Han Shuang learned from the understanding of the system that the Chinese painting faction of the Xia Kingdom was not much different from that of the Celestial Empire. The so-called Chinese painting refers to the scroll painting painted on silk, rice paper, and silk and framed.

The main brushes are brushes, which are dipped in water, ink or pigments to paint on paper or silk. The subject matter can be divided into figures, landscapes, flowers, birds, animals, etc., and the techniques can be divided into figurative and freehand, that is, not re-realistic, re-rhyme, context, and meaning.

And the ink landscape he and Yuan Qian tried belongs to a kind of landscape painting. As the name suggests, only a brush dipped in ink is used to paint, and no color is added.

This is also the most traditional method of landscape painting. In order to show the artistic conception of the distance brought by the shade of the line, there are several kinds of ink used.

There are roughly five kinds of materials: thick, light, burnt, dry and wet. In general, when painting landscapes, the paper is relatively large.

Due to the exchange of ideas, Chai Yinbo did not provide much drawing paper, and still chose the standard drawing paper used for sketching.

After getting the drawing paper and pen and ink, Han Shuang was not in a hurry to paint. He seems to be thinking, but in fact, he is making choices in the vast landscape knowledge provided by the fundamental system.

And Yuan Qian on the other side had already splashed ink. After two minutes, Han Shuang had already settled down.

But I saw that he picked up the brush and dipped it in thick ink, pressed a few spreads on the drawing paper casually, and then turned thick to light, picked up the brush and began to sketch.

This action alone made Meng Yi and Chai Yinbo, who were watching from a distance, frown slightly. Meng Yi said softly: "Splash ink painting? Chai Yinbo replied softly: "It should be." Meng Yi frowned and asked, "Who is this kid?" Chai Yinbo said in a joking tone: "If he is willing, I am willing to become his big disciple." Glancing at each other, Meng Yi's eyes showed a hint of disdain.

Anyway, you also taught the existence of a first-class painter in Xia Kingdom, how can you say this shamelessly? No longer speaking, the attention of the two of them was all focused on Han Shuang's side.

In order not to disturb the painting status of these two people, everyone, including Meng Chai, was far away. I can barely see the brushwork skills of these two people, but I can't see the finished result of the painting.

Meng Chai and the others were not wrong, Han Shuang did use the splash ink painting method. Splashed ink painting is a unique creative technique in landscape painting, and no one dares to try this painting method easily without profound painting skills and extraordinary graphic sensory creativity.

Therefore, when Han Shuang splashed ink on the drawing paper, Meng Chai and the others were both a little surprised and a little shocked.

First of all, when Han Shuang dared to try the splash ink painting technique, he had already explained some kind of problem. At the very least, he knew a lot about landscape painting.

Secondly, if he can really draw Shen Yun in an orderly manner, then the victory is basically sealed. Meng Yi knew very well that Yuan Qian didn't know how to splash ink painting, but he didn't dare to try.

Especially in this competitive environment, he didn't dare to try it easily. At this time, Meng Yi had countless questions in his mind, is this boy's landscape skills so powerful?

But why did he go to composing music? Is he really a Qu father? ...... After entering the state of painting, Han Shuang was almost six clean.

All he has in his eyes is paper, and his mind only has the steps of painting. The difference between splashed ink painting and traditional painting is that the traditional painting method is to outline the outlines of mountains, skies, and rivers in accordance with the rules.

Then use the brushwork of hooking, rubbing, dotting, dyeing and other brushstrokes to enrich its form little by little. The method of splashed ink painting is to use a paintbrush dipped in thick ink, improvise on the drawing paper, and freely play with the picture according to the different forms that appear.

The difficulty lies in uncontrollability, but winning is better than novelty and unexpectedness. The reason why it is sought after by everyone in painting is because the splashed ink painting method has a kind of reform that breaks the tradition.

After waving it casually, according to a few clouds of thick ink on the painting paper, Han Shuang soon had a rough image of the landscape in his heart.

Then use the sketching brush technique to sketch the general outline little by little. The hook is a slender line, and the cut is a short and thick line, with the blessing of god-level painting skills, the two different display brushstrokes are naturally switched under Han Shuang's wrist.

It didn't take him an hour to sketch out the whole picture. High mountains, low mountains, distant mountains, waterfalls, flowing water, streams, big trees, small trees, flowers and plants, huts...... Although the painting paper is not large, the landscape elements are not pulled!

Then, he uses the technique to further express the texture of the object. The distant mountains, the majestic mountains, the details of the low mountains, the majesty of the waterfalls, the rushing of the flowing water, the tranquility of the stream, the branches and leaves of the big trees, the form of the small trees, the embellishment of flowers and plants, the quiet and lofty of the huts...... The brushes constantly switch from the five ink bowls, and the natural and calm attitude of painting really stunned the onlookers.

Let's not talk about how he paints, just judging from his calm and skillful painting state, there is no doubt about everyone's attitude!

If you don't believe it, look at another little fat man, why don't you just draw a picture! He looked anxious and scrambling, and he was sweating profusely!

Judging from his state, he has deviated from the purpose of freehand and calm painting. The look in Chai Yinbo's eyes became more and more vibrant, he really didn't expect that Han Shuang's painting realm would be so transcendent!

Even in the game, there is no cramping between his eyebrows and eyes, like a gentleman with elegant movements.

This son has everyone's resources! But Meng Yi's eyes became more and more serious. Han Shuang's excellence, he naturally saw it in his eyes.

It was also because he saw Han Shuang's outstanding performance that he felt more and more embarrassed that he was an apprentice!

Isn't the worst outcome to be losing? As for the busy sweat? With your damn sense of victory, you'll never want to break through the shackles of your painting skills!

Han Shuang is still forgetting his rich paintings. At this time, 70% of the painting has been completed, and whether this painting can really shine is all in the next 30%!

Next, dye the light ink. From far to near, Han Shuang dyed the mountain roots first. How a flat painting can make people look empty and far away, the sense of space is the key.

The key to the sense of space lies in the rendering of mountain roots, which requires the reasonable arrangement of smoke and clouds. Use the difference in shades of color to achieve the purpose of majestic atmosphere.

Even in the ranking system, Han Shuang did not relax, and drew every stroke with his heart. At this time, he was no longer thinking about winning or losing the game, but about how to do his best to complete the painting.

Heavy ink can not be used for dyeing, otherwise it will destroy the artistic conception of the painting, and it is necessary to use light ink to over-dye over and over again. Moreover, it is necessary to observe the details and the coordination of the whole painting at any time, and at the same time increase the sense of heaviness of the mountains and rocks, but also pay attention not to violate the painting environment.

This was a tedious job, and it took more than an hour for Han Shuang to complete the work. Just as he was about to take the next step, Yuan Qian on the other side breathed a sigh of relief.

Looking at Han Shuang, who was still painting, the corners of his mouth couldn't help but smile, and then he gestured to his mentor Meng Yi.

He's done. Meng Yi didn't speak, and hinted with his eyes that he should be calm and wait for Han Shuang. Because there is still a period of time before school, according to the regulations, Han Shuang has the right to continue painting, and Yuan Qian belongs to improving the handing in of papers.

It's just the last detail. Han Shuang took the brush that controlled the ink and added details to the objects in the close-up scene, such as trees, leaves, grass, and thatched huts.

...... After learning about the competition between Han Shuang and Yuan Qian, many students from the painting department came. In order to keep quiet, apart from him and Meng Yi, Chai Yinbo didn't let anyone into the club hall.

And the students wanted to know the final result of the competition, so they gathered around the window and looked in on tiptoe.

Yan Ling is naturally also a part of it. When she saw that Yuan Qian had finished the painting and Han Shuang was still immersed in creation, her heart couldn't help but be nervous.

Secretly silently prayed for Han Shuang.

"What are you talking about?" When a familiar voice came from his ears, Yan Ling immediately opened his eyes, and then saw the long-lost Jieyu.

"President?! You ......"

"Shh Jieyu smiled,

"Don't disturb anyone." With that, she turned her head to look at the club hall. When she saw the boy again, her eyes were complicated.

I can't tell you how I feel inside. There is anger, there is sweetness, there is unwillingness, and there is ...... Reluctant.