After Hayashihara Chiki talked to him, Hayashihara Junyou's interpretation of the role became more and more into a state, even if his acting skills were lacking, he often delayed the crew because of himself, but he didn't fall into self-blame and couldn't get out, but put down his self-esteem and asked the heroine Hu Tang Xiaomei and another male protagonist Long Ze Xiuming for advice.

In this regard, Hayashihara Chiki felt very grateful, he didn't know that his younger brother Hayashihara Junyu had complex feelings for Hideaki Tatsuzawa, but in order to shoot a good TV series, he was able to clean up his mood and ask the person he had always been jealous of for acting skills, which shows that Hayashihara Toshiyu has really grown.

The first three episodes of "Wild Boar Makeover" were finally completed before the scheduled time with the joint efforts of everyone in the crew, and as long as the editing work is completed, it can be broadcast.

So Junichi Watanabe and Chiki Hayashihara gave a rare day off to all the crew members, so that everyone could rest and recuperate, and combine work and rest.

During the recuperation period, Hayashihara Chiki was not idle, running the Literary Spring and Autumn Magazine one by one, and all kinds of interviews about the follow-up series of interviews and autographs about winning the Naoki Award required him to go in person.

During this period, Chiki Hayashihara also confirmed with Kazuya Akimoto the release of the first "Spring Waltz" about blue life and death love.

At that time, the blue life and death love was serialized in the pure love area, and Hayashihara Chiki thought about writing under another pen name, and finally discussed it with Akimoto Kazuya and the person in charge of the pure love area for a long time, and finally determined the pen name: The moonlight is so beautiful today.

That's right, it's the one that is homophonic with "I like you" and "the moonlight is so beautiful today".

The person in charge of the Pure Love District was shocked when he heard Hayashihara Chiki's thoughts at that time.

"The moonlight is so beautiful today" is really in line with the style of RB people's subtle and pure love.

After finishing the work of the Literary Spring and Autumn Magazine non-stop, Hayashihara Chiki took a taxi and returned to RB Broadcasting TV in a hurry.

As soon as he arrived at the TV station's building, he went straight to the editing room, with a coherent action in the middle without a single pause.

In such a hectic situation, "Wild Boar Makeover" was finally broadcast.

Hideaki Takizawa and Hutang Xiaomei brought their own traffic, which brought a lot of viewers to the first episode of "Wild Boar Makeover", making "Wild Boar Makeover" achieve good ratings.

Chiki Hayashihara believes that as long as the plot is on the right track, then "Wild Boar Makeover" will definitely be able to retain these audiences, and it can also make it the tap water of "Wild Boar Makeover".

One is because: the good results of "Wild Boar Makeover" in the previous life gave Hayashihara Qianshu self-confidence.

The second reason is: Chiki Hayashihara wrote the script of "Wild Boar Makeover" one by one, and during the filming with Junichi Watanabe, he not only used a special shooting method to better express the sense of story of the picture, but also had a deep understanding of the plot of the script and knew that every character in "Wild Boar Makeover" was particularly plump.

After reading it, I will feel that everyone is very real and very kind, and from the teaching director to the bookstore owner to Shuji's parents to the uncle of the tofu shop, there will often be some thought-provoking ideas that hit people's hearts, in Hayashihara Chiki's view, they represent those "adults" who are not blinded by the sophistication of people, but maintain a certain original intention in maturity, guiding the growth of teenagers.

In the seemingly absurd plot, it actually highlights the thinking of many very real problems.

Hayashihara Chiki feels that although many people may think that this drama is out of reality, this is the charm of "Wild Boar Makeover".

Of course, Hayashihara Chiki also added a little bit of his own thoughts, because Hayashihara Junyu played Akira Kusano, so Hayashihara Chiki added a lot of details to the role of Akira Kusano without affecting the plot, making the image of this character extremely plump and shiny.

The character of Akira Kusano is under the eccentricity of Chiki Hashihara, and can even be described by the word "little angel".

Akira Kusano represents the self-casual and naïve side of human nature, he doesn't care about what others think of him like Shuji, hides his dissatisfaction with others, and handles things tactfully.

Under the filming and editing of Chiki Hayashihara, Akira Kusano has become a person who seems to have always lived in his own world, can see a lot of meaningless things, and has always pursued what he should really strive for.

Akira Kusano doesn't seem to understand anything, but he actually understands a lot of things. So he saw through Aoi's ill intentions, saw through Shuji's disguise, saw the shining point of the wild boar, and knew how to give up the wild boar and follow Shuji, behind the heartless appearance was full of tenderness and care.

For this blatant eccentricity of Chiki Hayashihara, who has been watching the editing in the editing room, it was Junichi Watanabe, who edited "The Boar Makeover", who first discovered it.

Originally, he also wanted to ridicule and ridicule Hayashihara Chiki, who knew that in the case of Akira Kusano's perfect character, Hayashihara Chiki would still be able to do that the appearance time of Hideaki Ryuzawa's character was not less than that of Hayashihara Toshiyu's character.

In this regard, apart from shouting 6, Junichi Watanabe couldn't say anything.