Chapter 57: Great Changes in the Mountains and Towns (3)

"I'm impressed!" Professor Gong listened to Long Henian and others talk about the changes in Fengshan Village, and when he heard and witnessed it, his thoughts were like springs, and he couldn't help himself, and said very poetically.

In order to express his feelings about this place more naturally, he stood up suddenly, raised his glass and waved his fingers, and said aloud—

I was touched again and again. I was blown away again and again. Remembered again and again. It has been praised again and again.

moving, stemming from the changes and beauty of Fengshan Village; The shock stems from the rise and prosperity of Fengshan Village; Remembering, it originates from the history and weight of Fengshan Village; The praise originates from the civilization and classics of Fengshan Village.

Fengshan Village, the pride of the times! Fengshan Village, a famous village in heaven! Fengshan Village, the hometown of Shangshu! Whether it is the past, the present, or even the future, what is shown to the world will always be vigorous, vigorous, energetic, and a leap forward!

Changing with each passing day, it was originally a set of words, an idiom. If it is used as a metaphor for the changes in Fengshan Village, it seems to be very appropriate. It's always so vivid, so brilliant, so dazzling.

In today's Fengshan Village, why can the villagers carry forward the dedication spirit of "giving up their small family for everyone" in the construction of an ecological civilization village?

This is a kind of accommodation, a kind of courage, but also a kind of mind!

The profound historical and cultural heritage and unique geographical location have made Fengshan Village famous in the construction of an ecological civilization village.

Here, there is a long history, there are myths and legends, and there are beautiful stories.

Here, the first private enterprise in Longmen County was born - Fengshan Chicken Farm;

Here, there are moving stories illuminating the folk fireworks......

Fengshan Village, a treasure land full of aura, a good Tianhe River, a good river, and a unique hometown.

Fengshan Village, with endless vicissitudes of life and endless historical smoke, is absolutely difficult to express with only a few sets of words.

Heavy pride is the loudest answer; A smiling red face is the brightest answer. The answer is in the moment of agitation, in the day of joy, in the years of gold......

Fengshan Village, one side can call the revitalization of the mountain township of the land of China!

Fengshan Village, a home that can evoke the four seas is rising!

Fengshan Village, a model that can create an ecological civilization is on display!

……

Gong Zhengdao improvised such a brilliant poetic and beautiful text, Shi Wenbin and Shi Wenzai, two literary lovers who have achieved a little in literature, admired it so much.

"Professor Gong's words and poetic words are simply a shocking work" Shi Wenbin didn't wait for Long Henian and Long Fei to speak, and couldn't help but make a noise.

"In vain, you are a teacher, and your works are published in newspapers and periodicals, and the poems are so long?" Shi Wenzai was critical of Shi Wenbin's comments.

Shi Wenzai's words couldn't help but remind Long Fei of the golden years when he studied literature in college......

In his sophomore year, Long Fei was invited to participate in the annual meeting of Chinese poetry and prose because of an essay on the list of the annual meeting of Chinese poetry and prose.

"The Chinese Poetry and Prose Annual Conference is currently the most authoritative and largest annual summary conference in the field of Chinese poetry and prose, and the poem that was awarded the first prize this year is "Lingnan Ji". After the host announced the gold medal winner to the conference, Long Feifang knew that the gold medal winner was his respected Professor Gong Zhengdao.

Then the host said: "This is a long grand narrative poem, more than 20,000 words, which has been published in "Poetry Magazine" and other magazines, and has had a great impact on readers, and this work has been highly praised by literary critics at the annual meeting. ”

"The poem of more than 20,000 words is really a masterpiece of the world, there is no one before, and there will be those who will come after!" Listening to the words of the host of the conference, Long Fei's heart jumped and sighed in his heart.

"These more than 20,000 words of narrative poetry ......" can't help but remind Long Fei of the Chinese Department professor Wu Simin's lecture on the genre of Chinese works in "Foundations of Literary Theory", and when talking about the types of poetry, the academic authority of the words were taken by Long Fei as the motto - two categories of poetry: narrative poetry and lyric poetry. As for the length of the poems, Professor Wu taught that a good poet is good at using the most delicate and dense language to explain his views and minds. Looking at the ancient and modern times, how many famous poets and famous poets are not small and exquisite, and they show off inside? Which one is hugely long? Or even almost nothing.

……

"Looking at the current situation of poetry and prose creation this year, we present a number of poetry and prose masterpieces that are close to the times and excavate human nature, and examine more self and explore the beauty of human nature in the works, which reverses the creative mindset of traditional poetry and prose writers, injects new vitality and lasting heat into contemporary poetry and prose creation, and presents a diversified creative trend." The words of Jiang Yiwei, executive editor of the "Selected Poetry" magazine who sat in the front row of the stage, pulled Long Fei back to the scene from his memory, and immediately made him relieved and had an epiphany.

Jiang Yiwei's concluding remarks are actually not unreasonable.

In those years, Long Fei also encountered confusion about the types and length of poetry and prose, and also came up with the idea of going against the traditional mindset of poetry and prose creation. For example, in his junior year, he wrote the essay "Return to Fengshan Village", which was submitted for evaluation, and the original manuscript was clearly in the genre of poetry, which can be said to be an attempt by him to adopt a variety of expressive techniques at that time—using some basic techniques of poetry and narrative literature, lyrical literature, and even essays.

It can be said that in this poem, he adopts the culmination of all stylistic expressions, according to the needs of expressing the theme and ideas, sometimes narrating, sometimes descripting, sometimes lyrical, sometimes discussing, and even integrating several expressive techniques to carry out internarrative and discussion, so that there is lyricism in the description, there is a description in the lyricism, and there is discussion in the narrative, so as to fully express his thoughts and feelings. However, because the length is too long (more than 10,000 words), I am afraid that once I publish it, I will be seen by the teacher or classmates, saying that he is deviant and violates the teacher's training and changes it to a novel.

At that annual meeting, Xu Yihuai and other poetry and prose masters also gave special lectures on poetry and prose creation.

Xu Yihuai is not only the undisputed prose master among contemporary prose writers, but also a prolific writer among contemporary writers, an evergreen tree in the Chinese literary circle, in the past 40 years, he has created more than 10 million words of long, medium and short poems and prose. His creations keep up with the pace of the times, touch the conscience of society and the soul of people, and his literary responsibility and feelings for his family and country are destined to become the spiritual coordinates of literary and artistic creation in this era.

The lecture was held in a relaxed and pleasant atmosphere, Xu Lao talked elegantly, approachable, and very affinity, and the nearly an hour of hearty conversation still made Long Fei unsatisfied.

In the capital, Long Fei unexpectedly met Mr. Wang Kunlun, a contemporary literary wizard and prose master. Wang Kunlun's prose content is vast, colorful, and extremely broad, and the unique experience of social life, the emotional changes in the individual's heart, and the philosophy of accidental perception can all be included in the text, and most of his prose is flashing with philosophical sparks.

In front of Mr. Wang Kunlun, a master, Long Fei suddenly felt like a high mountain.

Long Feisteal thought that the master must be very arrogant. Who knows that it is this master, there is no arrogance at all, and in conversation, he is always so approachable and amiable. When they talked about the topic of "prose everyone", Mr. Wang Kunlun talked about his opinion: when a person appears, there are thousands of students in the world; You can benefit the students, and you can also make the students lose and lose. Anybody, any guru, when you learn from him, you have to pull him under your feet, it's not arrogance, it's knowing its strengths, knowing its shortcomings, and getting the spirit to abandon the skin. Please don't make a fuss on the famous mountain, please don't make a fuss on the scenery, you go to daily life, let daily life come into prose, the real text is the new text, the new text is the strange text.

During the conversation, Mr. also talked about what is a good language: it is a good language!

Literary creation requires writers to originate from life, from the profound accumulation of life and a deep understanding of life, and with this awareness, there is also the foundation of the work.

Mr. Wang Kunlun, who has studied Chinese prose a lot, said: "Go deep into life, so that our senses can be keen, and our works can have a clear atmosphere, a fresh atmosphere, and a pure atmosphere." ”。

Feeling the wisdom of Mr. Wang Kunlun and being influenced by literature and art, Long Fei felt that he benefited a lot.

And just now, after listening to Professor Gong's impromptu poem, Long Fei's mind once again flashed the scene of the annual meeting of Chinese poetry and prose......