"

Continuation of the subsections mentioned in Volume I.

The third volume is a formal presentation of dreams and hopes.

Since it's all relatively abstract, I've thought about stretching the story line, or writing about everyday life slowly like in the first volume.

In the end, because it seemed more difficult to coordinate, I gave up.

When I was writing, I tried my best to crush the respective obsessions of Narumi and the girls and stuff them into daily interactions.

But when it comes to the key plot, it is still impossible to avoid large monologues and emotional descriptions.

As a result, nearly half of the chapters are written slowly.

In the end, the effect of writing did not seem to be as good as expected.

On the one hand, there are areas that need to be improved and slowly corrected later.

On the other hand, there are many things that need to be understood slowly in the future reading, even if you see them now.

From an empirical point of view, such a monologue is more suitable for staying in the later stages when the characters' emotions and storyline are well developed.

It's just that I'm a bit lazy......

There's a sense of fate (after all, I'm not sure if I'll be able to write it after the change.) ）

——————

A few other trivia.

At present, the collection is 6900+, and the average order is 229.

At the end of the day, I hope more people can come to see it...... After all, if it's just to satisfy yourself, you won't send it out and insist on updating it every day. (You can write when you want, how comfortable it is)

So the next story will be a little easier, not to mention hope and redemption or anything, the story of a high school student's age must always be written about love.

I will also revise the previous chapters appropriately to minimize the parts that require meditation to understand slowly.

After all, I'm always writing romantic comedies, not modern mourning literature.

——————

Here are some complaints.

◇

About the beginning.

Before I wrote this book, I didn't read "It's Very Cute Anyway", but after a reader left a comment, I went to see it, and it was a very sweet anime, very good.

Thank you.

◇

About the pen name of Yu Narumi.

I'm a fan of Haruki Murakami, and when I wrote there, I had his book at hand, so I borrowed it by the way.

It's also easier to remember.

◇

The setting about the disappearance of Imadegawa Chisaka.

In fact, readers who see this should already be able to see that the setting of Lord Angel is completely different from Mai's Senpai.

As early as a rainy day, the picture of Imadegawa Chisaka spreading its wings behind it、Angel-sama asked Narumi Yu, "Can cats fly?" ".

I realized that such a view might arise, and at the time I thought that at this level, people would not think so.

There is also the reason for Narumi Yu's amnesia - the memory was transferred to Chisaka Imadegawa.

The white mist, which symbolizes disappearance, can only take away memories from others, but it can take away scars from Narumi Yu, who has lost his memory.

In the Kiyora Chikale Hospital, I saw Imadegawa Chisaka sleeping on the hospital bed......

It is impossible to write all of this at the beginning.

Even if I could, it would be too boring.

A word of resentment:

To this day, there are still readers who think that Imadegawa Chisaka is copied from Mai Senpai when they read more than 90 chapters, and then happily decide to choose to jump and read after complaining about a sentence.

Sad.

◇

About the trumpet.

I don't know who you're talking about, but it's not.

Narumi Yu's malicious speculation about Yayoi Akizao (probably not malicious) is borrowed from a sentence I saw in a collection a few years ago - what you are determined to do, you must remain quiet but full of excitement.

In addition, I remember seeing another sentence at the time - never compare people, everyone is different, it is important to find the difference that suits you best.

——————

At last

Good night.

July

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