Nov. 23, 2 p.m.

After more than two months of hard filming, "Chinese Partner" was finally completed.

Although the continuous rotation is a bit hard, Gao Fei actually shoots quite coolly.

Especially when filming the last scene, it really made Gao Fei perform heartily.

And not only the three of them shot coolly, but the staff outside the camera also enjoyed watching it.

Even the crew unanimously believes that the scene of "the three partners parting ways" in this scene is their best play in the whole movie.

In this regard, whether it is Gao Fei, Deng Chao, or Tong Dawei, they also agree.

I have to say that it's still Chen Kexin, a chicken thief.

even calculated the mentality of the actor's completion, and insisted on arranging the scene of "three partners parting ways" at the end.

Otherwise, it's really hard to say whether the three of Gao Fei can pass it as naturally as they did this time.

You must know that this scene is the climax of the whole movie, and the lines and emotional changes involved in it are very complex and cumbersome.

Even according to Gao Fei's normal level, maybe it will take two or three NG times, where will it be so silky like this time.

However, ridicule is ridicule, Chen Kexin's "chicken thief" is actually the performance that a mature commercial director should have.

After all, Goofy's good state alone can be explained by chance.

But the same silky performance of Deng Chao and Tong Dawei cannot be simply described as luck.

This can only show that Chen Kexin does have a hand in training actors.

For example, before the official filming just now, Gao Fei, Deng Chao and Tong Dawei simply went through the scene.

The three of them thought it was very good, but Chen Kexin felt that Tong Dawei was still in a bad state, so he suggested that Tong Dawei simply drink two glasses of liquor before the official start of filming to find a slightly drunk state.

Not to mention, Tong Dawei's acting skills went up during the official shooting.

The kind of tiredness and tiredness that naturally flowed out suddenly aroused Gao Fei and Deng Chao's desire to win.

So there was a classic scene of the three of them just playing.

It can be said that Chen Kexin's point-to-point dialing made the whole shot more silky, and there was a sense of genius.

Based on this alone, Gao Fei felt that Chen Kexin was better than Wang Jiawei!

……

As the nanny car went all the way away, looking at the street lights that kept flashing on both sides of the road, the melancholy in Goofy's heart gradually dissipated.

After all, he has always been known as a representative of being quick to enter the play and get out of the play.

Although I couldn't wait to pay homage to Deng Chao and Tong Dawei when I was filming just now, after leaving that occasion, Gao Fei's calm brain returned.

It's just that although the mentality is detached, this shooting experience still has some impact on Gao Fei.

For example, a line in the movie, Gao Fei thinks so:

Don't play mahjong with your mother-in-law, don't sleep with a woman who thinks more than you, and don't partner with a good friend to start a company!

Although this statement seems absolute, it is the blood and tears experience summed up by I don't know how many men.

Just like the prototype of the script of "Chinese Partner", the three founders of New Oriental also ended in "separation" in reality.

Therefore, this movie is not all jokes, at least in this plot, it is still based on reality.

It's just that compared to the movie, the ending in reality is more cruel.

After the three partners of New Oriental parted ways, they really broke up, instead of fighting together again in the end, as in the movie.

Thinking of this, Gao Fei couldn't help but feel a little happy in his heart.

Fortunately, he didn't step on this pit when the company was created.

To be honest, Goofy doesn't understand the logic of Europe and the United States.

Is it wrong to "order up and down, and there is a difference between the young and the old"?

Why do you want to get along with your subordinates or juniors?

Could this kind of corporate culture of equality and freedom reverse human nature?

Fortunately, Gao Fei didn't believe in their set from the beginning, so he didn't make any trouble later.

Of course, Gao Fei is not copying Da Song's set in the company.

It's just that the appropriate scale and distance actually help everyone get along.

This is actually the same in the company and in the family.

Therefore, in traditional Chinese interpersonal relations, the saying "don't partner with a good friend to start a company" is really not a joke.

At least in the domestic business world, cases from intimacy to "breakup" are not uncommon.

In addition to the three big bosses of New Oriental, the six gentlemen of Wantong, the real kung fu infighting, the dispute between the United States and the United States, etc., the former good brothers and good buddies will inevitably be tense in the end.

Even like Vantone and New Oriental, it is good to be able to "break up peacefully".

Some are a little more serious, such as the fast food chain "Real Kung Fu", and in the end, the "infighting" has actually become a vicious fight.

In the end, the husband and wife divorced, the ex-husband was imprisoned, the mother and daughter turned against each other, and the wife and brother took the position......

Tsk~ It can be said that none of the infighting is a real winner in the end.

Of course, there are still a few couples like "real kung fu" who make a lot of trouble for the company after all.

Most startups succeed because there is a core that says it all.

Therefore, even if there is infighting, in the end, the patriarch will be out at most.

As the saying goes, "the car in front is overturned, and the car behind is a lesson".

Although Zhou Yi does not have such a situation now, this experience has given Gao Fei a wake-up call.

After all, if he could, he still hoped to be rich and prosperous with the company's elders.

But then again, the original intention of the project was to tell the story of Chinese entrepreneurs.

But in fact, it's not telling the youth of Yu Minhong's generation.

So on the way back, Goofy couldn't help but be happy when he thought of this.

One in the eighties, one in the nineties.

Feelings: He's kicking the old nest of youth films, right?

However, although the background of the two movies is different, their core is about youth and growth, which is true.

It's just that in Yu Feihong's lens, youth is more emotional, but youth is more rational in Chen Kexin's movie.

Maybe that's the difference between a male director and a female director!

(End of chapter)