Can you analyze one or two? ”

Ji Guangnian looked at the painting and said: "At first glance, this painting will make people focus on its magnificent and complex green mountains and green pines, which makes people feel warm, and the magnificence of this painting should be very popular with literati and artists." ”

Mrs. Jiang's eyes dimmed, and Ji Guangnian continued: "However, this painting should still have another artistic conception aftertaste, this is a landscape painting, just talking about mountains but not water."

You see that the mountains and rivers occupy half of each other, and there are only three small boats left in the blank river, three and the crowd, many of them, seemingly the same, but one is far away from the other two, which is undoubtedly a kind of loneliness, a kind of loneliness from the heart or not understood.

Looking back, three and conformity, one is lonely, although one is far away from the other two, but they are the same bow, always keep up, there is a way is that the green mountains and green waters are always love, there is affection, there will always be warmth.

Therefore, I think there should be two artistic conceptions in this painting, loneliness and warmth, loneliness and longing for warmth. Light-years humble opinion. ”

"Good!" Mrs. Jiang clapped her hands and said with a smile: "You can see more clearly than me, and I only know the meaning of loneliness, but I only know that there is warmth in it." ”

She added: "In the past, everyone commented on the magnificence, but I only thought that the painting was misinterpreted, and I was afraid that the painting would fall into the cliché, and I was unhappy, but now I am relieved." ”

Ji Guangnian smiled slightly: "Young Mrs. Jiang, if it's okay, I'll go back to the house." ”

Young Madam Jiang nodded her head, then picked up the lantern and walked in front of Ji Guangnian.

Ji Guangnian saw that there was no one in the painting, and was about to blow out the flickering candle flame, when Mrs. Jiang's voice came again: "The lamp here doesn't need to be blown out, let it burn out naturally." ”

The moon is slanting and quiet, and only the grass and trees are swaying, and the sound of the breeze is whistling.

Ji Guangnian followed behind Mrs. Jiang, while also maintaining a distance.

It's just that I don't know if it's her illusion, I always feel like there are a pair of eyes staring at her in the dark.

She was not surprised......

This night, I lost sleep again!

In the early morning of the next day, Ji Guangnian, who had overslept all the way, rushed all the way to the Painting Yi Xuan, and when he arrived at the Painting Yi Xuan, Jiang Liuhe had just finished a painting.

Seeing this, she hurriedly sat down beside the drawing table and spread out the drawing paper.

Jiang Ruhe smiled at her and said don't worry, and at the same time came over and put the drawing paper she had laid on the stage back in its place.

Ji Guangnian looked at him puzzled, but he walked to another painting table and brought over a plate of snacks and tea placed on it.

"Don't you have a habit of eating breakfast? Specially prepared for you. ”

Yesterday she just complained that she wanted to have a morning meal and then paint, but he remembered it, it was so heartfelt!

Ji Guangnian even thanked him.

After breakfast, Jiang Ruhe began to teach her some simple basics.

When Ji Guangnian studied gongbi figure painting with Jiang Liuhe, she admired those painters who were good at sketching human figures with ink and then using paint, and the figures on rice paper seemed to come to life under the depictions of those painters, exquisite and vivid, lifelike, not to mention how cool.

"The characteristics of gongbi painting are mainly line modeling, and the lines drawn should be neat, delicate and rigorous, and generally use more center strokes......"