was inexplicably pasted by this cheeky guy, and Li Yu was helpless in his heart.

He turned his head to look at the other man and wrote down his name deeply.

Inhuman (Guo Huaizong)

He is also a quasi-alien who has not mastered any strange treasures.

However, between the lightning and flint, several people reached a tacit understanding.

That's the demons at the moment, don't tear each other down.

If possible, it's better to lift each other up and fool around together.

If there is really something in case, there can be more than one person on the back.

So the three of them, together with the square-faced man beside Xue An and Huang Ying, quickly formed a temporary alliance and became a team.

As for the others who were half a beat behind, they completely lost the opportunity to hitchhike, so they could only sit in place and wait.

Huang Hanlin didn't seem to care much about them, but just invited Li Yu, who had outstanding appearance and temperament, to comment a few words.

This is a negative price for being handsome, and you can't hide and play low-key.

However, reviews are reviews, who is afraid of whom?

The appreciation of calligraphy and painting should be carried out from the aspects of composition, brushwork, and conception, and the use of light and shadow and color should be more clever.

The unique method of using ink in Chinese painting, as well as the artistic conception that can only be understood but cannot be expressed, are even more important.

The few paintings I saw in front of me seem to be Huang Hanlin's own landscapes, flowers and birds paintings, this person became famous at a young age, became an official in the court, and entered the official career for decades, although he has not been a very popular minister, but he is also the unattainable big man in the eyes of many people.

After such a person retreats, he places his affection on the mountains and rivers, and he has to be a little more courageous than others.

So Li Yu opened his mouth and said: "This mountain is majestic and magnificent, talk about a few strokes, show the tall, the clouds in the mountain are deep, there is no temple, but there is an old monk carrying firewood and walking, it makes people reverie, the ingenuity of the intention, it is really mysterious......

Look at this river again, it is completely made of blank space, here the ink and light boat, like a fairyland, there is no painting fog, but it is a majestic scene of fog, and the method of creating the environment is really perfect......

Looking at this fisherman again, I think of a poem, the lonely boat is a lonely boat, fishing alone in the cold river and snow......"

Huang Hanlin and a few of his friends nodded their heads as they listened.

Even Huang Ying couldn't help but cast a surprised look.

It is not wrong that Li Yu does not understand art, but he knows the language and understands it.

At this moment, Li Yu seems to have become the mouth of the painter, and he speaks the artistic conception he wants to express in the painting.

Although there are some things in it, Huang Hanlin didn't think about it so much when he painted it himself, but after listening to Li Yu's words, it seems that it is really like that.

"Xiaoyou praised it falsely, these are all imitations of my famous paintings, and they have no intention."

"The old man is modest, there is a way to paint the skin of the tiger is difficult to draw the bones, this copy of the work, the brushwork and the use of ink can also rely on hard work to get close, but this charm is the most difficult to approach, the old man can even do this, it can be seen that the true meaning has been obtained."

An old man next to him was slightly complimented and patted the horse without a trace.

Others said yes.

In the midst of laughter, Huang Hanlin was relieved, and finally let his son take out a few other paintings that had been prepared for everyone to enjoy.

As a result, after everyone saw it, their faces changed slightly.

The first is "Skeleton Fantasy Play".

In the center of the picture is a large skeleton wearing a hat and a transparent gauze robe sitting on the ground, holding a small skeleton in his right hand, grinning.

The little skeleton beckoned and danced, and on the opposite side was a child who had not yet learned to walk, crawling on his knees, reaching out to grab the little skeleton.

Behind the child is a woman with her hands outstretched as if to block it, and behind the large skeleton sits another woman, bare-chested nursing the child in her arms.

The book in the picture has a song from Huang Gongwang's "Drunk in the Sky":

There is no skin and meat, and there is a burden of bitterness and sorrow. The puppet also drew the silk thread, looking for a small way to tease the enemy. Recognize that you are not ashamed? Dumbfounded from five miles has been alone.

The inscription is the third day of August in the eleventh year of Delong, and the Taoshan monk is in "Skeleton Fantasy Drama".

Magic can be grounded, not grounded.

Seeing this "Skeleton Fantasy Drama" with his own eyes, Li Yu couldn't help but secretly complain again.

However, this painting is not the real work, but the Taoshan monk, that is, the Huang Lao Hanlin in front of him copied the famous painting "Skeleton Fantasy Picture" of the Southern Song Dynasty.

What the original painter Li Song wanted to express is unknown to future generations, and it is more of his own speculation.

What Huang Hanlin wanted to express in front of him was even more fascinating.

Li Yan stared.

"Skeletons, women, children...... Could it be the transformation of life and death and the reincarnation of cause and effect?

The expressions and postures of the two women correspond to each other, and the two children also have the difference between skeletons and flesh and blood, and they are lifelike. ”

Purely in terms of skills, Li Yu couldn't see the reason, but he was vaguely aware that the big skeleton controlled the small skeleton and played with the child, and the big skeleton itself was also controlled by inexplicable power.

Extremely intriguing.

But soon, his gaze fell on the second painting.

Huang Hanlin's painting and brushwork at this time were obviously higher, depicting a merchant carrying a burden, shaking a wave drum to attract children, smiling, and displaying a dazzling array of kites, paper carp and small drums and other toys.

The children's attention was all drawn to the toys, and before they knew it, half of the merchant's body was rotten, and the arm hidden behind him even revealed a piece of white bone.

On the first day of June in the twelfth year of Delong, Momoyama Jushi, "Merchant Map".

"Huh?"

Li Yu was slightly surprised, this is Huang Hanlin's own work?

This picture has little to do with Li Song's masterpiece in the Southern Song Dynasty, but the style is similar, and it can be seen that there is a strong trace of imitation, and the yin qi is even worse.

Immediately after that, the crowd continued to admire the third painting.

The painting depicts several children frolicking and chasing each other in a corner of the street.

There was an old man in brocade who was hunched over and hunched over and grinned on crutches, as if enjoying the joy of family, but the strange thing was that the old man was completely white and boneless, and he was completely a skeleton.

The people next to him ignored this, completely unaware of anything unusual.

The inscription is September 12, the thirteenth year of Delong, Taoshan Jushi, "Spring Society Tianlun Map".

There is a fourth painting after that.

It was a picture of a street market similar to the Qingming Riverside Picture that I had seen in my previous life.

It doesn't have that much space and scale, it just shows a corner of the market, all kinds of peddlers and pawns.

Originally, this should be a normal picture, but most of the peddlers and pawns on the street were not normal humans, but skeletons one after another.

In the midst of this, an unknown outsider was mixed in, and when he saw the picture of this person living peacefully with the skeleton, he was frightened and curious, like entering a foreign city.

June 23, 14th year of Delong, Taoshan Jushi, "Taoshan City Map".