After eating the luxurious lunch, Chiki Hayashihara asked Xiao Shirang to resign, saying that the crew of "Human Observation" did better than he imagined under his leadership, and fully affirmed Xiao Shirang's work.

After that, Hayashihara Chiki consciously went to the crew of "Male and Female Pickets" and "Anger Between Women and Women", and the crew was in normal operation, so Hayashihara Chiki did not put forward any opinions, but expressed affirmation and praise to everyone in the crew, as long as they followed the script approved by Hayashihara Chiki, and continued to shoot as it is now.

After Lin Yuan Qianshu finished turning these three crews, he saw that the sky was dark, so he didn't even go back to the RB TV building, and directly stopped a taxi to go home, and in the car, Lin Yuan Qianshu counted his fingers and took stock of the existing work:

"Late Night Canteen" has been completed, and the rest of the work is solved by Junichi Watanabe and Ren Meguro.

"Tada Convenience House" is at a critical stage of public relations, but now it can only count on Wenchun Weekly and Kazuya Akimoto to help a little, and Chiki Hayashihara can't help at all.

"Human Observation" also does not need the guidance of Chiki Hayashihara himself, but when he is on the scene, the crew will be a little uncomfortable.

The recording of Hayashihara Junyou's debut single Hayashihara Chiki didn't help much, at most when the song was completed, Hayashihara Chiki listened to it, and the subsequent release could only rely on Sony Music.

At this stage, the matter of Hayashihara Chiki is only left to study, but learning is not in a hurry, Nishiyama Kiyoshi gave Hayashihara Chiki a study log, Hayashihara Chiki is completed on time every day, in the words of Nishiyama Kiyoshi, Hayashihara Chiki's current grades as long as they have been maintained in the past three years, Todai is no problem at all.

Hayashihara Chiki, who was idle all of a sudden, is now a little unbelievable, since recovering his memory, Hayashihara Chiki has been busy and has not stopped, as long as Hayashihara Chiki turns his head, there is work waiting for him, and now that he is suddenly idle, Hayashihara Chiki is really a little overwhelmed.

But this is not a big deal, after a night of summarizing this time, Hayashihara Chiki decided that he still had to move forward steadily, so the next day he sat at his desk, spread out his notebook and wrote two names, "Wild Boar Makeover" and "White Tower".

Yes, after many choices by Chiki Hayashihara, Chiki Hayashihara first decided to shoot "The Big Boar Makeover" first, but because this kind of campus youth romance drama is too simple, it is purely intended to give Junichi Watanabe a little practice and praise a drama by the way Junyu Hayashihara, so after filming "The Big Boar Makeover" Chiki Hayashihara wanted to continue filming "The White Tower", and the two TV series were seamlessly connected.

Let's talk about the TV series "Wild Boar Makeover" first, the show is actually adapted from the novel of the same name by RB writer Bai Yanxuan, but the novel itself is relatively boring in its readers' feedback, but the screenwriter of this TV series is very powerful in that the "wild boar" in the book is divided into two, the dark part becomes the sexual turn of Nobuko Kotani (the original work is a boy), and the sunny part becomes Akira Kusano.

As a result, "Wild Boar Makeover" has a bright line and two dark lines, the bright line is, of course, that the male protagonist makes friends and then transforms the "wild boar", so that the "wild boar" changes from a cold girl who is bullied to a girl who is the most popular in the school and can smile at this cruel world.

The two dark lines are that Shuji himself has changed from a person who has won the love of others through hypocrisy to a person who can truly live, and Kazuaki has learned the way of interacting with people from a person who lives in his own world (here it refers to his gradual understanding of his father, and from the beginning of hoping that the "wild boar" will always be by his side to finally giving up the "wild boar" and hoping that the "wild boar" will have a life he likes).

In "The Big Boar Makeover", the image of the three protagonists is very full, and the transformation of "Wild Boar" is not a very superficial transformation, not to put on makeup to lose a fat ugly duckling and become a swan, but to let others enter their seriously injured hearts again, and let themselves live with a smile in this world.

At first, the armband still focused on the change in the image of the "wild boar", but later the "wild boar" found that the transformation is not just to change the image, but to change their attitude towards life, the reason why the "wild boar" became popular is not because she turned into a goddess, but everyone likes her clumsy but has been trying to do a good job.

After a period of time, Taniguchi suggested that "Wild Boar" change his temperament and pretend to be a goddess, which made other classmates dislike this style very much, and felt that it didn't look like "Wild Boar", and "Wild Boar" himself said that it was really tiring to do so, and he didn't want to pretend to be another person to win everyone's love.

It's not really a transformation in this way.,Until the end, the "wild boar" walked with her head down, and the "wild boar" still spoke a little slurred, and the "wild boar" was still so stiff when she was injected, but she kept trying.

Transformation is not to put on a mask to play a popular role, but to work hard to learn to smile like a "wild boar" and try to live, and Shuji also had the courage to take off his mask and become a real person after seeing Akiwa "wild boar".

"Wild Boar Makeover" is because of this full plot and some ingenious scenes, it stands out among the pure love Japanese dramas, although it is impossible to have such a pure life like Akira in the real world, it is impossible to have a pure friendship like the wild boar trio, and it is impossible to have a youthful youth as energetic as the wild boar makeover, but when watching this drama, the audience will not have "Wow is too fake" but will have a feeling of "Wow, this is the real youth".

Therefore, such a campus youth romance drama can become popular in China at the beginning of the 20th century, and it can still occupy a place on the list when taking stock of classic Japanese dramas in the second or second year.

The excellent plot of this TV series and the tolerance of the actors' acting skills made Hayashihara Chiki finally choose it in his vast script.